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Cover of The Honeyed Peace by Martha Gellhorn

The Honeyed Peace

by Martha Gellhorn

Stories from the peace that followed the war, written by someone unconvinced by it.

Published
1953
Shelf rating
3.9

About Martha Gellhorn

Illustrated portrait of Martha Gellhorn
Martha Gellhorn

20 books on our shelves

The story, briefly

Spoiler-free

A collection of stories published in 1953, most of them set in the Europe left behind once the fighting stopped. Gellhorn had spent the 1940s reporting the war and then its aftermath, and the title is doing sardonic work: the peace in these stories is a settlement people are living inside rather than a resolution. It is the first of the three collections that show her as a writer of social fiction rather than only a correspondent.

The story, in more detail

The title story is the one piece of the collection that is easy to reach: it ran in The Atlantic in 1948, and follows Anne Marsh, an American Red Cross woman in postwar Paris, among survivors and returnees whose lives the Occupation has permanently bent out of shape. A second story, About Shorty, is cited in the scholarship. The rest of the contents cannot be listed here — neither omnibus volume gathered this book, and no contents page for it is readily available.

What the collection is about is easier to establish than what is in it. The stories move through Paris, London, New York, Havana, Rome, Madrid and Israel, and their subject is the private aftermath of the war rather than the war: loss, displacement, memory, and social forms that no longer fit the people performing them. Most of the central figures are women, several of them in circumstances close to Gellhorn's own in those years. The title carries the argument. There is a peace, and nobody in these stories is convinced by it.

Why we recommend it

  1. The reporter's eye on private life

    The same attention she gave to refugees and the wounded, turned on drawing rooms and marriages.

  2. Postwar Europe from inside it

    Written in the early fifties about the late forties, by someone who had been there for both.

  3. The start of the fiction proper

    First of the three collections; Two by Two and Pretty Tales for Tired People follow the same line.

What this book explores

Timeline

  1. 1948

    The title story runs in The Atlantic, following an American Red Cross woman among the survivors of postwar Paris.

  2. 1953

    Doubleday publishes the collection, the first of the three that show Gellhorn as a writer of social fiction rather than only a correspondent.

  3. 1978

    Penguin's Harmondsworth printing is the book's last; it remains the hardest of the three collections to find.

Book editions

Hardcover
Hardcover
Doubleday
1953
First US edition, Garden City, New York
Paperback
Paperback
Penguin
1956
Middlesex
Hardcover
Hardcover
Books for Libraries Press
1970
Library reissue
Paperback
Paperback
Penguin
1978
Harmondsworth; the last printing of the book

Reader reviews

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Cover of Two by Two by Martha Gellhorn

Two by Two

Martha Gellhorn

The next collection, and a tighter one — four long stories organised around marriage.

Read our take
Cover of The Face of War by Martha Gellhorn

The Face of War

Martha Gellhorn

The reporting from the same years, for the contrast between what she filed and what she invented.

Read our take

Recommended alongside Liana, Pretty Tales for Tired People, The Heart of Another and Love Goes to Press.

The Honeyed Peace: frequently asked questions

Who wrote The Honeyed Peace?

Martha Gellhorn. The story collection was published in 1953.

What is The Honeyed Peace about?

Stories mostly set in the Europe left behind once the fighting stopped — people living inside an uneasy postwar settlement rather than a real peace.

Is the title ironic?

Yes. The "peace" of these stories is a settlement people are living with, not a repose — the title is doing sardonic work.

What is its best-known story?

The title story, "The Honeyed Peace," which ran in The Atlantic in 1948 and follows a woman named Anne Marsh.

How does it fit Gellhorn's career?

It came out of the 1940s she spent reporting the war and then its aftermath — the fiction shadowing the journalism.