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In their own words

James Baldwin quotes about life

22 quotations, each verified against its source and credited to the work it comes from — the wording as James Baldwin wrote or said it, not as the internet passes it around. Drawn from the 316 in the full collection.

Illustrated portrait of James Baldwin
But people can’t, unhappily, invent their mooring posts, their lovers and their friends, anymore than they can invent their parents. Life gives these and also takes them away and the great difficulty is to say Yes to life.
David (narration) · James Baldwin, Giovanni's Room (1956), Part One, Chapter 1
The question is banal but one of the real troubles with living is that living is so banal.
David (narration) · James Baldwin, Giovanni's Room (1956), Part One, Chapter 2
Ah, yes, and you will certainly hear it again. It is one of those songs that somebody, somewhere, will always be singing.
Giovanni (dialogue) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 3
I done made up my mind to live all I can while I can. If that’s a sin, well, I’ll go on down to Hell and pay for it. But don’t you fret, Reverend—it ain’t your soul.
Esther (dialogue) · James Baldwin, Go Tell It on the Mountain (1953), Part Two
Time could not be bought. The only coin time accepted was life.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part One
One of the most terrible, most mysterious things about a life is that a warning can be heeded only in retrospect: too late.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part One
Daughter. In this world, terrible things happen to you, and we can all do some terrible things.
Sharon (dialogue) · James Baldwin, If Beale Street Could Talk (1974), Part One
I imagine that one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, that they will be forced to deal with pain.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
One writes out of one thing only—one’s own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give. This is the only real concern of the artist, to recreate out of the disorder of life that order which is art.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
I saw nothing very clearly but I did see this: that my life, my real life, was in danger, and not from anything other people might do but from the hatred I carried in my own heart.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
The dead man mattered, the new life mattered; blackness and whiteness did not matter; to believe that they did was to acquiesce in one’s own destruction. Hatred, which could destroy so much, never failed to destroy the man who hated and this was an immutable law.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
But our humanity is our burden, our life; we need not battle for it; we need only to do what is infinitely more difficult—that is, accept it.
James Baldwin, “Everybody’s Protest Novel,” Notes of a Native Son (1955)
Sentimentality, the ostentatious parading of excessive and spurious emotion, is the mark of dishonesty, the inability to feel; the wet eyes of the sentimentalist betray his aversion to experience, his fear of life, his arid heart; and it is always, therefore, the signal of secret and violent inhumanity, the mask of cruelty.
James Baldwin, “Everybody’s Protest Novel,” Notes of a Native Son (1955)
This laughter is the laughter of those who consider themselves to be at a safe remove from all the wretched, for whom the pain of the living is not real.
James Baldwin, “Equal in Paris,” Notes of a Native Son (1955)
It began to seem that one would have to hold in the mind forever two ideas which seemed to be in opposition. The first idea was acceptance, the acceptance, totally without rancor, of life as it is, and men as they are: in the light of this idea, it goes without saying that injustice is a commonplace.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
In overlooking, denying, evading his complexity—which is nothing more than the disquieting complexity of ourselves—we are diminished and we perish; only within this web of ambiguity, paradox, this hunger, danger, darkness, can we find at once ourselves and the power that will free us from ourselves.
James Baldwin, “Everybody’s Protest Novel,” Notes of a Native Son (1955)
The failure of the protest novel lies in its rejection of life, the human being, the denial of his beauty, dread, power, in its insistence that it is his categorization alone which is real and which cannot be transcended.
James Baldwin, “Everybody’s Protest Novel,” Notes of a Native Son (1955)
On the 29th of July, in 1943, my father died. On the same day, a few hours later, his last child was born.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
Besides, life does not produce ciphers like these: when people have become this empty they are not ciphers any longer, but monsters.
James Baldwin, “Carmen Jones: The Dark Is Light Enough,” Notes of a Native Son (1955)
Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, which is the only fact we have.
James Baldwin, “Down at the Cross,” The Fire Next Time (1963)
It seems to me that one ought to rejoice in the fact of death—ought to decide, indeed, to earn one’s death by confronting with passion the conundrum of life.
James Baldwin, “Down at the Cross,” The Fire Next Time (1963)
I do not mean to be sentimental about suffering—enough is certainly as good as a feast—but people who cannot suffer can never grow up, can never discover who they are.
James Baldwin, “Down at the Cross,” The Fire Next Time (1963)

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