
The Cosmological Eye
An earlier collection with the same purpose: Miller that could legally be sold in America.
Read our take
by Henry Miller
A 1955 mass-market paperback of Henry Miller's legal writing, sold for twenty-five cents while his major books were still banned in America.
In 1955, Henry Miller's most famous books were still banned in the United States, but a selection of his other writing could be sold anywhere. New American Library's Signet line published this one as a twenty-five-cent paperback: stories and self-contained pieces, with an introduction by the poet and critic Kenneth Rexroth. For many American readers it was the first Miller they could buy. (It's a sampler — nothing to spoil.)
By the mid-1950s Miller was internationally famous, but the Tropics could not legally be sold in America. This paperback collected work that could: stories and episodes from the Paris and American years, led by 'Mademoiselle Claude,' a story from Miller's earliest days in Paris, written before Tropic of Cancer was published. Signet sold it on drugstore racks for twenty-five cents, which gave Miller the largest legal American audience he had ever had.
The introduction is the part critics still cite. Kenneth Rexroth — poet, critic, and a central figure in the San Francisco literary scene that produced the Beats — argued that Miller was a serious American writer in the tradition of Whitman, and that his real readership was ordinary working people rather than the literary world. It was one of the first serious American assessments of Miller, published six years before the Grove Press edition of Tropic of Cancer brought the question to court.
Stories and self-contained episodes from the Paris and American years, chosen to be readable on their own, with 'Mademoiselle Claude' leading and Rexroth's essay in front.
It still works as a sampler. Its first readers could go no further legally; readers today can.
One of the first serious American arguments for Miller as a major writer, made in a twenty-five-cent paperback.
The selections favor stories over essays, which makes this an easy place to try his voice.
The price, the cover, and the careful contents preserve what reading Miller legally in 1950s America looked like.
early 1930s
Miller writes 'Mademoiselle Claude,' the story that later leads the book, in his first years in Paris.
1955
Signet publishes the selection as a twenty-five-cent paperback with Kenneth Rexroth's introduction.
1961
Grove Press publishes Tropic of Cancer in America and wins the court fight; the banned books become legal.

An earlier collection with the same purpose: Miller that could legally be sold in America.
Read our take
The banned book this sampler pointed readers toward, six years before it became legal.
Read our take
The other 1950s anthology of legal Miller — larger, in hardcover, edited by Lawrence Durrell.
Read our takeHenry Miller. It was a Signet paperback original published in 1955, with an introduction by Kenneth Rexroth.
A paperback anthology of stories and self-contained pieces Miller could legally publish in America, issued by Signet in 1955 while his major books were still banned.
Kenneth Rexroth's essay was one of the first serious American assessments of Miller, arguing that he was a major American writer in the tradition of Whitman.
It was the first Miller many American readers could buy. At twenty-five cents on drugstore racks, it reached a far larger audience than any of his earlier legal books.
"Mademoiselle Claude," a story about a Montparnasse prostitute, written in Miller's earliest days in Paris before Tropic of Cancer was published.