The Paris AtlasCharting the artists, works, and places worth returning to.

Silas Marner

The Weaver of Raveloe

by George Eliot

A lonely weaver loses the gold he has hoarded for fifteen years, and finds a sleeping child with golden curls on his hearth instead.

Published
1861
Pages
240
Setting
England
Era
Shelf rating
4.4

About George Eliot

Illustrated portrait of George Eliot
George Eliot

5 books shelved

The story, briefly

Spoiler-free

Silas Marner is George Eliot's shortest novel, published in one volume in 1861. A linen-weaver is driven out of his chapel in a northern town after he is falsely accused of theft. He settles in the village of Raveloe, works at his loom and hoards gold for fifteen years. The squire's wastrel son steals it. Soon after, a little girl toddles in from the snow, and Silas raises her as his own. Her real father, the squire's elder son Godfrey Cass, keeps quiet for sixteen years. George Eliot, the pen name of Mary Ann Evans, wrote it in a few months between Adam Bede and Romola.

The story, in more detail

The idea came suddenly. In November 1860 George Eliot wrote in her journal that a new story had thrust itself between her and the Italian novel she was planning. In February 1861 she told her publisher, John Blackwood, where it came from. She remembered seeing, in early childhood, a linen-weaver with a bag on his back. The story came to her first as a sort of legendary tale.[1]

She knew the book might look gloomy. She wrote to Blackwood that nobody would have been interested in it but herself, since Wordsworth is dead, if George Henry Lewes had not been gripped by it. She hoped readers would not find it a sad story as a whole. The book was meant to show the healing power of plain, natural human ties.[1]

The novel is set in the early years of the nineteenth century, when weavers still worked by hand in country cottages. Its opening pictures these pale, stooping men carrying their bags of thread through the lanes. The shepherds of the time, the narrator says, suspected the trade could not be carried on entirely without the help of the Evil One.[2]

The full plot

What happens, beginning to end — the ending included. Open when you're ready.

Silas Marner is a young weaver in Lantern Yard, a small chapel congregation in a northern manufacturing town. He sometimes falls into strange fits, when he goes rigid and seems unaware of the world. One night, while he watches over a dying deacon, the church's money disappears from the room. His pocket-knife is found in the bureau, and the chapel decides his guilt by praying and drawing lots.[2]

The lots say he is guilty. Silas tells his friend William Dane that he stole the money himself and laid the blame on him. Silas adds that there is no just God, only a God of lies. Sarah, the woman he was engaged to, breaks it off and marries William a month later. Silas leaves the town.[2]

He settles in a stone cottage by a disused quarry, the Stone-pit, near the village of Raveloe. For fifteen years he weaves linen for the local farmers, and the villagers think him strange. He is paid in gold guineas and keeps them in an iron pot under the bricks of his floor. At night he takes them out and counts them.[2]

The richest man in the village is Squire Cass. His elder son Godfrey is secretly married to Molly Farren, a woman from a nearby town who drinks and takes opium. His younger brother Dunstan knows and blackmails him. One foggy evening Dunstan rides Godfrey's horse, Wildfire, to a hunt meeting, kills it on a fence and walks home past Silas's cottage. He finds the door open and nobody inside, takes the two bags of gold and disappears into the dark.[2]

Silas runs to the Rainbow inn, where the village men are drinking, and cries that he has been robbed. The village grows kinder to him after the robbery. Dolly Winthrop, the wheelwright's wife, brings him little cakes and urges him to go to church. On New Year's Eve Molly carries her little daughter through the snow towards the squire's party. She means to shame Godfrey in front of everyone, but she takes a dose of opium on the way and collapses by a furze bush.[2]

The child crawls towards the light of Silas's open door. Silas, whose eyes are weak, sees what he takes to be his gold on the floor by the fire. His fingers touch soft warm curls instead. He follows the child's tracks back to her dead mother and carries the girl to the squire's house for the doctor. Godfrey sees his own daughter in the weaver's arms and says nothing.[2]

How it ends — spoilers aheadThe final movement, ending included. Open when you're ready.

Silas keeps the child and names her Hephzibah, after his mother and little sister, and calls her Eppie. Godfrey marries Nancy Lammeter. Their only baby dies, and Nancy refuses to adopt a child. Sixteen years pass. Then the Stone-pit is drained, and Dunstan's skeleton is found at the bottom with Silas's gold beside him.

