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· Jamaican-American · 1889–1948

Claude McKay

Jamaican-born poet and novelist, and one of the essential writers of the Harlem Renaissance. He arrived in Paris from Moscow in 1923 and stayed in France until 1928, writing Home to Harlem there — and forming a low opinion of the rich, white expatriate scene that dominates most accounts of the period. His Paris is the same years as Hemingway's and almost nothing like it.

6 books on our shelves

Details

Lived
1889–1948
Born
1889
Birthplace
Sunny Ville, Clarendon, Jamaica
Died
22 May 1948
Place of death
Chicago, United States
Nationality
Jamaican-American
Profession
Poet, novelist, journalist
Major works
Harlem Shadows (1922); Home to Harlem (1928), written in France; Banjo (1929), set among Black seamen in Marseille; Banana Bottom (1933); the memoir A Long Way from Home (1937)
Roles
PoetAuthorJournalist

About Claude McKay

Jamaican-American poet and novelist of the Harlem Renaissance

Claude McKay was born in Jamaica in 1889 and came to the United States in 1912. By the early twenties he was among the defining voices of the Harlem Renaissance, best known for the sonnet 'If We Must Die' and the 1922 collection Harlem Shadows. He was also a committed radical, and in 1922 he travelled to the Soviet Union, where he was received with an enthusiasm that briefly made him a celebrity.

He left Russia in May 1923 and came west. He was in Paris from late August 1923, fell seriously ill with influenza in December, and stayed on in France, on and off, until 1928 — the exact years that produced the standard Lost Generation story.

His account of it does not match that story at all. McKay liked the cosmopolitanism of the city and had little time for the expatriate circles themselves, which were largely rich and largely white, and whose social codes he found tedious. He is not in the memoirs of that Paris because he was not particularly trying to be, and the cafés of Montparnasse and the cabarets of Montmartre did not hold him the way they held the Americans with money. It is a useful correction: there was more than one expatriate Paris running at the same time, and they barely overlapped.

The writing went badly and then very well. He worked on a novel called Color Scheme, could not place it with a publisher, and destroyed the only manuscript. Then in 1928 came Home to Harlem, written in France, which became a genuine commercial success and the first bestseller by a Black American novelist — and which W. E. B. Du Bois publicly detested for what he saw as its appetite for low life. Banjo followed in 1929, set among Black sailors and drifters in the port of Marseille rather than in literary Paris, which tells you where McKay's real interest in France lay.

He returned to the United States in 1934, published the memoir A Long Way from Home in 1937, converted to Catholicism in the 1940s, and died in Chicago in 1948. His reputation has grown steadily since, helped by the recovery of manuscripts he never got into print — including a full novel, Amiable with Big Teeth, identified in an archive in 2009 and published in 2017.

Claude McKay published across four decades and three continents, in two languages, and a substantial part of his work reached print only after his death. The list below covers the book-length primary bibliography: original books, works first published in translation, posthumously recovered manuscripts, correspondence, and the principal collected editions. It does not treat every modern reprint or standalone printing of an individual poem as a separate work.

