
Depicted in its pages
Tropic of Cancer
The cathedral seen from the river — one of the novel's set-piece descriptions of night-time Paris, answering Hemingway's view from the footbridge.
The cathedral seen at night from the wooden footbridge off the Quai de Béthune — the still point of the finest walk in Ernest Hemingway's The Sun Also Rises, answered a decade later from the same river in Henry Miller's Tropic of Cancer.

The cathedral needs no literary introduction, but Ernest Hemingway gives it one of the era's best anyway in The Sun Also Rises, his 1926 novel. After dinner at Madame Lecomte's, the narrator Jake Barnes and his friend Bill Gorton walk around the Île Saint-Louis under the trees and cross toward the Left Bank on the wooden footbridge from the Quai de Béthune. From the bridge they stop and look down the river at the cathedral — which Jake sees, in the book's phrase, 'squatting against the night sky' — with the island dark behind them and the houses high against the light. Two sentences, and the most photographed building in Europe becomes an animal resting on the water.
The footbridge itself is a small time-capsule. The old Pont de la Tournelle had been taken down after the war, and while its replacement was being built the crossing was a temporary wooden footbridge — which is exactly what Bill and Jake use in 1925. The stone Pont de la Tournelle that opened in 1928, with Sainte Geneviève on her pillar facing east, now stands where the planks were; the downriver view of the apse and the flying buttresses is unchanged.
The cathedral's own story since needs only two dates that every reader now carries: the fire of April 2019, which took the roof and the spire while the world watched, and December 2024, when it reopened, rebuilt. The night view from the Tournelle crossing survived both — still the best free thing in Paris, exactly as the 1926 novel serves it.
Notre-Dame rises tomb-like from the water.
Down the river was Notre Dame squatting against the night sky. We crossed to the left bank of the Seine by the wooden foot-bridge from the Quai de Bethune, and stopped on the bridge and looked down the river at Notre Dame. Standing on the bridge the island looked dark, the houses were high against the sky, and the trees were shadows.
Construction begins under Bishop Maurice de Sully.
The night of the great walk in Hemingway's The Sun Also Rises — the view from the wooden footbridge.
The rebuilt Pont de la Tournelle replaces the temporary wooden crossing.
The fire of 15 April destroys the roof and spire.
Reopens in December, restored.

Depicted in its pages
The cathedral seen from the river — one of the novel's set-piece descriptions of night-time Paris, answering Hemingway's view from the footbridge.

Depicted in its pages
Seen from the wooden footbridge off the Quai de Béthune, dark against the night sky — the quiet center of the novel's Paris.

Henry Miller wrote about Notre-Dame de Paris in Tropic of Cancer.

Ernest Hemingway wrote about Notre-Dame de Paris in The Sun Also Rises.

George Whitman's bookshop by the Seine — opened as Le Mistral in 1951, renamed Shakespeare and Company in 1964 with Sylvia Beach's blessing, and still sleeping writers among its shelves.
Visit the place
The small Left Bank hotel on the quai Saint-Michel, facing Notre-Dame, where Godard shot the long bedroom scene of Breathless in Room 12. The hotel closed in 1993; the site is now the Hôtel Les Rives de Notre-Dame.
Visit the place
A working-class accordion dance hall in the Latin Quarter — the neighborhood danced there most nights, and the expatriate crowd borrowed it on Mondays.
Visit the place
The riverside table on the far side of the Île Saint-Louis — wonderful food, Madame Lecomte at the door, and a forty-five-minute wait since the Americans found it.
Visit the placeThe Friday Letter
The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.