Godfrey tells Nancy the whole truth, and together they go to Silas's cottage to claim Eppie and make a lady of her. Eppie refuses. She says she cannot feel she has any father but Silas, and that she is promised to a working man, Dolly's son Aaron. Godfrey accepts that some debts cannot be paid like money debts.

Silas takes Eppie back to the northern town to find Lantern Yard. The chapel has been pulled down and a big factory stands in its place, so he never learns whether he was cleared. Eppie marries Aaron Winthrop in the spring, and they all stay together at the Stone-pit. The book ends with Eppie saying she thinks nobody could be happier than they are.

Themes and analysis

These readings discuss events throughout the book, including its ending.

Gold, and then a child

The whole book turns on one exchange. Silas treats his gold as company. He handles the coins until their shape and colour are like a drink to him, and he takes them out only at night, when his work is done, to enjoy their companionship.

When the gold comes back, it is a child. George Eliot makes the swap literal: Silas sees a heap of gold glowing by the hearth, reaches out, and touches curls. His first thought is that his little sister, who died when he was a barefoot boy, has come back to him in a dream.

A few weeks after the book came out, George Eliot wrote to Blackwood about misers. There could be no great paintings of misers now, she wrote, because nobody could handle cheques and paper money the way men once handled glittering gold.

A hard review in Paris

Paris read Silas Marner within months. On 1 September 1861 the Revue des Deux Mondes, the city's leading literary review, ran a long article on it by Athanase Cucheval-Clarigny. The review had praised Adam Bede in 1859 and retold The Mill on the Floss in 1860.

Cucheval-Clarigny knew that George Eliot was a woman, and he did not like the new book. He thought it hurried, and worse than The Mill on the Floss, which was itself worse than Adam Bede. He blamed a success that pushed her to produce a novel every spring. He also attacked what he called her false doctrines about truth in literature.

He ended by saying he would have been gentler if he thought less of the author of Adam Bede. Along the way he translated Eppie's refusal of Godfrey into French for his readers. For many people in Paris, that review was their first taste of the book.

Books in French followed. François d'Albert-Durade was a Geneva painter in whose flat George Eliot had lodged in 1849 and 1850, and he translated several of her novels. The national library in Paris holds a new edition of his Silas Marner, published in Paris by Fischbacher in 1881. Hachette published a second translation, by Auguste Malfroy, in 1889.

Lantern Yard gone

Near the end, Silas goes back to the town he left thirty years before. He wants to ask the minister whether the truth about the stolen money ever came out. The streets are dark and noisy, and he cannot find his way. When he finds the old house with the overhanging window, the chapel beside it has gone, and a large factory stands there. Men and women are pouring out of it for their midday meal.

Nobody can tell him anything about his old friends. Silas never learns whether he was cleared, and the novel does not tell us either. Back in Raveloe he tells Dolly Winthrop that the matter is dark to him and will be dark to the last. But since the child came, he says, he has had light enough to trust by.

Quotes from Silas Marner

Quoted verbatim from the text, each line verified against its source.

In old days there were angels who came and took men by the hand and led them away from the city of destruction. We see no white-winged angels now. But yet men are led away from threatening destruction: a hand is put into theirs, which leads them forth gently towards a calm and bright land, so that they look no more backward; and the hand may be a little child’s.
Narrator of George Eliot's Silas Marner (1861)
Gold!—his own gold—brought back to him as mysteriously as it had been taken away!
Narrator of George Eliot's Silas Marner (1861)
I can’t feel as I’ve got any father but one
Eppie · Eppie in George Eliot's Silas Marner (1861)

All 5 Silas Marner quotes →

Why we recommend it

  1. The easiest way in

    At about two hundred pages it is a fraction of the length of Middlemarch, with a clear plot and a happy ending.

  2. A fairy tale told straight

    George Eliot said the story came to her as a legendary tale. The gold that turns into a child's curls is pure fable, but the village around it is drawn from life.

  3. Two fathers

    Silas, who took the child in, and Godfrey, who let her go, both come to claim her. Eppie's choice between them is the heart of the ending.

  4. The Rainbow inn

    Chapter VI, where the village men argue about ghosts and cattle just before Silas bursts in, is one of the funniest scenes she wrote.

What this book explores

The people in its pages

All invented. The character guides below give away plot points up to the ending.

