Love Is a Dog from Hell
Charles Bukowski
You Get So Alone at Times That It Just Makes Sense
Charles Bukowski
The mid-1980s poems: the San Pedro years, the cats, the childhood resurfacing, and the loneliness given its full name in the title.
You Get So Alone at Times That It Just Makes Sense, published by Black Sparrow Press in 1986, collects Charles Bukowski's poems from the settled San Pedro years — the better house, the marriage to Linda Lee, the computer still a few years off — without the settling reaching the poems' subjects. Childhood and the violent father resurface; the cats arrive as recurring characters; the racetrack, the drinking and the dead friends hold their places. The title is the collection's whole argument: solitude not as a complaint but as a working condition, chosen and defended.
The collection sits between the desire-driven middle poetry and the openly elegiac late books. Its strongest poems look backward — at the Depression childhood, the father, the early rooming houses — with the steadiness of a man no longer inside them, and sideways at the small durable comforts of the late life: the cats, the classical music on the radio, the typewriter at night.
The armor comes off further here than anywhere in the poetry: childhood, cats, dead friends, and the loneliness named in the title.
Settled circumstances sharpened rather than dulled the poems; the material just moved from the bars to the memory.
1980
Bukowski moves to San Pedro, the setting and circumstance of the collection.
1986
Black Sparrow Press publishes the collection.

Charles Bukowski's 1986 collection gathers poems from his settled San Pedro years: the childhood and the violent father resurfacing in memory, the cats of the late life, the racetrack, dead friends, and solitude treated as a working condition rather than a complaint.
It works, though Love Is a Dog from Hell is the more common entry. Start here if the quieter, more inward Bukowski appeals more than the barroom one.
Bukowski shared the San Pedro house with a shifting population of cats and loved them without reservation — in these poems they carry the tenderness the persona withheld elsewhere.
Black Sparrow Press published it in 1986; Ecco keeps it in print.
The title sentence describes solitude as something that eventually makes sense — the collection treats being alone as the condition his writing life required and defended, not as despair.
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