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In their own words

James Baldwin quotes about justice & the law

33 quotations, each verified against its source and credited to the work it comes from — the wording as James Baldwin wrote or said it, not as the internet passes it around. Drawn from the 316 in the full collection. Page 1 of 2.

Illustrated portrait of James Baldwin
If your countrymen think that privacy is a crime, so much the worse for your country.
Giovanni (dialogue) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 1
I suppose they will come for him early in the morning, perhaps just before dawn, so that the last thing Giovanni will ever see will be that grey, lightless sky over Paris, beneath which we stumbled homeward together so many desperate and drunken mornings.
David (narration) · James Baldwin, Giovanni's Room (1956), Part One, Chapter 3
Why was too black for the newsprint to carry and too deep for Giovanni to tell.
David (narration) · James Baldwin, Giovanni's Room (1956), Part Two, Chapter 5
I don’t know when and I don’t know how, but I know you going to be brought low one of these days. I ain’t holy like you are, but I know right from wrong.
Esther (letter) · James Baldwin, Go Tell It on the Mountain (1953), Part Two
The truth of a case doesn’t matter. What matters is – who wins.
Hayward (dialogue) · James Baldwin, If Beale Street Could Talk (1974), Part One
Time could not be bought. The only coin time accepted was life.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part One
I hope that nobody has ever had to look at anybody they love through glass.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part One
But they are wrong to be ashamed. The people responsible for these jails should be ashamed.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part One
It is not that he gives up hope, but that he ceases clinging to it.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part Two
The poor are always crossing the Sahara. And the lawyers and bonds-men and all that crowd circle around the poor, exactly like vultures.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part One
Maybe I’d feel different if I had done something and got caught. But I didn’t do nothing. They were just playing with me, man, because they could.
Daniel (dialogue) · James Baldwin, If Beale Street Could Talk (1974), Part One
Remember, Tish, after all, it isn’t very much of a case. If Fonny were white, it wouldn’t be a case at all.
Ernestine (dialogue) · James Baldwin, If Beale Street Could Talk (1974), Part One
These captive men are the hidden price for a hidden and dreadful terror: the righteous must be able to locate the damned.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part Two
But you don’t know – the worst thing, man, the worst thing – is that they can make you so fucking scared. Scared, man. Scared.
Daniel (dialogue) · James Baldwin, If Beale Street Could Talk (1974), Part One
No matter what you may understand, and really understand, and no matter what you may tell yourself, if no one comes to see you, you are in very bad trouble. And trouble, here, means danger.
Tish (narration) · James Baldwin, If Beale Street Could Talk (1974), Part One
It must be remembered that the oppressed and the oppressor are bound together within the same society; they accept the same criteria, they share the same beliefs, they both alike depend on the same reality.
James Baldwin, “Everybody’s Protest Novel,” Notes of a Native Son (1955)
This laughter is the laughter of those who consider themselves to be at a safe remove from all the wretched, for whom the pain of the living is not real.
James Baldwin, “Equal in Paris,” Notes of a Native Son (1955)
It began to seem that one would have to hold in the mind forever two ideas which seemed to be in opposition. The first idea was acceptance, the acceptance, totally without rancor, of life as it is, and men as they are: in the light of this idea, it goes without saying that injustice is a commonplace.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
Appearances to the contrary, no one in America escapes its effects and everyone in America bears some responsibility for it.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
Steps are taken to right the wrong, without, however, expanding or demolishing the ghetto. The idea is to make it less of a social liability, a process about as helpful as make-up to a leper.
James Baldwin, “The Harlem Ghetto,” Notes of a Native Son (1955)
In Paris everything is very slow. Also, when dealing with the bureaucracy, the man you are talking to is never the man you have to see.
James Baldwin, “Equal in Paris,” Notes of a Native Son (1955)
In Harlem, Negro policemen are feared even more than whites, for they have more to prove and fewer ways to prove it.
James Baldwin, “Journey to Atlanta,” Notes of a Native Son (1955)
“Our people” have functioned in this country for nearly a century as political weapons, the trump card up the enemies’ sleeve; anything promised Negroes at election time is also a threat levelled at the opposition; in the struggle for mastery the Negro is the pawn.
James Baldwin, “Journey to Atlanta,” Notes of a Native Son (1955)
Moreover, irrespective of personal integrity, his position—neatly and often painfully paradoxical—is utterly dependent on the continuing debasement of fourteen million Negroes; should the national ideals be put into practice tomorrow, countless prominent Negroes would lose their raison d’être.
James Baldwin, “Journey to Atlanta,” Notes of a Native Son (1955)
Later on I concluded that they were not being hypocritical or even trying to comfort us. They meant exactly what they said. It was only that they spoke another language.
James Baldwin, “Equal in Paris,” Notes of a Native Son (1955)

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