  • Silas Marner

    A short-sighted linen-weaver who leaves his chapel after a false accusation and lives alone in Raveloe for fifteen years.

  • Godfrey Cass

    The squire's good-natured elder son, secretly and unhappily married, who lets his own daughter be raised by the weaver.

  • Eppie

    Godfrey's daughter by Molly Farren, found on Silas's hearth as a toddler and raised by him in the stone cottage.

  • Dolly Winthrop

    The wheelwright's wife, a kind, slow-spoken neighbour who helps Silas bring up Eppie.

  • Dunstan Cass

    Godfrey's spiteful younger brother, known as Dunsey, who steals Silas's gold on a foggy night and disappears.

  • Nancy Lammeter

    A pretty, strict, principled farmer's daughter whom Godfrey marries after Molly's death.

  • Molly Farren

    Godfrey's secret wife, addicted to opium, who dies in the snow on New Year's Eve.

  • William Dane

    Silas's closest friend in Lantern Yard, who steals the church money and marries the woman Silas was engaged to.

  • Aaron Winthrop

    Dolly's son, a gardener, who marries Eppie and comes to live with her and Silas.

Bring it to book club

  • Silas loses his faith because a church lets chance decide his guilt. What does he come to believe instead by the end?
  • Godfrey is never punished by the law. Is losing Eppie a fair punishment, or too mild?
  • Why do you think George Eliot has Lantern Yard vanish without ever clearing Silas's name?
  • Dolly Winthrop is not clever, but she helps Silas more than anyone. How does she do it?
  • Eppie turns down the chance to be a lady. Is her choice romantic, sensible or both?

A complete discussion guide is on our editorial calendar. Join the letter to hear when it ships.

Timeline

  1. 28 November 1860

    George Eliot's journal says a new story, Silas Marner, the Weaver of Raveloe, has thrust itself between her and the novel she was planning.

  2. 24 February 1861

    She tells John Blackwood the story came from a childhood memory of a linen-weaver with a bag on his back.

  3. 10 March 1861

    She finishes the novel and sends the last thirty pages to Edinburgh.

  4. Spring 1861

    Blackwood publishes it in one volume. Advance orders from booksellers reach about 5,500 copies.

  5. 1 September 1861

    The Revue des Deux Mondes in Paris prints Athanase Cucheval-Clarigny's long, severe review.

  6. 1 January 1862

    Blackwood forwards her a letter about the book from Charles de Montalembert, the French historian of monasticism.

  7. 1881

    Fischbacher publishes a new edition of François d'Albert-Durade's French translation in Paris.

  8. 1889

    Hachette publishes Auguste Malfroy's French translation in Paris.

  9. 2003

    Penguin Classics publishes David Carroll's edition.

Book editions

Hardcover
Hardcover
William Blackwood and Sons
1861
First edition, one volume, spring 1861. Pre-ISBN.
Paperback edition cover
Paperback
Penguin Classics
2003
ISBN-13
9780141439754
Selected edition, on sale 29 April 2003, 240 pages, edited with an introduction by David Carroll. Chapter references follow the Gutenberg transcription.
Ebook
Ebook
Project Gutenberg
1996
Free transcription, ebook 550. The quotations were checked against it.
Paperback
Paperback
French
G. Fischbacher
1881
Translated by
François d'Albert-Durade
Silas Marner, le tisserand de Raveloe, new edition, Paris. Pre-ISBN.
Paperback
Paperback
French
Hachette
1889
Translated by
Auguste Malfroy
Silas Marner, le tisserand de Raveloe, Paris, in the series Bibliothèque des meilleurs romans étrangers. Pre-ISBN.

Reader reviews

Loading reviews…

Cover of A Christmas Carol by Charles Dickens

A Christmas Carol

Charles Dickens

Charles Dickens's story of a miser brought back to life by other people, published eighteen years earlier.

Read our take
Cover of Les Misérables by Victor Hugo

Les Misérables

Victor Hugo

Victor Hugo's novel, published a year after Silas Marner. In it a hunted man takes in an orphaned girl and raises her as his daughter.

Read our take

Recommended alongside The Mill on the Floss.

Silas Marner: frequently asked questions

What is Silas Marner about?

A weaver who has lost his faith and his friends lives alone with his hoard of gold. The gold is stolen, and a toddler wanders into his cottage in its place. Raising her brings him back to life.

When was Silas Marner published?

