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Valperga

or, The Life and Adventures of Castruccio, Prince of Lucca

by Mary Shelley

Mary Shelley's second novel: a real fourteenth-century tyrant of Lucca, and the two invented women who love him and refuse to be ruled by him.

Published
1823
Pages
424
Era
Shelf rating
4.0

About Mary Shelley

Illustrated portrait of Mary Shelley
Mary Shelley

5 books shelved

The story, briefly

Spoiler-free

Valperga is Mary Shelley's historical novel about Castruccio Castracani, a real soldier who made himself ruler of Lucca in the early 1300s. Italy is split between two parties. The Guelphs side with the Pope and with Florence, and the Ghibellines side with the Emperor. Castruccio, a Ghibelline exile, grows from a charming boy into a cruel and brilliant prince. Two invented women stand against him. Euthanasia, Countess of Valperga, loves him but loves the freedom of Florence more. Beatrice, a young prophetess of Ferrara, believes heaven has given her to him. The novel was published in London in three volumes on 19 February 1823, as by the author of Frankenstein.

The story, in more detail

Mary Shelley began the book in Pisa in March 1820, under the title Castruccio, Prince of Lucca. She had first thought of the story in Marlow. She finished it at the end of August 1821 and spent the autumn copying it out.[1] Her husband, Percy Bysshe Shelley, offered it to the publisher Charles Ollier. He called the hero a little Napoleon, with a dukedom instead of an empire for his theatre. He said the chief interest of the book was Euthanasia.[2]

No deal came of it. In January 1822 the Shelleys sent the manuscript to her father, the philosopher William Godwin, and told him to keep whatever it earned. Godwin changed the title to Valperga, the name of Euthanasia's castle, and held the book back until 1823.[1] On 14 February 1823 he wrote to his daughter, by then a widow, that the novel was printed. He admitted he had taken great liberties with it. He also told her that Beatrice was the jewel of the book.[3]

Mary Shelley's preface names her sources. She says the Castruccio known in England came from Machiavelli's romance about him. She sends readers instead to Sismondi's history of the Italian republics, and says she also read Tegrino's life of Castruccio and Giovanni Villani's chronicle of Florence.[4] The historical Castruccio lived from 1281 to 1328. Euthanasia and Beatrice are the author's own inventions.[5]

Paris appears only briefly. After a campaign in Flanders for King Philip le Bel of France, the young Castruccio is invited to the Parisian court. He spends some weeks of the winter there, admired by the ladies and noticed by the French nobles, before going back to the army.[4]

The full plot

What happens, beginning to end — the ending included. Open when you're ready.

In 1301 the Guelphs drive Castruccio's Ghibelline family out of Lucca, when he is eleven. As a boy in Florence he meets Euthanasia dei Adimari, whose father reads the writers of ancient Rome with her and teaches her to love liberty. Castruccio's father dies, and the boy spends a year with Francis Guinigi, a soldier who has taken up farming.[4]

Castruccio goes to England, then fights in Flanders for the King of France under the Italian general Alberto Scoto. He winters at the court in Paris. On the road back into Italy he falls in with Benedetto Pepi, a scheming politician from Cremona. He then joins the court of the Emperor Henry at Milan. When Henry dies, the lord of Pisa restores him to Lucca. He visits Euthanasia at her castle of Valperga, in the hills near Lucca, and they agree to marry.[4]

In Ferrara Castruccio meets Beatrice, the adopted daughter of the city's bishop. The people revere her as a prophetess. She walks blindfold and barefoot over red-hot ploughshares, comes through unhurt, and is hailed as a saint. She believes heaven means her for Castruccio, and they become lovers. Then he tells her he must go back to Lucca, and leaves her.[6]

In Lucca, Castruccio drives three hundred families into exile. Euthanasia tells him that as the enemy of Florence he will never be her husband. He becomes Prince of Lucca and makes war on Florence. When Euthanasia will not give up Valperga, his soldiers take the castle and escort her to Lucca. He comes to her there and asks again. She refuses him, and forgives him.[6]

Years later Beatrice is thrown into the prison of the Inquisition at Lucca. At Euthanasia's request Castruccio has her freed. Euthanasia nurses her and hears her story. The bishop had told Beatrice that the ordeal was rigged to save her, and she had lost her faith in her visions. Afterwards a cruel and powerful man held her for three years in a house near Rome. A witch in the forest gives her a drug, and she dies in Euthanasia's care.[7]

How it ends — spoilers aheadThe final movement, ending included. Open when you're ready.

