
A Moveable Feast
Hemingway and Stein remember their shared Paris circle from opposite sides of a long friendship and quarrel.
Read our takeThe Autobiography of Alice B. Toklas
Gertrude Stein
Gertrude Stein tells the story of her Paris life and artistic circle in the voice of her partner, Alice B. Toklas.
Despite its title, this is Gertrude Stein’s account of her own life, written as though Alice B. Toklas were telling it. The book moves through their Paris home and salon, where painters and writers including Picasso, Matisse, Hemingway, and Fitzgerald gathered. It is both a record of the modernist art world and a playful act of self-portraiture.
The book begins with Toklas’s early life and arrival in Paris, then turns toward her life with Stein. From their home on the rue de Fleurus, the couple meet and host many of the painters and writers who shaped early twentieth-century modernism.
Stein uses Toklas’s voice to describe Stein’s own work, friendships, arguments, travels, and growing reputation. The unusual point of view is part of the book’s joke and part of its argument about who gets to tell a life.
It places the reader in the Paris home where Stein and Toklas received painters, writers, friends, and rivals.
Several people from A Moveable Feast appear here from Stein’s very different perspective.
Stein writes about herself in Toklas’s voice, making the form part of the book’s meaning.


Hemingway and Stein remember their shared Paris circle from opposite sides of a long friendship and quarrel.
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Toklas’s own memoir-like book, written through meals and recipes after Stein’s death.
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Her most famous pupil — the tutorials at the rue de Fleurus, the godmother years, and the 'lost generation' epigraph all passed through her studio before the celebrated falling-out.
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