Original and authorial works

  • Songs of Jamaica (1912) — Poetry collection. First edition: Kingston, Jamaica: A. W. Gardner & Co., 1912. His first published book, written largely in Jamaican dialect.
  • Constab Ballads (1912) — Poetry collection. First edition: London: Watts & Co., 1912. Poems drawing on his brief service in Jamaica's constabulary.
  • Spring in New Hampshire and Other Poems (1920) — Poetry collection. First edition: London: Grant Richards, 1920. Several poems were later revised or absorbed into Harlem Shadows.
  • Harlem Shadows: The Poems of Claude McKay (1922) — Poetry collection. First edition: New York: Harcourt, Brace and Company, 1922. Contains most of the poems he is known for, among them 'If We Must Die', 'America', 'The Harlem Dancer', 'The Tropics in New York' and 'To One Coming North'.
  • Negry v Amerike / The Negroes in America (1923) — Political and social essays. First published in Russian: Moscow and Petrograd: Gosizdat, 1923. The English manuscript did not survive in publishable form; the work returned to English through a translation of the Russian, edited by Alan L. McLeod and translated by Robert J. Winter (Kennikat Press, 1979). Some older references date the Russian edition to 1924; the stronger catalogue evidence supports 1923.
  • Sudom lincha / Trial by Lynching: Stories About Negro Life in North America (1925) — Short-story collection. First published in Russian: Moscow: Ogonek, 1925. The first English edition was reconstructed by translating the Russian back into English, translated by Robert Winter and edited by Alan L. McLeod (University of Mysore, 1977).
  • Home to Harlem (1928) — Novel. First edition: New York: Harper & Brothers, 1928. His first published novel, and the first novel by a Black American writer to become a bestseller.
  • Banjo: A Story Without a Plot (1929) — Novel. First edition: New York: Harper & Brothers, 1929. Set among Black sailors, labourers, musicians and migrants in Marseille, and the most important of his books for France.
  • Gingertown (1932) — Short-story collection. First edition: New York: Harper & Brothers, 1932. Stories set across Jamaica, Harlem, Europe and North Africa.
  • Banana Bottom (1933) — Novel. First edition: New York: Harper & Brothers, 1933. A Jamaica-set novel centred on Bita Plant and the conflict between colonial expectation and Jamaican life.
  • A Long Way from Home (1937) — Autobiography. First edition: New York: Lee Furman, Inc., 1937. Covers his travels and his encounters with political and literary circles in the United States, London, Moscow, Berlin, Paris and Marseille.
  • Harlem: Negro Metropolis (1940) — Social history and essays. First edition: New York: E. P. Dutton & Co., 1940. A study of Harlem's institutions, politics, religious organisations, businesses and daily life.
  • My Green Hills of Jamaica and Five Jamaican Short Stories (1979) — Autobiographical prose and short stories, edited by Mervyn Morris. First edition: Kingston: Heinemann Educational Books Caribbean, 1979. Combines his unfinished Jamaican autobiography with five stories, and is a distinct posthumous work rather than another edition of A Long Way from Home.
  • Harlem Glory: A Fragment of Aframerican Life (1990) — Unfinished novel, with a preface by Carl Cowl. First edition: Chicago: Charles H. Kerr Publishing Company, 1990. Written in the 1930s and unpublished in his lifetime. Some retail records show 1988; the publisher and archival records support 1990.
  • Amiable with Big Teeth: A Novel of the Love Affair Between the Communists and the Poor Black Sheep of Harlem (2017) — Novel, edited by Jean-Christophe Cloutier and Brent Hayes Edwards. First edition: New York: Penguin Classics, 2017. Written around 1941; the lost manuscript was authenticated after its rediscovery in 2009.
  • Romance in Marseille (2020) — Novel, edited by Gary Edward Holcomb and William J. Maxwell. First completed publication: New York: Penguin Classics, 2020. Written in the late 1920s and early 1930s. A 2001 University of Exeter Press edition appears in some catalogue records but the evidence indicates it never reached ordinary publication.
  • Letters in Exile: Transnational Journeys of a Harlem Renaissance Writer (2025) — Correspondence, edited by Brooks E. Hefner and Gary Edward Holcomb. First edition: New Haven: Yale University Press, 2025. A scholarly collection of previously unpublished letters spanning roughly two decades.

Principal selected and collected editions. These are significant publications, but they gather work published earlier rather than constituting new writing.

  • Selected Poems of Claude McKay (1953) — Selected poetry. New York: Bookman Associates, with an introduction by John Dewey and a biographical note by Max Eastman. Published shortly after his death and important in keeping the poetry in print.
  • The Dialect Poetry of Claude McKay (1972) — Poetry, facsimile reissue. Freeport, New York: Books for Libraries Press, with a preface by Wayne F. Cooper. A two-volume republication of Songs of Jamaica and Constab Ballads. The title is Dialect, not Dialectic.
  • The Passion of Claude McKay: Selected Poetry and Prose, 1912–1948 (1973) — Selected poetry and prose, edited by Wayne F. Cooper. New York: Schocken Books.
  • Complete Poems (2004) — Complete poetry, edited by William J. Maxwell. Urbana and Chicago: University of Illinois Press. The definitive scholarly collection, with more than 300 poems including nearly 100 not previously published. Some bibliographies give 2008, the date of a later paperback.
  • The Collected Articles of Claude McKay (2022) — Article anthology. Read & Co. Books. A short modern commercial collection of roughly fifty pages rather than a comprehensive scholarly edition; the title overstates its completeness.

