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An orange wall standing on a paved court beside a highway, lettered CRACK IS WACK across the top in fat black capitals filled with dots, each word inside a cloud-shaped bubble, with NYC and 1986 in plain characters at the top right. Below the lettering the orange field is packed with black-outlined figures, a large skull with a circled X for each eye, a figure holding a rounded vessel on a stem at the lower left, and a torn dollar bill marked $0 with three tongues of flame rising from it. A green highway sign reading EXIT 17 and RFK Br stands at the upper left, with a chain-link fence, the Harlem River Drive and trees around the court

Artwork reproduction

Painting

Crack Is Wack

by Keith Haring

An orange wall carrying the words CRACK IS WACK in fat black capitals filled with dots, above a mass of black-outlined figures, a skull with crossed eyes, a burning dollar bill and flames. Keith Haring painted it in 1986 on a handball court beside the Harlem River Drive. The New York City Department of Parks and Recreation maintains it as a public artwork, and the playground around it is named after it.

Created
1986
Medium
Paint on both faces of a concrete handball court wall
Where to see it
New York City Department of Parks and RecreationNew York, United States

About Keith Haring

Illustrated portrait of Keith Haring
Keith Haring

5 works catalogued

What the mural shows

The whole wall is orange and every mark on it is black. CRACK IS WACK is lettered across the top in fat capitals, each letter drawn in outline and filled with a field of black dots, and each word sitting inside a cloud-shaped bubble with short strokes radiating off it. NYC and 1986 are written at the top right in plain block characters.

Below the lettering the wall is packed edge to edge with bodies. A large skull sits under the first word, its two eyes drawn as circles with an X through each, short strokes radiating from it. At the lower left a figure holds a rounded vessel on a stem. Figures kneel, reach and fall against one another with no ground under them.

At the centre right a dollar bill is drawn flat, torn along one edge, with $0 written on it. Three tongues of flame rise from the torn edge. Around them more figures throw their arms up, and one has a hand whose fingers hang down in loose strands.

The Department of Parks and Recreation records that the design is painted on both faces of the handball court wall. The photograph published here shows one face.

Why he painted it

Crack cocaine use in New York reached its height in the middle and late 1980s. The Department of Parks and Recreation states plainly what the mural is for. Keith Haring painted it to call attention to the damage drugs can inflict on community welfare. The department's own sign calls the message a serious anti-drug one, delivered in his signature style of thick black outlines and bright colours.

He had been drawing in public since 1980, when he began making chalk drawings on the blank advertising panels of the New York subway. The line was built to be read at once by somebody who was not stopping. Crack Is Wack uses it on public health.

The department dates his painting of the playground mural to 3 October 1986. The Keith Haring Foundation's biography gives the year only, and calls the wall a landmark along the Harlem River Drive.

The city took the wall into the parks system

The handball court stands on one of six parcels of land that together form Harlem River Park, along the strip of the Harlem River Drive running from East 125th Street to East 155th Street. The parcel was transferred to the Department of Parks and Recreation in 1956, and the handball court, the basketball courts and the trees were added afterwards.

The playground took its name from the mural rather than the other way round. The department's historical sign says so directly: Crack Is Wack Playground earned its distinctive name after Keith Haring painted the mural on the handball court walls.

The department and the Keith Haring Foundation have kept repainting it. The New York Times reported on 2 October 1986, in its New York Day by Day column, that the anti-crack mural would rise again. The design was renewed several times after that, most recently in 2012, before a full restoration was announced on 24 October 2019.

How the 2019 restoration was done

Louise Hunnicutt and William Tibbals carried out the work, sponsored by the Keith Haring Foundation. It followed a three-year reconstruction of the stretch of the Harlem River Drive beside the wall.

Much of the paint on the concrete was exfoliating. The two conservators made precise tracings of the designs in sections on both wall faces, then mechanically removed all the loose paint, patched and sealed the wall, and applied several base coats of fixative followed by colour-matched paint.

