
Two by Two
The next collection, and a tighter one — four long stories organised around marriage.
Read our take
Stories from the peace that followed the war, written by someone unconvinced by it.
A collection of stories published in 1953, most of them set in the Europe left behind once the fighting stopped. Gellhorn had spent the 1940s reporting the war and then its aftermath, and the title is doing sardonic work: the peace in these stories is a settlement people are living inside rather than a resolution. It is the first of the three collections that show her as a writer of social fiction rather than only a correspondent.
The title story is the one piece of the collection that is easy to reach: it ran in The Atlantic in 1948, and follows Anne Marsh, an American Red Cross woman in postwar Paris, among survivors and returnees whose lives the Occupation has permanently bent out of shape. A second story, About Shorty, is cited in the scholarship. The rest of the contents cannot be listed here — neither omnibus volume gathered this book, and no contents page for it is readily available.
What the collection is about is easier to establish than what is in it. The stories move through Paris, London, New York, Havana, Rome, Madrid and Israel, and their subject is the private aftermath of the war rather than the war: loss, displacement, memory, and social forms that no longer fit the people performing them. Most of the central figures are women, several of them in circumstances close to Gellhorn's own in those years. The title carries the argument. There is a peace, and nobody in these stories is convinced by it.
The same attention she gave to refugees and the wounded, turned on drawing rooms and marriages.
Written in the early fifties about the late forties, by someone who had been there for both.
First of the three collections; Two by Two and Pretty Tales for Tired People follow the same line.
1948
The title story runs in The Atlantic, following an American Red Cross woman among the survivors of postwar Paris.
1953
Doubleday publishes the collection, the first of the three that show Gellhorn as a writer of social fiction rather than only a correspondent.
1978
Penguin's Harmondsworth printing is the book's last; it remains the hardest of the three collections to find.

The next collection, and a tighter one — four long stories organised around marriage.
Read our take
The reporting from the same years, for the contrast between what she filed and what she invented.
Read our takeMartha Gellhorn. The story collection was published in 1953.
Stories mostly set in the Europe left behind once the fighting stopped — people living inside an uneasy postwar settlement rather than a real peace.
Yes. The "peace" of these stories is a settlement people are living with, not a repose — the title is doing sardonic work.
The title story, "The Honeyed Peace," which ran in The Atlantic in 1948 and follows a woman named Anne Marsh.
It came out of the 1940s she spent reporting the war and then its aftermath — the fiction shadowing the journalism.