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A character in Queen Margot

Annibal de Coconnas

A red-haired Catholic from Piedmont who joins the massacre on his first night in Paris, stabs La Mole twice, and becomes the friend who carries him up the scaffold.

What they want

A good supper, a good fight, and La Mole's company; once he has the friend, everything else, Henriette included, comes second.

The book

Queen MargotAlexandre Dumas, 1845

A royal wedding at the Louvre, a massacre six days later, and two young men who try to kill each other and end up friends: Dumas's Paris of 1572.

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At a glance

In the book
A Catholic gentleman of Piedmont in the service of the Duc de Guise, later of the duc d'Alençon
Lodging
La Belle Étoile, Rue de l'Arbre-Sec, sharing a room with La Mole
His lover
Henriette, duchesse de Nevers
His friend
La Mole, whom he calls Orestes to his Pylades
His oath
By Heaven in the translation; Mordi, in his own speech
The real person
Annibal, comte de Coconnat or Coconas · About 1535–1574 · Piedmont

Who they are in the book

Spoiler-free

Annibal de Coconnas arrives at the same inn on the same evening as La Mole, with orders to report to the Duc de Guise. He is a tall, broad-shouldered Piedmontese with frizzled red hair, grey eyes that go black when he is crossed, a scanty cloak and old-fashioned boots. He swears by Heaven in the translation and by Mordi in his own tongue. On the night of 24 August he goes out with Maurevel and the landlord to kill Protestants, and enjoys it.

Dumas then spends the rest of the book turning him into its most likeable man without ever making him nicer. He is loud, greedy and brave to the point of stupidity. Once he has made up his mind he is devoted past all reason: to Henriette de Nevers, who picked him up off the pavement, and above all to La Mole, whom he tried twice to kill. He is also funny, which no one else in the Louvre is.

How Annibal de Coconnas Is Portrayed

Appearance, manner, and tone — as the book sketches them, in our words.

  • The Piedmontese at the innIn Chapter IV he has spent an hour staring up at windows: red frizzled hair under a cocked hat, grey eyes that seem black in anger, a tawny moustache, and what the narrator calls the horrible mountain accent of Piedmont. He threatens to put the landlord on his own spit.
  • A battue of menAt the end of Chapter VII, with a white cross on his hat, he says he has only ever hunted bears and wolves and that a battue of men seems more amusing. In Chapter VIII he stabs La Mole at Coligny's gate and again in the queen's bed, his cheek laid open by his enemy's sword.
  • Picked up off the streetIn Chapter XII Henriette de Nevers describes watching him fight in the Rue des Quatre-Fils from her balcony, an Ajax with a flashing sword, until an old woman knocked him down with a stone. Her guards carried him into her closet, where the queen later recognises him through the keyhole.
  • The man who stayed to admire the gibbetIn Chapter XVI he is the one rider who lingers at Montfaucon after the court leaves, studying the stone pillars and chains as a provincial marvelling at what the capital can build. La Mole finds him there, and the duel begins with an insult about his ugly head.
  • Orestes and PyladesIn Chapter XLIV he tells Henriette that friendship is a star and love a candle, and that he loves her more than any woman and La Mole more than any man. He then resigns from the duc d'Alençon's service by a letter signed as the inseparable friend of Monsieur de la Mole.
  • Leather wedgesIn Chapter LVIII the executioner Caboche, whom he once shook by the hand, fits the boot with wedges of leather instead of oak. Coconnas howls on request and dictates, between the blows, precise evidence against the duke who betrayed them.

Annibal de Coconnas quotes

Lines spoken by or about Annibal de Coconnas, each verified verbatim against the text and located in the book.

I love you more than any woman, and I love La Mole more than any man.
Annibal de Coconnas (dialogue) · Alexandre Dumas, Queen Margot (1845), anonymous English translation published as Marguerite de Valois (1900)
Their ending, and the commentary — spoilers aheadHow the book leaves them, what happened after, and what the record says. Open when you're ready.

The rescue from the chapel fails, and on the morning of the execution he supports La Mole's head on his knees in the tumbril while the crowd calls him the coward who confessed. He carries his friend up the scaffold like a child, asks the executioner to take La Mole first and to finish with one blow, kisses the severed head, and says Now. Caboche is trembling by the end.

In the cellar beneath the headsman's tower the hangman has laid the two men side by side with their hands joined. Henriette wraps his head in her cloak. The real Coconnat was a captain of the duc d'Anjou's guards, born about 1535, beheaded with La Mole on 30 April 1574; Dumas makes him young and gives him to the Guises.

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