The design was then recreated from the tracings, checked against original photographic documentation. Jonathan Kuhn, the department's Director of Art and Antiquities, described the mural as a testament to the enduring power of art that arose first in public spaces.

Two addresses and one wrong age

The department gives the location two different ways. Its historical sign places Crack Is Wack Playground on Second Avenue, 127th Street and the Harlem River Drive. Its 2019 press release places the mural at East 128th Street and the Harlem River Drive.

The same historical sign states that Keith Haring died of AIDS on 16 February 1990 at the age of 32. He was 31. He was born on 4 May 1958, so he was fifteen weeks short of his thirty-second birthday when he died.

Close reading

Reading the work, detail by detail

The wall is photographed square on from the court in front of it, in flat daylight, with the Harlem River Drive and its signage at the left edge. Every mark on the mural is black on orange, so the close views are about drawing rather than colour.

Close view of the word CRACK painted in fat black outlined capitals, each letter filled with an even field of black dots, sitting inside a cloud-shaped bubble outline with short strokes radiating above it

1.Every letter is filled with dots

The letters are drawn in fat outline and then filled with an even field of black dots rather than solid black. A cloud-shaped bubble is drawn around the word, and short strokes radiate off its upper edge.

Close view of the upper right corner of the mural: NYC written above 1986 in plain black block characters, undotted, with three short curved strokes to the left of each line

2.He dated it on the wall

NYC sits above 1986 at the top right, in plain block characters with no dots in them. Three short curved strokes are set to the left of each line. It is the only part of the lettering drawn solid.

Close view of a large skull below the lettering: a rounded cranium with two circular eyes, each crossed by an X, three short strokes at the cheek, and short lines radiating outwards all around it

3.A skull with an X through each eye

A large skull sits directly under the first word. Each eye is a circle with an X drawn through it, and three short strokes mark the cheek below. Short lines radiate outwards all around the head.

Close view of the lower left of the mural: a black-outlined figure with a splayed hand holding a rounded vessel mounted on a straight stem, with short strokes bursting from the top of it

4.A figure holds a rounded vessel on a stem

At the lower left a figure holds a rounded vessel mounted on a straight stem. Its other hand is drawn with the fingers splayed apart. Short strokes burst from the top of the vessel.

Close view of a banknote drawn flat on the orange ground, a plain rectangle with $0 lettered inside it and its right-hand edge torn into a serrated line

5.A banknote marked $0

A banknote is drawn flat, as a plain rectangle with $0 lettered inside. Its right-hand edge is not straight but torn into a serrated line. Wavy strokes run above it.

Close view of three tall tongues of flame drawn in black outline rising directly from the serrated edge of the banknote, with curved strokes fanning out to their right

6.Three tongues of flame take the torn edge

Three tall tongues of flame rise directly from the note's serrated edge. Curved strokes fan out to their right. The fire and the tear are drawn as one continuous event.

Close view of the lower band of the mural: black-outlined figures packed edge to edge with arms raised, one hand drawn with fingers hanging in loose strands, and no ground line under any of them

7.The bodies run out of room

The bottom of the wall is packed edge to edge with figures. Arms go up, bodies overlap, and one hand is drawn with the fingers hanging down in loose strands. No ground line is drawn under any of them.

Wider view to the left of the mural: a green overhead highway sign reading EXIT 17 and RFK Br, a chain-link fence, the lanes of the Harlem River Drive with a parked van, and a steel bridge in the distance

8.The highway runs past the court

A green overhead sign for Exit 17 and the RFK Bridge stands beside the wall, with a chain-link fence, the lanes of the Harlem River Drive and a steel bridge behind it. The mural faces traffic as much as it faces the court.

Detail views use the same reproduction throughout. Crack Is Wack Playground, New York City Department of Parks and Recreation.