Castruccio tortures Florentine prisoners to force ransoms from their families. Euthanasia joins a plot to overthrow him, on condition that his life is spared. A priest named Tripalda betrays the conspiracy. Castruccio orders all the plotters put to death and keeps Euthanasia's fate for himself.

At night he comes to her cell and sends her away by ship to Sicily. A storm breaks the same evening. The ship is never seen again, and the next day a white silk handkerchief is found on the beach with some golden hairs in its knot. The closing chapter follows Castruccio to the height of his power in Rome. He dies of fever in Lucca on 3 September 1328.

Themes and analysis

These readings discuss events throughout the book, including its ending.

A little Napoleon

Mary Shelley wrote Valperga a few years after Napoleon's fall, and readers saw him in it straight away. Percy Bysshe Shelley described Castruccio to his publisher as a little Napoleon who brought to his small dukedom all the passions and errors of the original.

Blackwood's Edinburgh Magazine saw it too, and did not like it. Its March 1823 review said the reviewer was sick of the perpetual drumming at poor Buonaparte in novels. Even so, the review recommended Valperga as, on the whole, a clever novel. The British Association for Romantic Studies attributes the unsigned review to John Gibson Lockhart.

The novel shows Castruccio's cruelty growing step by step. He starts as a bright, likeable boy. He learns war under Alberto Scoto, whose camp the novel calls an evil school. By the third volume he is torturing prisoners for ransom and ordering a whole conspiracy put to death. The book never pretends he is stupid or a coward.

Euthanasia: love or Florence

Euthanasia's own account of her girlhood explains her politics. Her father read the writers of ancient Rome with her. Then, at a court in Lombardy, she heard a minstrel sing cantos of Dante's Divine Comedy, and she dates her love of liberty from that day. She came to connect wisdom with freedom. She says Florence was free, Dante was a Florentine, and only a free man could have written what she heard.

Her choice is the centre of the novel. She loves Castruccio from childhood and never stops. But she will not marry a man at war with Florence, and she tells him so. After his soldiers take her castle, she tells him she would rather woo the lion in his den than become the bride of a conqueror.

Florence was free, and Dante was a Florentine; none but a freeman could have poured forth the poetry and eloquence to which I listened

Euthanasia, in Valperga, Volume I, Chapter X

Beatrice, the jewel of the book

William Godwin called Beatrice the jewel of the book. Percy Bysshe Shelley went further. He told Ollier he knew nothing in Walter Scott's novels that came near her.

Beatrice believes her feelings come straight from God. When she falls in love with Castruccio, she takes the feeling as one more revelation. His departure breaks her faith as well as her heart. Her story is also the novel's darkest material: the Inquisition, an ordeal by fire, years held captive, and a witch's drug.

A forgotten novel, brought back

Valperga was not reprinted from the Romantic period until the 1970s. Full modern editions arrived in the 1990s: Nora Crook's for Pickering, Tilottama Rajan's for Broadview and Stuart Curran's for Oxford. Michael Rossington edited it for Oxford World's Classics in 2000.

Quotes from Valperga

Quoted verbatim from the text, each line verified against its source.

Florence was free, and Dante was a Florentine; none but a freeman could have poured forth the poetry and eloquence to which I listened
Euthanasia · Mary Shelley, Valperga (1823), Volume I, Chapter X
I had rather woo the lion in his den to be my husband, than become the bride of a conqueror.
Euthanasia · Mary Shelley, Valperga (1823), Volume II, Chapter XII
As the enemy of Florence I will never be yours
Euthanasia · Mary Shelley, Valperga (1823), Volume II, Chapter VII

All 5 Valperga quotes →

Why we recommend it

  1. The Mary Shelley novel after Frankenstein

    Her second novel, published five years after the first. The title page sold it simply as by the author of Frankenstein.

  2. Two heroines stronger than the hero

    Euthanasia rules her own castle and picks Florence over the man she loves. Beatrice is a prophetess whom Godwin called the jewel of the book.

  3. A tyrant readers took for Napoleon

    Percy Bysshe Shelley called Castruccio a little Napoleon, and Blackwood's complained about exactly that. The rise of a charming boy into a cruel prince still reads as a study of power.

