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In their own words

James Baldwin quotes about race & the color line

86 quotations, each verified against its source and credited to the work it comes from — the wording as James Baldwin wrote or said it, not as the internet passes it around. Drawn from the 316 in the full collection. Page 2 of 4.

Illustrated portrait of James Baldwin

Notes of a Native Son quotes

The time has come to realize that the interracial drama acted out on the American continent has not only created a new black man, it has created a new white man, too.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
They emerge for what they are: a mirror of our confusion, dishonesty, panic, trapped and immobilized in the sunlit prison of the American dream.
James Baldwin, “Everybody’s Protest Novel,” Notes of a Native Son (1955)
He had lived and died in an intolerable bitterness of spirit and it frightened me, as we drove him to the graveyard through those unquiet, ruined streets, to see how powerful and overflowing this bitterness could be and to realize that this bitterness now was mine.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
I know, in any case, that the most crucial time in my own development came when I was forced to recognize that I was a kind of bastard of the West; when I followed the line of my past I did not find myself in Europe but in Africa.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
It is not simply the relationship of oppressed to oppressor, of master to slave, nor is it motivated merely by hatred; it is also, literally and morally, a blood relationship, perhaps the most profound reality of the American experience, and we cannot begin to unlock it until we accept how very much it contains of the force and anguish and terror of love.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)
I had discovered the weight of white people in the world. I saw that this had been for my ancestors and now would be for me an awful thing to live with and that the bitterness which had helped to kill my father could also kill me.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
They face each other, the Negro and the African, over a gulf of three hundred years—an alienation too vast to be conquered in an evening’s good-will, too heavy and too double-edged ever to be trapped in speech.
James Baldwin, “Encounter on the Seine: Black Meets Brown,” Notes of a Native Son (1955)
The most illiterate among them is related, in a way that I am not, to Dante, Shakespeare, Michelangelo, Aeschylus, Da Vinci, Rembrandt, and Racine; the cathedral at Chartres says something to them which it cannot say to me, as indeed would New York’s Empire State Building, should anyone here ever see it.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
The rage of the disesteemed is personally fruitless, but it is also absolutely inevitable; this rage, so generally discounted, so little understood even among the people whose daily bread it is, is one of the things that makes history.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
One wonders what on earth the first slave found to say to the first dark child he bore.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
Go back a few centuries and they are in their full glory—but I am in Africa, watching the conquerors arrive.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
The terrible thing about being a Negro leader lies in the term itself.
James Baldwin, “The Harlem Ghetto,” Notes of a Native Son (1955)
Of all Americans, Negroes distrust politicians most, or, more accurately, they have been best trained to expect nothing from them; more than other Americans, they are always aware of the enormous gap between election promises and their daily lives.
James Baldwin, “Journey to Atlanta,” Notes of a Native Son (1955)
The American commonwealth chooses to overlook what Negroes are never able to forget: they are not really considered a part of it.
James Baldwin, “Journey to Atlanta,” Notes of a Native Son (1955)
It is quite possible to say that the price a Negro pays for becoming articulate is to find himself, at length, with nothing to be articulate about.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
Appearances to the contrary, no one in America escapes its effects and everyone in America bears some responsibility for it.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
It is a sentimental error, therefore, to believe that the past is dead; it means nothing to say that it is all forgotten, that the Negro himself has forgotten it. It is not a question of memory.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)
For a tradition expresses, after all, nothing more than the long and painful experience of a people; it comes out of the battle waged to maintain their integrity or, to put it more simply, out of their struggle to survive.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)
Steps are taken to right the wrong, without, however, expanding or demolishing the ghetto. The idea is to make it less of a social liability, a process about as helpful as make-up to a leper.
James Baldwin, “The Harlem Ghetto,” Notes of a Native Son (1955)
It is simply impossible not to sing the blues, audibly or not, when the lives lived by Negroes are so inescapably harsh and stunted.
James Baldwin, “The Harlem Ghetto,” Notes of a Native Son (1955)
He finds himself involved, in another language, in the same old battle: the battle for his own identity.
James Baldwin, “Encounter on the Seine: Black Meets Brown,” Notes of a Native Son (1955)
What time will bring Americans is at last their own identity. It is on this dangerous voyage and in the same boat that the American Negro will make peace with himself and with the voiceless many thousands gone before him.
James Baldwin, “Encounter on the Seine: Black Meets Brown,” Notes of a Native Son (1955)
In Harlem, Negro policemen are feared even more than whites, for they have more to prove and fewer ways to prove it.
James Baldwin, “Journey to Atlanta,” Notes of a Native Son (1955)
That evening in the commissariat I was not a despised black man. They would simply have laughed at me if I had behaved like one. For them, I was an American.
James Baldwin, “Equal in Paris,” Notes of a Native Son (1955)
From all available evidence no black man had ever set foot in this tiny Swiss village before I came.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)

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