Timeline

  1. 1956

    The parcel carrying the handball court is transferred to the Department of Parks and Recreation from the Board of Estimate.

  2. 1980

    Keith Haring begins the subway drawings, in chalk on blank advertising panels, and works on them until 1985.

  3. 1986

    Paints Crack Is Wack on the handball court wall beside the Harlem River Drive. The Department of Parks and Recreation dates the playground's mural to 3 October.

  4. 1988

    Diagnosed with AIDS.

  5. 1990

    Dies of AIDS-related illness on 16 February, aged 31.

  6. 2012

    The design is repainted, the most recent renewal before the full restoration.

  7. 2019

    Restored by Louise Hunnicutt and William Tibbals, sponsored by the Keith Haring Foundation, announced on 24 October.

Where to see it

New York City Department of Parks and Recreation

New York, United States

A public viewing address has not yet been confirmed for this holding.

A mural on a handball court wall in a public park, not a museum object. It is outdoors and can be seen from the playground.

Frequently asked questions

Where is Crack Is Wack?

On a handball court wall in Crack Is Wack Playground, beside the Harlem River Drive in East Harlem, New York. The Department of Parks and Recreation's historical sign gives the location as Second Avenue, 127th Street and the Harlem River Drive; its 2019 press release gives East 128th Street. It is outdoors in a public park, not in a museum.

When did Keith Haring paint Crack Is Wack?

In 1986. The Department of Parks and Recreation dates his painting of the playground's mural to 3 October 1986, and the Keith Haring Foundation's biography gives the year without a day.

What does Crack Is Wack show?

The words CRACK IS WACK in fat dotted capitals inside cloud-shaped bubbles, with NYC and 1986 at the top right. Below them an orange field is packed with black-outlined figures, a skull with an X through each eye, a figure holding a rounded vessel on a stem, and a torn dollar bill marked $0 with flames rising from it.

Who owns Crack Is Wack?

The New York City Department of Parks and Recreation maintains it as a public artwork on city parkland. The Keith Haring Foundation sponsors the restorations and holds the copyright in the design.

Has Crack Is Wack been restored?

Yes, repeatedly. The design was repainted several times, most recently in 2012, and then fully restored in 2019 by Louise Hunnicutt and William Tibbals with sponsorship from the Keith Haring Foundation. They traced the designs on both wall faces in sections, stripped the loose paint, resealed the concrete and recreated the design from the tracings and original photographs.

Is Crack Is Wack painted on both sides of the wall?

Yes. The Department of Parks and Recreation's account of the 2019 restoration describes tracings being made of the designs on both wall faces. The photograph published here shows one of them.

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References

References

The sources below include collection records, catalogues, scholarly research, and primary materials that informed this page. They document Crack Is Wack, its making, and its place in cultural history.

  1. 1Crack Is Wack Playground — Historical Signs Project

    Official record
    New York City Department of Parks and Recreation
    Used for

    The department's historical sign: the 3 October 1986 painting date, the park's naming, the parcel's 1956 transfer, and the anti-drug purpose.

    View source
  2. 2Iconic Crack Is Wack mural by Keith Haring is restored, press release no. 101

    Official record
    New York City Department of Parks and Recreation, 2019
    Used for

    The 2019 restoration, the conservators, the method, the 2012 repaint and the East 128th Street location.

    View source
  1. 3Keith Haring — official biography

    Website
    The Keith Haring Foundation
    Used for

    Calls the mural a landmark along the Harlem River Drive, and records the subway drawings, the diagnosis and his death.

    View source
  2. 4New York Day by Day: Anti-crack Mural Will Rise Again

    Periodical
    The New York Times, 1986
    Used for

    The New York Day by Day column of 2 October 1986, reporting that the anti-crack mural would be painted again.

    View source
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Why these sources are here

These references provide the documented foundation for this work's history and interpretation. Claim-level citations remain attached to the specific claims they support.

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