What this book explores

The people in its pages

Castruccio Castracani was a real prince of Lucca. Euthanasia and Beatrice are invented. Their guides follow the 1823 text by volume and chapter and contain spoilers.

  • Castruccio Castracani

    A Ghibelline exile from Lucca who becomes a great general and then the city's ruthless prince.

  • Euthanasia dei Adimari

    Countess of Valperga, a Guelph brought up in Florence, who loves Castruccio and loves Florence's freedom more.

  • Beatrice

    The adopted daughter of the Bishop of Ferrara, revered as a prophetess, who believes heaven has given her to Castruccio.

  • Benedetto Pepi

    An old Ghibelline politician of Cremona, vain, clever and without scruple, whom Castruccio meets on his way back into Italy.

  • Bindo

    An albino whom Euthanasia keeps about her at Valperga. He reads the stars, and arms himself to defend her castle.

  • Tripalda

    A scheming priest who joins the conspiracy against Castruccio and then betrays it.

Bring it to book club

  • Euthanasia loves Castruccio all her life and still chooses Florence over him. Is she right?
  • Castruccio starts as a likeable boy. At what point, if any, does he become a villain?
  • Beatrice believes her feelings come from God. What does the novel think of that belief?
  • Percy Bysshe Shelley called Castruccio a little Napoleon. Does the comparison help or hurt the book?

A complete discussion guide is on our editorial calendar. Join the letter to hear when it ships.

Timeline

  1. 1820

    In March, in Pisa, Mary Shelley begins a novel she calls Castruccio, Prince of Lucca.

  2. 1821

    She finishes the novel at the end of August and copies it out through early December. Percy Bysshe Shelley offers it to the publisher Charles Ollier.

  3. 1822

    In January the Shelleys send the manuscript to William Godwin, who is to keep the money it earns. He renames it Valperga.

  4. 1823

    G. and W. B. Whittaker publish Valperga in London in three volumes on 19 February. Five days earlier Godwin wrote that Beatrice was the jewel of the book.

  5. 1823

    Blackwood's Edinburgh Magazine reviews it in March and recommends it as, on the whole, a clever novel.

  6. 1998

    Broadview Press publishes Tilottama Rajan's edition, one of the first full modern editions.

  7. 2000

    Oxford World's Classics publishes Michael Rossington's edition.

Book editions

Hardcover
Hardcover
G. and W. B. Whittaker, London
1823
The first edition, in three volumes, published on 19 February 1823 as by the author of Frankenstein. Pre-ISBN. Free from Project Gutenberg as ebooks 63337, 63338 and 63339.
Paperback edition cover
Paperback
Broadview Press
1998
ISBN-13
9781551111445
Broadview Literary Texts, edited by Tilottama Rajan. 492 pages.
Paperback edition cover
Paperback
Oxford University Press
2000
ISBN-13
9780192832894
Oxford World's Classics, edited with an introduction and notes by Michael Rossington. xxxiv + 424 pages. Quotations here are checked against the 1823 text on Project Gutenberg, not this edition.

Reader reviews

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Cover of Frankenstein by Mary Shelley

Frankenstein

Mary Shelley

The novel Valperga was sold on. Its title page calls the author simply the author of Frankenstein.

Read our take
Cover of The Last Man by Mary Shelley

The Last Man

Mary Shelley

Mary Shelley's next novel after Valperga, published three years later. Both follow a gifted friend's ambition through war and loss.

Read our take
Cover of Mathilda by Mary Shelley

Mathilda

Mary Shelley

Written in Italy in 1819, months before Mary Shelley began Valperga. Its narrator is another young woman whose life is wrecked by a man's love.

Read our take
Cover of Queen Margot by Alexandre Dumas

Queen Margot

Alexandre Dumas

Alexandre Dumas's novel of faction war, with a princess caught between her own loyalties and the killing around her.

Read our take

Valperga: frequently asked questions

What is Valperga about?

Valperga follows Castruccio Castracani, a real soldier who became ruler of Lucca in the early 1300s. The novel also follows the two women who love him. Euthanasia, Countess of Valperga, chooses the freedom of Florence over him. Beatrice, a young prophetess, is ruined by her love for him.

Was Castruccio Castracani a real person?