Chronological List

  • 1912 — Songs of Jamaica — Poetry
  • 1912 — Constab Ballads — Poetry
  • 1920 — Spring in New Hampshire and Other Poems — Poetry
  • 1922 — Harlem Shadows — Poetry
  • 1923 — Negry v Amerike / The Negroes in America — Essays and social criticism
  • 1925 — Sudom lincha / Trial by Lynching — Short stories
  • 1928 — Home to Harlem — Novel
  • 1929 — Banjo — Novel
  • 1932 — Gingertown — Short stories
  • 1933 — Banana Bottom — Novel
  • 1937 — A Long Way from Home — Autobiography
  • 1940 — Harlem: Negro Metropolis — Social history and essays
  • 1953 — Selected Poems of Claude McKay — Selected poetry
  • 1972 — The Dialect Poetry of Claude McKay — Collected poetry, reissue
  • 1973 — The Passion of Claude McKay — Selected poetry and prose
  • 1979 — My Green Hills of Jamaica and Five Jamaican Short Stories — Autobiography and stories
  • 1990 — Harlem Glory — Unfinished novel
  • 2004 — Complete Poems — Complete poetry
  • 2017 — Amiable with Big Teeth — Novel
  • 2020 — Romance in Marseille — Novel
  • 2022 — The Collected Articles of Claude McKay — Article anthology
  • 2025 — Letters in Exile — Correspondence

Life events

  1. 1889

    Born in Sunny Ville, Clarendon, Jamaica.

  2. 1922

    Publishes Harlem Shadows and travels to the Soviet Union.

  3. 1923

    Leaves Russia in May; in Paris from late August, and ill with influenza in December.

  4. 1923–1928

    Based in France; abandons and destroys the manuscript of Color Scheme.

  5. 1928

    Home to Harlem is published and becomes a bestseller.

  6. 1929

    Banjo appears, set among Black seamen in Marseille.

  7. 1948

    Dies in Chicago on 22 May.

Movements

The artistic and literary currents this life ran through.

Pen-and-ink illustration of a 1920s Harlem avenue at night: a young Black poet holding a book talks with a woman in a beaded dress while musicians carry a trumpet and trombone into a club under a glowing marquee, the crowd and brownstones behind them swept with one gold brush stroke

Cultural movement · c. 1918 – mid-1930s

The Harlem Renaissance

McKay is one of the defining writers of the Harlem Renaissance, best known for the sonnet If We Must Die and the 1922 collection Harlem Shadows. He wrote Home to Harlem in France between 1923 and 1928.

Claude McKay; Claude McKay's Harlem Renaissance Public

Books by Claude McKay

Picaresque

Black seamen, drifters and musicians on the Marseille waterfront — the novel that gave Négritude its vocabulary, written by a Jamaican who preferred the docks to literary Paris.

4.4

Questions about Claude McKay

Was Claude McKay part of the Lost Generation in Paris?

He was in France for exactly those years, 1923 to 1928, but not part of that scene. He found the expatriate circles rich, white and tiresome, and his French writing looks toward the port of Marseille rather than the cafés of Montparnasse.

What did Claude McKay write in France?

Home to Harlem, published in 1928, was written there. He also worked on a novel called Color Scheme, failed to place it, and destroyed the manuscript.

Why was Home to Harlem controversial?

It sold well and was attacked from within the movement it belonged to. W. E. B. Du Bois objected strongly to its interest in Harlem's night life, seeing it as feeding white appetite for Black low life rather than advancing the race.

Is there recently discovered work by McKay?

Yes. A complete unpublished novel, Amiable with Big Teeth, was identified in an archive in 2009 and published in 2017.

Sourced claims

Every connection the graph holds for Claude, with the evidence behind it.

Associated with

The Harlem Renaissance

McKay is one of the defining writers of the Harlem Renaissance, best known for the sonnet If We Must Die and the 1922 collection Harlem Shadows. He wrote Home to Harlem in France between 1923 and 1928.

Claude McKay; Claude McKay's Harlem Renaissance Public

References

References

The sources below include biographies, scholarly essays, interviews, and primary materials that informed this page. They reflect both the historical record and ongoing critical conversations about Claude McKay and their work.

  1. 1Claude McKay

    Poetry Foundation
    View source
  2. 2Claude McKay's Harlem Renaissance Public

    Public Humanities (Cambridge University Press)
    View source
  1. 3From Harlem to Marseilles: A Journey with Claude McKay

    Seton Hall University
    View source
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Why these sources are here

These references anchor the page in the documented record and in the scholarly conversations around Claude McKay. Every claim on this page traces back to one or more of the works listed here.

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