The Paris AtlasCharting the artists, works, and places worth returning to.
Illustrated portrait of Arthur Edison Hope

A character in The Swimming-Pool Library

Arthur Edison Hope

Will’s young Black working-class lover, whose fear exposes the limits of their intimacy.

What they want

Sex, affection, safety, and escape from the trouble surrounding Harold.

The book

Cover of The Swimming-Pool Library by Alan Hollinghurst
The Swimming-Pool LibraryAlan Hollinghurst, 1988

Queer freedom in 1980s London meets class, power, loneliness, and the lives that came before it.

View the book

Who they are in the book

Spoiler-free

Arthur is a young Black man from the East End and Will’s lover at the opening.

His world is tied to his brother Harold and a danger Will can shelter him from only temporarily.

Will’s account often turns racial and class difference into erotic fascination.

How the book draws them

Appearance, manner, and tone — as the book sketches them, in our words.

  • GuardedHe protects himself beneath bravado.
  • Working-classHis circumstances contrast with Will’s inherited security.
  • VulnerableHe comes to Will believing he has killed someone.
  • EroticizedWill often sees his body before his circumstances.
  • Family-boundHarold’s network continues to shape his options.
  • Independent of WillHe returns to his own world rather than becoming Will’s project.
What happened to TonyHow the book leaves them, what happened after, and what the record says. Open when you're ready.

Arthur hides because he believes Tony died in their fight.

Tony is later revealed alive, and Arthur returns to Harold’s orbit.

If you like The Swimming-Pool Library

Four books that share themes, tone, or setting with this one.

If you like Alan Hollinghurst

Explore authors with a similar voice, perspective, and influence.

  • Illustrated portrait of Charles Bukowski

    Charles Bukowski

    American poet and novelist of Los Angeles rooming houses, racetracks and the post office, who quit his job to write when a publisher offered him a hundred dollars a month. He came to Paris once, in September 1978, drank his way through a live television book programme and walked off the set — and French television has been replaying it ever since.

    View author
  • Illustrated portrait of Claude McKay

    Claude McKay

    Jamaican-born poet and novelist, and one of the essential writers of the Harlem Renaissance. He arrived in Paris from Moscow in 1923 and stayed in France until 1928, writing Home to Harlem there — and forming a low opinion of the rich, white expatriate scene that dominates most accounts of the period. His Paris is the same years as Hemingway's and almost nothing like it.

    View author
  • Illustrated portrait of Martha Gellhorn

    Martha Gellhorn

    War correspondent who covered the Spanish Civil War, D-Day, and conflicts across five more decades; Hemingway's third wife, 1940–1945.

    View author