Yes. He lived from 1281 to 1328 and ruled Lucca. Mary Shelley's preface names her sources, including Sismondi's history of the Italian republics and Giovanni Villani's chronicle. Euthanasia and Beatrice are her own inventions.

When was Valperga published?

On 19 February 1823, in three volumes, by G. and W. B. Whittaker in London. Mary Shelley began it in March 1820 and finished it in August 1821. Her father, William Godwin, arranged the publication.

Why is it called Valperga?

Valperga is Euthanasia's castle in the hills near Lucca. Mary Shelley called the novel Castruccio, Prince of Lucca. Her father changed the title before it was published.

Does Valperga have anything to do with Paris?

Only briefly. After fighting in Flanders for King Philip of France, the young Castruccio spends some weeks of a winter at the court in Paris. The rest of the novel is set in Italy, with short stays in England and Flanders.

Is Castruccio meant to be Napoleon?

Not literally, but readers made the link at once. Percy Bysshe Shelley called him a little Napoleon. The Blackwood's review of March 1823 complained of the perpetual drumming at poor Buonaparte.

Where can I read Valperga?

The 1823 text is free from Project Gutenberg, as ebooks 63337, 63338 and 63339. The Oxford World's Classics paperback, edited by Michael Rossington, is ISBN 9780192832894.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Valperga, its publication, and its place in literary history.

  1. 1abA Chronology of the Life of Mary Wollstonecraft Shelley: 1817–1824

    Website
    University of Valencia; chronology by Shanon Lawson
    Used for

    Shanon Lawson's scholarly chronology, for the dates of writing, the handover to Godwin and publication.

    View source
  2. 2The Life and Letters of Mary Wollstonecraft Shelley, Volume 1

    Biography
    Richard Bentley and Son, London; Project Gutenberg, eBook #37955, 1889
    Used for

    Prints Percy Bysshe Shelley's letter offering the novel to Ollier. Marshall dates it 25 September 1822, after Percy Shelley's death, so the year is a misprint.

    View source
  3. 3The Life and Letters of Mary Wollstonecraft Shelley, Volume 2

    Biography
    Richard Bentley and Son, London; Project Gutenberg, eBook #37956, 1889
    Used for

    Godwin's letter saying the novel is printed, that he took great liberties with it, and that Beatrice is the jewel of the book.

    View source
  4. 4abcdValperga: or, The Life and Adventures of Castruccio, Prince of Lucca, Volume 1 (1823), full text

    Novel
    Project Gutenberg, eBook #63337, 1823
    Used for

    The primary text of volume one, for the preface, Castruccio's youth, the Paris court and Euthanasia's narrative.

    View source
  5. 5Valperga (Oxford World's Classics), ed. Michael Rossington — catalogue page with publisher's synopsis

    Website
    AbeBooks
    Used for

    The Oxford World's Classics catalogue entry and publisher's synopsis, for the binding and for Castruccio's dates.

    View source
  6. 6abValperga: or, The Life and Adventures of Castruccio, Prince of Lucca, Volume 2 (1823), full text

    Novel
    Project Gutenberg, eBook #63338, 1823
    Used for

    The primary text of volume two, for Beatrice, the break with Euthanasia and the fall of Valperga. Quotations were checked word for word.

    View source
  1. 7Valperga: or, The Life and Adventures of Castruccio, Prince of Lucca, Volume 3 (1823), full text

    Novel
    Project Gutenberg, eBook #63339, 1823
    Used for

    The primary text of volume three, for Beatrice's death, the conspiracy, the ending and the Conclusion. Not every chapter of the novel was read in full.

    View source
  2. 8Review of Valperga, Blackwood's Edinburgh Magazine, vol. 13, no. 74 (March 1823)

    Periodical
    William Blackwood, Edinburgh, 1823
    Used for

    The March 1823 review, read in the Internet Archive scan of the issue.

    View source
  3. 9On This Day in 1823 – Mary Shelley's Valperga was first published

    Website
    British Association for Romantic Studies (BARS) Blog, 2023
    Used for

    The British Association for Romantic Studies' bicentenary post, for the reviewer's name and the modern editions.

    View source
  4. 10Valperga — Open Library edition records (work OL450114W)

    Website
    Open Library, Internet Archive
    Used for

    Library catalogue records, for the Broadview and Oxford ISBNs.

    View source
  5. 11Valperga

    Novel
    Mary Shelley, 1823
    Used for

    The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.

i
Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

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