Book of Friends
by Henry Miller
At eighty-four, the rememberer goes back to the beginning: the boys of the Fourteenth Ward, named and thanked one by one.
- 1976
About Henry Miller
The story, briefly
Spoiler-freeThe first panel of the late trilogy: Miller in his mid-eighties, writing from Pacific Palisades, summons the friends of his Brooklyn boyhood — the gang of the old Fourteenth Ward, led by Stanley, the fierce Polish comrade of the street years — and pays each one the tribute of total recall. No scandal, no doctrine: just the astonishing fact that the old man could still smell the streets of 1900, and loved everyone on them. The gentlest sustained performance of his life. (Portraits — nothing here to spoil.)
The story, in more detail
Capra Press of Santa Barbara, the small house that kept late Miller in print, proposed the perfect project: a book of friends, taken in order of appearance. Volume one belongs to childhood — the Driggs Avenue world of the 1890s and 1900s that Black Spring had mythologized, now revisited person by person: Stanley Borowski, the volatile best friend whose approval mattered more than any adult's; the boys of the street and the lots; the first loyalties and treacheries that, Miller insists, formed him more than any book or city after.
What distinguishes it from ordinary reminiscence is the thesis, stated outright: that the friendships of boyhood are the originals, and everything after — Paris, the Villa Seurat, the famous circle — ran on patterns set before he was twelve. Read against the rest of the shelf it is a key: the gang loyalty, the talker's competition, the horror of respectability all begin here, in games and feuds remembered with a clarity that borders on the supernatural. He wrote it at the same age his own grandfathers had been in those streets; the tenderness is earned both directions.
What's inside
Portraits in order of appearance: Stanley first and always — the friendship of fierce loyalty and fiercer quarrels that set the pattern for every intense alliance after — then the boys of the Fourteenth Ward streets, the games, gangs, dares, and codes of a Brooklyn neighborhood in the century's first years, each friend rendered whole: looks, voice, fate, and what he taught the future rememberer.
The chapters stand alone like the friendships did. Read one per evening; the book was written at that tempo, one resurrected companion at a time.
Why we recommend it
The gentlest Miller
No rage, no sex, no scores — the pure portraitist, working in gratitude at the end of the line.
The Brooklyn Rosetta stone
The street codes decoded here explain half the loyalties and feuds of the Paris books.
Old-age recall as art form
The prose performs its own subject: memory, holding everything, to the last marble and dare.
What this book explores
Timeline
1976
Capra Press of Santa Barbara publishes the trilogy's first panel — the boys of the old Fourteenth Ward, Stanley Borowski first, recalled in Miller's mid-eighties.
1978
The gallery continues in My Bike and Other Friends, volume two.
Book editions
Hardcover
- Hardcover
- Capra Press
- 1976
Reader reviews
Readers may also like
Sunday After the War
'Reunion in Brooklyn' is the bridge — the return visit these portraits complete.
Read our takeBook of Friends: frequently asked questions
Who wrote Book of Friends?
Henry Miller. Capra Press of Santa Barbara published it in 1976, when Miller was in his mid-eighties.
What is Book of Friends about?
The first panel of a late trilogy: Miller summons the friends of his Brooklyn boyhood — the gang of the old Fourteenth Ward, led by Stanley, the fierce Polish comrade of the street years — and pays each one the tribute of total recall.
Who is Stanley?
Stanley Borowski, the volatile best friend of the Fourteenth Ward whose approval mattered more than any adult's — the keystone of the gallery and the original of every fierce alliance on the shelf.
What is its argument?
That the friendships of boyhood are the originals, and everything after — Paris, the Villa Seurat, the famous circle — ran on patterns set before he was twelve.
How does it read compared to his other books?
It is the gentlest sustained performance of his life — no scandal, no doctrine, just the pure portraitist working in gratitude at the end of the line.