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Cover of Selected Letters of Martha Gellhorn by Martha Gellhorn

Selected Letters of Martha Gellhorn

by Martha Gellhorn

Sixty years of letters, edited by her biographer Caroline Moorehead. Faster, funnier and ruder than the prose Gellhorn published.

Published
2006Posthumous
Pages
544
Shelf rating
4.4

About Martha Gellhorn

Illustrated portrait of Martha Gellhorn
Martha Gellhorn

20 books shelved

The story, briefly

Spoiler-free

Caroline Moorehead gathered the correspondence from ten repositories across three countries and edited it into a single volume, published by Henry Holt in 2006. The letters run from Gellhorn's arrival in Paris at twenty-two through the wars, the books, the friendships and the marriage to Hemingway. Moorehead had already written the biography and had access Gellhorn's executors granted to no one else, and the connective narrative here comes from that work.

The story, in more detail

Moorehead drew the letters from ten repositories across three countries and six American states, which is a fair measure of how scattered a correspondence becomes when the writer moves every few years for sixty of them. The volume opens with Gellhorn newly arrived in Paris at twenty-two and closes at the end of a life spent largely in other people's wars. Between those points are the friendships, the quarrels, the work, the money, and the marriage to Hemingway, which she conducted partly by post and afterwards refused to discuss in public.

The letters are the argument for reading her at all. The published prose is controlled; the correspondence is fast, profane, funny and frequently unfair, and the two voices are recognisably the same person working at different pressures. What a reader should keep in view is that this is a selection made by her biographer, who had access no one else was given and a book of her own to support. Moorehead is the best-informed reader the material has ever had and she is not a neutral one.

Themes and analysis

These readings discuss events throughout the book, including its ending.

Paris, with a typewriter

Moorehead ends her preface with Gellhorn arriving in Paris, but explains earlier that this apparent beginning survives through other people's keeping. Gellhorn regretted the absence of a useful personal archive; her correspondents had preserved what she had not. The collection therefore offers something different from a memoir composed in retrospect: addresses to particular people become a life assembled for strangers. That intimacy is also edited. Moorehead acknowledges substantial cuts, while retaining sequences to Walton and Drake that convey a friendship developing through repeated exchanges. The volume's movement between a restless individual and enduring relationships is partly the work of selection.

An imagined arrival portrait looks back to the opening of the correspondence: Gellhorn in Paris at twenty-two, with a typewriter and a life still to be written. (Illustration — The Paris Atlas)

Keeping the conversation going

In the letter to her mother dated 19 August 1966, Gellhorn writes a message she hopes will never be read. Her departure for Vietnam puts two obligations into conflict: reporting from direct experience and protecting the person who fears for her. The affectionate address does not resolve that conflict. Instead, the letter turns an account of political conscience into a request for understanding and forgiveness. Its imagined reader matters as much as the war it discusses. Rather than presenting courage as freedom from attachment, this exchange shows the emotional cost of acting while remaining answerable to someone loved.

An imagined later-life correspondence portrait treats the letter as company. The private exchange continues beside the public life of reporting and travel. (Illustration — The Paris Atlas)

Why we recommend it

  1. Her private register

    The letters are funnier and ruder than the published prose, and the voice is recognisably the same one.

  2. The Hemingway years from her side

    Most accounts of that marriage descend from his circle. This is the counterweight.

  3. Gathered from ten archives

    The editorial work behind the book is the reason the correspondence exists in readable form at all.

What this book explores

Timeline

  1. 1930s

    The correspondence opens with Gellhorn newly arrived in Paris at twenty-two — the start of sixty years of letters through the wars, the books, and the marriage to Hemingway.

  2. 2006

    Caroline Moorehead, Gellhorn's biographer, gathers the letters from ten repositories across three countries, and Henry Holt publishes the selection; a Chatto & Windus edition follows in the UK.

  3. 2007

    Owl Books publishes the first paperback edition of Moorehead’s selection.

Book editions

Hardcover
Hardcover
Henry Holt and Company
2006
First edition, New York. A Chatto & Windus edition appeared in the UK.

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Selected Letters of Martha Gellhorn: frequently asked questions

Who edited the Selected Letters of Martha Gellhorn?

Caroline Moorehead, Gellhorn's biographer, who gathered the correspondence from ten repositories across three countries. It was published by Henry Holt in 2006.

What do the letters cover?

Gellhorn's life from her arrival in Paris at twenty-two through the wars, the books, the friendships, and the marriage to Ernest Hemingway.

Who was Martha Gellhorn?

A pioneering American war correspondent and novelist, one of the great reporters of the century, and briefly Hemingway's third wife.

Why read her letters?

For Gellhorn in her own unguarded voice across six decades — she was a formidable and very funny correspondent.

How were the letters collected?

Moorehead drew them from ten repositories across three countries and six American states — a measure of how far Gellhorn's restless life scattered them.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Selected Letters of Martha Gellhorn, its publication, and its place in literary history.

  1. 1Selected Letters of Martha Gellhorn

    Novel
    Martha Gellhorn, 2006
    Used for

    The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.

  2. 2Martha Gellhorn: A Life

    Biography
    Caroline Moorehead, 2003
    Used for

    Used to place Selected Letters of Martha Gellhorn within Martha Gellhorn's published work and verify its bibliographic context.

  3. 3Martha Gellhorn — War Correspondent and Writer | Blue Plaques

    Website
    English Heritage
    Used for

    Used for independent biographical, archival, or historical context surrounding Martha Gellhorn's career and the period in which Selected Letters of Martha Gellhorn appeared.

    View source
  4. 4Ernest Hemingway Collection — Martha Gellhorn (Hemingway) | EH@JFK, John F. Kennedy Presidential Library

    Website
    John F. Kennedy Presidential Library and Museum
    Used for

    Used to cross-check authorship, chronology, and the work's place in Martha Gellhorn's wider catalogue.

    View source
  1. 5Martha Gellhorn | Historic Missourians

    Website
    The State Historical Society of Missouri
    Used for

    Used to verify Martha Gellhorn's bibliography and place Selected Letters of Martha Gellhorn within the broader chronology of Martha Gellhorn's career.

    View source
  2. 6Helka Libraries — first Owl Books edition

    Website
    Used for

    Web source consulted for documented facts and historical context presented on the Selected Letters of Martha Gellhorn page.

    View source
  3. 7Selected Letters of Martha Gellhorn — editor's preface

    Website
    Henry Holt and Co. / Macmillan, 2006
    Used for

    Editor's preface, published as Macmillan's public excerpt, for the collection's archival and editorial construction.

    View source
  4. 8Martha Gellhorn to her mother, 19 August 1966

    Letters
    Letters of Note, 1966
    Used for

    Complete public transcription of the 19 August 1966 letter, explicitly credited to Moorehead's Selected Letters.

    View source
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Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

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