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Illustrated portrait of Mr. Quincey

A character in Under the Volcano

Mr. Quincey

Geoffrey’s American neighbor, whose carefully maintained garden makes the neglect next door impossible to miss.

What they want

To maintain his property and keep a practical distance from the turmoil next door without pretending not to see it.

The book

Cover of Under the Volcano by Malcolm Lowry
Under the VolcanoMalcolm Lowry, 1947

On one Day of the Dead in Mexico, an estranged wife offers a former British consul one last chance to leave the drinking life that is killing him.

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At a glance

Nationality
American
Work
Walnut grower
Home
Next door to Geoffrey in Quauhnahuac
Connection
Neighbor and acquaintance

Who they are in the book

Spoiler-free

Mr. Quincey is Geoffrey’s American neighbor and a walnut grower. His property borders the Consul’s house, so he sees the physical condition of the neglected garden and the people moving in and out of it.

Quincey waters, tends, and maintains his own garden while Geoffrey hides bottles and turns the neighboring grounds into a private jungle. The contrast is direct rather than mysterious: one man performs daily care, and the other has lost the ability to sustain it.

His conversation with Geoffrey is dry and practical. Quincey notices Yvonne’s return and Hugh’s presence, while Geoffrey lies, jokes, and tries to appear more sober than he is.

How the book draws them

Appearance, manner, and tone — as the book sketches them, in our words.

  • An American neighborQuincey is close enough to observe the Firmin household but remains outside its intimate history.
  • A walnut growerHis work makes gardening a routine of attention rather than a symbol he only talks about.
  • Dry and skepticalHe responds to Geoffrey’s elaborate jokes with brief comments and visible doubt.
  • A contrast in careHis orderly grounds sit beside Geoffrey’s overgrown garden, showing what repeated neglect has done.
What Quincey sees on the final morningHow the book leaves them, what happened after, and what the record says. Open when you're ready.

Quincey notices that Yvonne has returned and that Hugh is still present. His simple questions expose how little Geoffrey’s improvised story matches what is happening around the house.

He cannot turn observation into intervention. His garden remains one of the day’s visible alternatives: ordinary care continuing beside a household moving toward ruin.

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