The Paris AtlasCharting the artists, works, and places worth returning to.
Print portfolioLate Romanticism

Dante's Inferno — the Doré illustrations

L'Enfer de Dante Alighieri

by Gustave Doré

Gustave Doré's folio edition of the Inferno, published in Paris in 1861 at his own expense after his publisher refused to fund it. Its plates fixed the look of Dante's hell for the modern imagination, and their success launched the series of great Doré folios.

Created
1861
Medium
Wood engravings after Doré's drawings

About Gustave Doré

Gustave Doré

5 works catalogued

A folio nobody would pay for

By 1860 Gustave Doré was the busiest illustrator in Paris, but the project he wanted most was turned down by his own publisher. He imagined Dante's Divine Comedy as an enormous luxury folio, drawn by him and cut by the best wood engravers in France. Hachette judged the format too expensive to recover its costs.

Doré paid for the first printing of the Inferno himself, with Hachette handling the printing and sale. The edition appeared in 1861 and sold out. Hachette took the series over, and the success carried Doré to a chevalier's cross of the Légion d'honneur that August, at twenty-nine.

What the plates show

Doré drew Dante Alighieri and his guide Virgil as two small, luminous figures moving through an overwhelming landscape. Forests whose trees are the bodies of suicides give way to cliffs dropping into darkness, ice fields holding the treacherous, and crowds of the damned rendered body by body. The scale is the argument — hell is architecture and weather, and the poets are visitors.

Charon herding the damned onto his boat — Canto III, from the 1861 folio. Gustave Doré, via Wikimedia Commons

The images owe their finish to a division of labour. Doré drew directly onto the engravers' woodblocks or supplied drawings to be transferred; professional engravers then cut the blocks that printed the plates. The system let one artist's imagination reach print at industrial scale.

Purgatorio and Paradiso followed in 1868

Doré completed the Divine Comedy with a second folio covering Purgatorio and Paradiso, published by Hachette in 1868. The hell plates remained the famous ones: publishers ever since have reprinted the Inferno set on its own, and painters and filmmakers staging Dante have started from Doré's staging.

Frequently asked questions

When did Gustave Doré illustrate Dante's Inferno?

The folio was published in 1861 in Paris. Doré had wanted the project for years; when Hachette declined to fund so expensive a format, he paid for the first printing himself. It sold out, and Hachette continued the series.

How many plates does the Doré Inferno have?

About seventy-five full-page plates in the 1861 folio; exact counts differ slightly between later editions and reprintings. The complete Divine Comedy set, with the Purgatorio and Paradiso volume of 1868, runs to roughly 135 plates.

Did Doré illustrate the whole Divine Comedy?

Yes. The Inferno came first in 1861, and Hachette published his Purgatorio and Paradiso together in a companion folio in 1868. The hell images are the ones that entered popular culture, and they are usually reprinted alone.

Why are Doré's Inferno illustrations so famous?

Because they became the default picture of hell. The tiny travellers in a vast, hostile landscape, the muscular crowds of the damned, the darkness broken by a single light source — later illustrated Bibles, fantasy art and cinema all inherited the staging. When a film shows hell as monumental architecture in grey half-light, it is quoting Doré whether it knows it or not.

Where can I see the Doré Inferno plates?

Almost anywhere. The engravings entered the public domain long ago, so they circulate in modern printed editions, in library rare-book rooms holding the 1861 folio, and in full online scans. Original folio volumes appear regularly on the rare-book market.

In the atlas

What the graph records about this work — every claim carries its citation.

Depicts

Dante Alighieri

Dante appears throughout the 1861 folio as the poem's traveller, guided by Virgil through the circles of hell.

Visions of Dante: Gustave Doré

More by Gustave Doré

If you like Gustave Doré

Explore painters from the same movements and circles.

  • Illustrated portrait of Arman

    Arman

    French-American artist, lifelong friend of Yves Klein, and a founder of New Realism.

    View artist
  • Illustrated portrait of Jean Arp

    Jean Arp

    Strasbourg-born sculptor and poet — Hans in German, Jean in French, both all his life — who co-founded Dada at the Cabaret Voltaire in 1916, composed collages by dropping torn paper 'according to the laws of chance', and settled at Meudon outside Paris in a house his wife Sophie Taeuber-Arp designed.

    View artist
  • Illustrated portrait of Pierre Bonnard

    Pierre Bonnard

    French painter, printmaker and illustrator whose intimate rooms, Paris streets, gardens and bathing figures transformed everyday life into complex fields of color, memory and perception.

    View artist

In images

Charon herding the damned into his boat, from Doré's Inferno folio of 1861 — Canto III, one of the suite's most reproduced plates.1861 · Gustave Doré, via Wikimedia Commons · Public domain
References

References

The sources below include collection records, catalogues, scholarly research, and primary materials that informed this page. They document Dante's Inferno — the Doré illustrations, its making, and its place in cultural history.

  1. 1Visions of Dante: Gustave Doré

    Website
    Cornell University Library
    Used for

    Web source consulted for documented facts and historical context presented on the Dante's Inferno — the Doré illustrations page.

    View source
  2. 2Gustave Doré

    Website
    Wikipedia
    Used for

    Web source consulted for documented facts and historical context presented on the Dante's Inferno — the Doré illustrations page.

    View source
  1. 3La vie de Gustave Doré : une chronologie

    Website
    BnF Essentiels
    Used for

    Web source consulted for documented facts and historical context presented on the Dante's Inferno — the Doré illustrations page.

    View source
  2. 4Gustave Doré — Encyclopaedia Britannica

    Website
    Encyclopaedia Britannica
    Used for

    Web source consulted for documented facts and historical context presented on the Dante's Inferno — the Doré illustrations page.

    View source
i
Why these sources are here

These references provide the documented foundation for this work's history and interpretation. Claim-level citations remain attached to the specific claims they support.

Explore more resources