In the spring of 1861, by William Blackwood and Sons, in one volume. George Eliot had finished it on 10 March that year.

What gave George Eliot the idea for Silas Marner?

A childhood memory. She told her publisher she had once, in early childhood, seen a linen-weaver with a bag on his back, and the story came to her suddenly as a sort of legendary tale.

Who is Eppie's real father?

Godfrey Cass, the squire's elder son. He was secretly married to her mother, Molly Farren, and kept quiet when Silas took the child in.

Who stole Silas Marner's gold?

Dunstan Cass, Godfrey's younger brother. He disappeared the same night, and his skeleton is found with the gold sixteen years later when the Stone-pit is drained.

How did Silas Marner reach Paris?

The Revue des Deux Mondes reviewed it on 1 September 1861, harshly. French translations were later published in Paris by Fischbacher, from 1881, and by Hachette in 1889.

If you like George Eliot

Explore authors with a similar voice, perspective, and influence.

  • Illustrated portrait of Louis-Ferdinand Céline

    Louis-Ferdinand Céline

    The doctor of the Paris slums who wrote the century's blackest, funniest novel — and changed the sound of French prose.

    View author
  • Illustrated portrait of Mark Twain

    Mark Twain

    The Missouri newspaperman who became America's most famous writer, and whose first book made its reputation partly out of Paris: in 1867 he arrived with a shipload of American tourists, renamed his guide Ferguson, watched the high-kicking can-can through his fingers and wrote it all down. He kept coming back — and was living in Paris in the mid-1890s, broke, while finishing the novel he considered his best, Personal Recollections of Joan of Arc.

    View author
  • Illustrated portrait of Leo Tolstoy

    Leo Tolstoy

    Russian novelist who wrote War and Peace and Anna Karenina, then renounced the life that produced them. He spent six weeks in Paris in 1857, and on one April morning went to watch a man beheaded in the street — an hour he said destroyed his belief in progress and in the state, and which he was still writing about twenty-two years later.

    View author
References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Silas Marner, its publication, and its place in literary history.

  1. 1abGeorge Eliot's Life, as Related in Her Letters and Journals, Vol. 2

    Letters
    George Eliot, edited by J. W. Cross, 1885
    Used for

    George Eliot's own journal and letters on how the story came to her and how it sold.

    View source
  2. 2abcdefgSilas Marner: The Weaver of Raveloe — primary text, Project Gutenberg ebook 550

    Novel
    Project Gutenberg transcription, 1861
    Used for

    Primary text for the plot, the character guides and the quotations.

    View source
  3. 3George Eliot's Life, as Related in Her Letters and Journals, Vol. 1

    Letters
    George Eliot, edited by J. W. Cross, 1885
    Used for

    Who the first French translator was.

    View source
  4. 4De la Vérité dans le roman moderne: Silas Marner, nouveau roman de George Eliot — Revue des Deux Mondes, 1 September 1861 (volume 35), Wikisource transcription

    Periodical
    Revue des Deux Mondes, Paris, 1861
    Used for

    The Paris review of 1 September 1861.

    View source
  5. 5Silas Marner, le tisserand de Raveloe, trans. F. d'Albert-Durade, new edition (Paris: G. Fischbacher, 1881) — catalogue record

    Official record
    Bibliothèque nationale de France, 1881
    Used for

    Catalogue record for the 1881 Paris edition of the d'Albert-Durade translation.

    View source
  1. 6Silas Marner, le tisserand de Raveloe, trans. Auguste Malfroy (Paris: Hachette, 1889, Bibliothèque des meilleurs romans étrangers) — catalogue record

    Official record
    Bibliothèque nationale de France, 1889
    Used for

    Catalogue record for the 1889 Hachette translation.

    View source
  2. 7Silas Marner: Penguin Classics paperback, ISBN 9780141439754

    Website
    Penguin Random House Library Marketing
    Used for

    Selected ISBN, on-sale date, page count and editor.

    View source
  3. 8Silas Marner: The Weaver of Raveloe (Penguin Classics, ed. David Carroll) — Open Library edition record OL3702866M

    Website
    Open Library, Internet Archive
    Used for

    Library record confirming ISBN 9780141439754 as the Penguin Classics edition.

    View source
  4. 9Silas Marner

    Novel
    George Eliot, 1861
    Used for

    The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.

i
Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

Explore more resources