
Giovanni's Room
An American in Paris, engaged to one person and in love with another, in Baldwin's shortest novel.
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by Alan Hollinghurst
Queer freedom in 1980s London meets class, power, loneliness, and the lives that came before it.
Will is young, wealthy, sexually confident, and living with little of David's hesitation about sleeping with men. Yet loneliness, class, exploitation, and queer history remain impossible to escape.
A privileged young man is drawn into another man's history while moving through the pleasures and power structures of queer London.
It asks what changes—and what does not—when sexual freedom expands beyond Baldwin's world.

An American in Paris, engaged to one person and in love with another, in Baldwin's shortest novel.
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Desire, beauty, class, and conditional acceptance inside wealthy 1980s Britain.
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A boy learns shame early and tries every available way to turn himself into someone else.
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American poet and novelist of Los Angeles rooming houses, racetracks and the post office, who quit his job to write when a publisher offered him a hundred dollars a month. He came to Paris once, in September 1978, drank his way through a live television book programme and walked off the set — and French television has been replaying it ever since.
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Jamaican-born poet and novelist, and one of the essential writers of the Harlem Renaissance. He arrived in Paris from Moscow in 1923 and stayed in France until 1928, writing Home to Harlem there — and forming a low opinion of the rich, white expatriate scene that dominates most accounts of the period. His Paris is the same years as Hemingway's and almost nothing like it.
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War correspondent who covered the Spanish Civil War, D-Day, and conflicts across five more decades; Hemingway's third wife, 1940–1945.
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