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In their own words

James Baldwin quotes about grief

27 quotations, each verified against its source and credited to the work it comes from — the wording as James Baldwin wrote or said it, not as the internet passes it around. Drawn from the 316 in the full collection. Page 1 of 2.

Illustrated portrait of James Baldwin
No matter how it seems now, I must confess: I loved him. I do not think that I will ever love anyone like that again.
David (narration) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 3
Much has been written of love turning to hatred, of the heart growing cold with the death of love. It is a remarkable process. It is far more terrible than anything I have ever read about it, more terrible than anything I will ever be able to say.
David (narration) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 5
With this fearful intimation there opened in me a hatred for Giovanni which was as powerful as my love and which was nourished by the same roots.
David (narration) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 1
There are so many ways of being despicable it quite makes one’s head spin. But the way to be really despicable is to be contemptuous of other people’s pain.
Jacques (dialogue) · James Baldwin, Giovanni's Room (1956), Part One, Chapter 3
I thought only, One day I’ll weep for this. One of these days I’ll start to cry.
David (narration) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 4
I simply wondered about the dead because their days had ended and I did not know how I would get through mine.
David (narration) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 3
It became, in a way, every room I had ever been in and every room I find myself in hereafter will remind me of Giovanni’s room.
David (narration) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 2
To remember it so clearly, so painfully tonight tells me that I have never for an instant truly forgotten it.
David (narration) · James Baldwin, Giovanni's Room (1956), Part One, Chapter 1
And at moments like this I felt that we were merely enduring and committing the longer and lesser and more perpetual murder.
David (narration) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 3
But it was not the same, something was gone; the astonishment, the power, and the joy were gone, the peace was gone.
David (narration) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 5
Beneath the joy, of course, was anguish and beneath the amazement was fear; but they did not work themselves to the beginning until our high beginning was aloes on our tongues.
David (narration) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 1
For this was not a matter of habit or circumstances or temperament; it was a matter of punishment and grief.
David (narration) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 2
This was not the garbage of Paris, which would have been anonymous: this was Giovanni’s regurgitated life.
David (narration) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 2
Perhaps she had lost her love because she had not, in the end, believed in it enough.
Narration · James Baldwin, Go Tell It on the Mountain (1953), Part Two
The menfolk, they die, and it’s over for them, but we women, we have to keep on living and try to forget what they done to us.
Florence (dialogue) · James Baldwin, Go Tell It on the Mountain (1953), Part Two
Yet, in Florence’s heart to-night hatred and bitterness weighed like granite, pride refused to abdicate from the throne it had held so long. Neither love nor humility had led her to the altar, but only fear.
Narration · James Baldwin, Go Tell It on the Mountain (1953), Part Two
At length, she lay beside him like a burden laid down at evening which must be picked up once more in the morning.
Narration · James Baldwin, Go Tell It on the Mountain (1953), Part Two
Men spoke of how the heart broke up, but never spoke of how the soul hung speechless in the pause, the void, the terror between the living and the dead; how, all garments rent and cast aside, the naked soul passed over the very mouth of Hell.
Narration · James Baldwin, Go Tell It on the Mountain (1953), Part Two
I know about suffering; if that helps. I know that it ends. I ain’t going to tell you no lies, like it always ends for the better. Sometimes it ends for the worse. You can suffer so bad that you can be driven to a place where you can’t ever suffer again: and that’s worse.
Sharon (dialogue) · James Baldwin, If Beale Street Could Talk (1974), Part One
I hope that nobody has ever had to look at anybody they love through glass.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part One
Despair can make one monstrous, but it can also make one noble: and here these children are, in the arena, up for grabs.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part One
Daughter. In this world, terrible things happen to you, and we can all do some terrible things.
Sharon (dialogue) · James Baldwin, If Beale Street Could Talk (1974), Part One
I imagine that one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, that they will be forced to deal with pain.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
I saw nothing very clearly but I did see this: that my life, my real life, was in danger, and not from anything other people might do but from the hatred I carried in my own heart.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
He had lived and died in an intolerable bitterness of spirit and it frightened me, as we drove him to the graveyard through those unquiet, ruined streets, to see how powerful and overflowing this bitterness could be and to realize that this bitterness now was mine.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)

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