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In their own words

James Baldwin quotes about hope

18 quotations, each verified against its source and credited to the work it comes from — the wording as James Baldwin wrote or said it, not as the internet passes it around. Drawn from the 316 in the full collection.

Illustrated portrait of James Baldwin
It’s funny, I’ve never felt anyplace was home before.
Hella (letter) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 2
I was to destroy this room and give to Giovanni a new and better life.
David (narration) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 2
For his drifting soul was anchored in the love of God; in the rock that endured for ever. The light and the darkness had kissed each other, and were married now, for ever, in the life and the vision of John’s soul.
Narration · James Baldwin, Go Tell It on the Mountain (1953), Part Three
I’m ready. I’m coming. I’m on my way.
John (dialogue) · James Baldwin, Go Tell It on the Mountain (1953), Part Three
Ain’t nothing but the love of God can make the darkness light.
Elisha (dialogue) · James Baldwin, Go Tell It on the Mountain (1953), Part Three
Their singing caused him to believe in the presence of the Lord; indeed, it was no longer a question of belief, because they made that presence real.
Narration · James Baldwin, Go Tell It on the Mountain (1953), Part One
I don’t want to sound foolish. But, just remember, love brought you here. If you trusted love this far, don’t panic now.
Sharon (dialogue) · James Baldwin, If Beale Street Could Talk (1974), Part One
It’s a miracle to realize that somebody loves you.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part One
I know about suffering; if that helps. I know that it ends. I ain’t going to tell you no lies, like it always ends for the better. Sometimes it ends for the worse. You can suffer so bad that you can be driven to a place where you can’t ever suffer again: and that’s worse.
Sharon (dialogue) · James Baldwin, If Beale Street Could Talk (1974), Part One
It is not that he gives up hope, but that he ceases clinging to it.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part Two
Baby. Baby. Baby. I love you. And I’m going to build us a table and a whole lot of folks going to be eating off it for a long, long time to come.
Fonny (dialogue) · James Baldwin, If Beale Street Could Talk (1974), Part Two
Fonny is working on the wood, on the stone, whistling, smiling. And, from far away, but coming nearer, the baby cries and cries and cries and cries and cries and cries and cries and cries, cries like it means to wake the dead.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part Two
You got to think about that baby. You got to hold on to that baby, don’t care what else happens or don’t happen. You got to do that. Can’t nobody else do that for you.
Sharon (dialogue) · James Baldwin, If Beale Street Could Talk (1974), Part One
We were to spend a long time in this room: our lives.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part One
What time will bring Americans is at last their own identity. It is on this dangerous voyage and in the same boat that the American Negro will make peace with himself and with the voiceless many thousands gone before him.
James Baldwin, “Encounter on the Seine: Black Meets Brown,” Notes of a Native Son (1955)
Take no one’s word for anything, including mine—but trust your experience. Know whence you came. If you know whence you came, there is really no limit to where you can go.
James Baldwin, “My Dungeon Shook,” The Fire Next Time (1963)
If we—and now I mean the relatively conscious whites and the relatively conscious blacks, who must, like lovers, insist on, or create, the consciousness of the others—do not falter in our duty now, we may be able, handful that we are, to end the racial nightmare, and achieve our country, and change the history of the world. If we do not now dare everything, the fulfillment of that prophecy, re-created from the Bible in song by a slave, is upon us: God gave Noah the rainbow sign, No more water, the fire next time!
James Baldwin, “Down at the Cross,” The Fire Next Time (1963)
But in our time, as in every time, the impossible is the least that one can demand—and one is, after all, emboldened by the spectacle of human history in general, and American Negro history in particular, for it testifies to nothing less than the perpetual achievement of the impossible.
James Baldwin, “Down at the Cross,” The Fire Next Time (1963)

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