
A Moveable Feast
The clearest comparison: two writers remembering youth, little money, and artistic ambition in 1920s Paris.
Read our takeMemoirs of Montparnasse
John Glassco
by John Glassco
John Glassco’s lively memoir of arriving in Paris at nineteen and spending the end of the 1920s among Montparnasse writers, artists, rented rooms, and late nights.
In 1928, John Glassco left Montreal for Paris with his friend Graeme Taylor and tried to build a life around writing, drinking, sex, and the freedom of being far from home. The memoir follows their years in Montparnasse and the literary people they met there. Glassco wrote with more comic recklessness than Hemingway, and he also reshaped parts of the experience when remembering it decades later.
Glassco arrives in Paris as a nineteen-year-old would-be poet and moves through cheap rooms, cafés, parties, friendships, love affairs, and encounters with the expatriate literary world. The book is less a formal history of Montparnasse than a young writer’s account of trying to live freely inside it.
The experience ends when his money and health fail. Because Glassco wrote the book decades later and fictionalized parts of the story, it should be read as a vivid memoir rather than a complete historical record.
It shares A Moveable Feast’s rented rooms, literary ambitions, café life, and remembered youth.
Glassco is more openly reckless, sexual, and comic than Hemingway.
Glassco arrived in 1928, after the earliest Lost Generation years Hemingway remembers.


The clearest comparison: two writers remembering youth, little money, and artistic ambition in 1920s Paris.
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Sylvia Beach supplies the bookseller’s record of the literary world Glassco entered near the end of the decade.
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Another autobiographical expatriate account, set in a poorer and more chaotic Paris in the following decade.
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