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In their own words

James Baldwin quotes

316 quotations, each verified against its source and credited to the work it comes from — the wording as James Baldwin wrote or said it, not as the internet passes it around. Page 10 of 13.

Illustrated portrait of James Baldwin

Notes of a Native Son

On the 29th of July, in 1943, my father died. On the same day, a few hours later, his last child was born.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
He could be chilling in the pulpit and indescribably cruel in his personal life and he was certainly the most bitter man I have ever met; yet it must be said that there was something else in him, buried in him, which lent him his tremendous power and, even, a rather crushing charm.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
I had discovered the weight of white people in the world. I saw that this had been for my ancestors and now would be for me an awful thing to live with and that the bitterness which had helped to kill my father could also kill me.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
They face each other, the Negro and the African, over a gulf of three hundred years—an alienation too vast to be conquered in an evening’s good-will, too heavy and too double-edged ever to be trapped in speech.
James Baldwin, “Encounter on the Seine: Black Meets Brown,” Notes of a Native Son (1955)
The most illiterate among them is related, in a way that I am not, to Dante, Shakespeare, Michelangelo, Aeschylus, Da Vinci, Rembrandt, and Racine; the cathedral at Chartres says something to them which it cannot say to me, as indeed would New York’s Empire State Building, should anyone here ever see it.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
The rage of the disesteemed is personally fruitless, but it is also absolutely inevitable; this rage, so generally discounted, so little understood even among the people whose daily bread it is, is one of the things that makes history.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
One wonders what on earth the first slave found to say to the first dark child he bore.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
Go back a few centuries and they are in their full glory—but I am in Africa, watching the conquerors arrive.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
Any writer, I suppose, feels that the world into which he was born is nothing less than a conspiracy against the cultivation of his talent—which attitude certainly has a great deal to support it.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
The terrible thing about being a Negro leader lies in the term itself.
James Baldwin, “The Harlem Ghetto,” Notes of a Native Son (1955)
Of all Americans, Negroes distrust politicians most, or, more accurately, they have been best trained to expect nothing from them; more than other Americans, they are always aware of the enormous gap between election promises and their daily lives.
James Baldwin, “Journey to Atlanta,” Notes of a Native Son (1955)
The American commonwealth chooses to overlook what Negroes are never able to forget: they are not really considered a part of it.
James Baldwin, “Journey to Atlanta,” Notes of a Native Son (1955)
It is really quite impossible to be affirmative about anything which one refuses to question; one is doomed to remain inarticulate about anything which one hasn’t, by an act of the imagination, made one’s own.
James Baldwin, “A Question of Identity,” Notes of a Native Son (1955)
The American in Europe is everywhere confronted with the question of his identity, and this may be taken as the key to all the contradictions one encounters when attempting to discuss him.
James Baldwin, “A Question of Identity,” Notes of a Native Son (1955)
It is quite possible to say that the price a Negro pays for becoming articulate is to find himself, at length, with nothing to be articulate about.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
Appearances to the contrary, no one in America escapes its effects and everyone in America bears some responsibility for it.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
It is a sentimental error, therefore, to believe that the past is dead; it means nothing to say that it is all forgotten, that the Negro himself has forgotten it. It is not a question of memory.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)
The making of an American begins at that point where he himself rejects all other ties, any other history, and himself adopts the vesture of his adopted land.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)
For a tradition expresses, after all, nothing more than the long and painful experience of a people; it comes out of the battle waged to maintain their integrity or, to put it more simply, out of their struggle to survive.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)
Besides, life does not produce ciphers like these: when people have become this empty they are not ciphers any longer, but monsters.
James Baldwin, “Carmen Jones: The Dark Is Light Enough,” Notes of a Native Son (1955)
Steps are taken to right the wrong, without, however, expanding or demolishing the ghetto. The idea is to make it less of a social liability, a process about as helpful as make-up to a leper.
James Baldwin, “The Harlem Ghetto,” Notes of a Native Son (1955)
It is simply impossible not to sing the blues, audibly or not, when the lives lived by Negroes are so inescapably harsh and stunted.
James Baldwin, “The Harlem Ghetto,” Notes of a Native Son (1955)
He finds himself involved, in another language, in the same old battle: the battle for his own identity.
James Baldwin, “Encounter on the Seine: Black Meets Brown,” Notes of a Native Son (1955)
What time will bring Americans is at last their own identity. It is on this dangerous voyage and in the same boat that the American Negro will make peace with himself and with the voiceless many thousands gone before him.
James Baldwin, “Encounter on the Seine: Black Meets Brown,” Notes of a Native Son (1955)
For Paris is, according to its legend, the city where everyone loses his head, and his morals, lives through at least one histoire d’amour, ceases, quite, to arrive anywhere on time, and thumbs his nose at the Puritans—the city, in brief, where all become drunken on the fine old air of freedom.
James Baldwin, “A Question of Identity,” Notes of a Native Son (1955)

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