The Paris AtlasCharting the artists, works, and places worth returning to.

The Prisoner of Chillon and Other Poems

by Lord Byron

Eight poems from Byron's first summer of exile on Lake Geneva: a prisoner in a castle dungeon, the end of the world, and a poem of thanks to his sister.

Published
1816
Pages
60
Era
Shelf rating
4.4

About Lord Byron

Illustrated portrait of Lord Byron
Lord Byron

5 books shelved

The story, briefly

Spoiler-free

The Prisoner of Chillon and Other Poems is a slim volume Lord Byron wrote in the summer of 1816, his first summer abroad after leaving England. John Murray published it on 5 December 1816. The title poem is spoken by a man held for years in the dungeon of the Castle of Chillon on Lake Geneva, chained to a pillar while his two brothers die beside him. The seven shorter poems include Darkness, a vision of the sun going out, and Stanzas to Augusta, written to Byron's half-sister. Most of the book was written at the Villa Diodati near Geneva, the same house and the same wet, cold summer that produced Mary Shelley's Frankenstein.[1][2]

The story, in more detail

In June 1816 Byron and Percy Bysshe Shelley sailed round Lake Geneva together. On about 26 June they visited the Castle of Chillon, which stands at the edge of the lake. Bad weather then held them for two days at a small inn at Ouchy, near Lausanne. Thomas Moore, Byron's biographer, says The Prisoner of Chillon was written there, and Ernest Hartley Coleridge dates it between 27 and 29 June 1816.[1]

Most of the other poems were written in July at the Villa Diodati, the house Byron had rented near Geneva. The Dream, Darkness and Prometheus all come from there that month. The manuscript of The Prisoner of Chillon that Murray received was in the handwriting of Claire Clairmont, who was staying nearby with the Shelleys. Murray had it in London by 11 October, and the book came out on 5 December with eight poems in all.[1]

The British Library describes 1816 as the year without a summer, after a huge volcanic eruption in Indonesia. The party at the Villa Diodati was often stuck indoors and had to light candles against the gloom. Byron's ghost-story competition, which started Frankenstein, came out of those same evenings.[2]

What's inside

The book opens with the Sonnet on Chillon, fourteen lines in praise of liberty that call the prisoner's cell a holy place. The title poem follows, fourteen sections long. The speaker is the last survivor of six brothers. Their father was burned at the stake for his faith, and three of the sons were locked in the vaults of Chillon, below the level of the lake.[1]

The brothers are chained to three separate pillars. They can hear each other but cannot see each other's faces. The middle brother, a hunter used to the mountains, dies first. The youngest, the one their father loved best, fades more slowly and dies too. The narrator is left alone beside their graves, and for a time he feels nothing at all.[1]

A bird singing at the barred window brings him back. Later he climbs to the window slit and sees the mountains, the lake and a small green island with three trees on it. The sight makes the dungeon harder to bear, not easier.[1]

The shorter poems are The Dream, a look back at Byron's boyhood love for Mary Chaworth; Darkness; Churchill's Grave; Prometheus; the Sonnet to Lake Leman; and Stanzas to Augusta, written to his half-sister Augusta Leigh.[1]

How it ends — spoilers aheadThe final movement, ending included. Open when you're ready.

After years he has stopped counting, men come to set the prisoner free. By then he has made friends with the spiders and watched the mice at play. He no longer cares where he is. The poem ends with its most famous turn: his chains and he have grown friends, and he regains his freedom with a sigh.

Themes and analysis

These readings discuss events throughout the book, including its ending.

The real prisoner

The prisoner is based on François Bonivard, a real man. He was prior of St Victor, a monastery just outside Geneva, and he backed the city's fight to break free of the Duke of Savoy. The duke had him seized and held at Chillon from 1530 until the Bernese took the castle and freed him on 29 March 1536. Bonivard later wrote that he spent four of those years in a cell below the lake. He walked so much that he wore a path into the rock floor.

Byron admitted in a note to the first edition that he knew little of Bonivard's history when he wrote the poem. The father burned at the stake and the five brothers of the narrator are his invention. Coleridge points out that the real Bonivard had only two brothers. The Sonnet on Chillon, printed before the poem, praises Bonivard by name.

Darkness

Darkness is dated at the Villa Diodati in July 1816. The poem is a dream in which the sun goes out and never comes back. People burn their houses and forests for light. Famine and war return, and a faithful dog guards his dead master and starves. Two last survivors meet at an altar fire, see each other's faces and die of the sight. The poem ends with the whole world still and dark.

Walter Scott reviewed the volume in the Quarterly Review in October 1816 and did not like Darkness. He called that kind of dream-picture a dangerous employment for a poet's imagination. The poem was written in the dark, wet summer the British Library calls the year without a summer. Byron himself never said the weather prompted the poem.

The prisoner in Paris

Eugène Delacroix painted The Prisoner of Chillon in 1834 for the Duke of Orléans. Delacroix showed it at the Paris Salon of 1835. The painting passed to the collector Étienne Moreau-Nélaton, who gave it to the Louvre in 1906.

The poem itself was on sale in Paris in English within three years of its publication. Galignani, the English-language bookseller and publisher at 18 rue Vivienne, printed The Prisoner of Chillon at the start of the fourth volume of its 1819 edition of Byron's works. An 1821 Paris edition sold by François Louis and Baudry included it along with Darkness.

Quotes from The Prisoner of Chillon and Other Poems

Quoted verbatim from the text, each line verified against its source.

My hair is grey, but not with years, Nor grew it white In a single night, As men's have grown from sudden fears
The prisoner · Lord Byron, The Prisoner of Chillon (1816), section I
My very chains and I grew friends, So much a long communion tends To make us what we are:—even I Regained my freedom with a sigh.
The prisoner · Lord Byron, The Prisoner of Chillon (1816), section XIV
Eternal Spirit of the chainless Mind! Brightest in dungeons, Liberty! thou art
Lord Byron, Sonnet on Chillon (1816)
I had a dream, which was not all a dream. The bright sun was extinguished, and the stars Did wander darkling in the eternal space
Lord Byron, Darkness (1816)

Why we recommend it

  1. The best short way into Byron

    The title poem can be read in half an hour. The story is simple, and the last line, about regaining freedom with a sigh, stays with readers.

  2. Darkness

    A dream of the sun going out, written in the dark summer of 1816. The opening line is I had a dream, which was not all a dream.

  3. Frankenstein's summer

    Written at the Villa Diodati in the same weeks as the ghost-story competition that started Mary Shelley's novel.

  4. Byron's private life, just below the surface

    Stanzas to Augusta and The Dream were written months after his marriage collapsed, and they are about the people he had lost or kept.

What this book explores

Bring it to book club

  • The prisoner ends by regaining his freedom with a sigh. Why might a man be sorry to leave his cell?
  • Byron invented the brothers and the father burned at the stake. Does the poem need them?
  • The glimpse of the island through the window makes things worse, not better. Why?
  • Darkness has no hero and no plot. What holds it together?
  • Stanzas to Augusta and The Dream are private poems. How do they change the way you read the title poem?

A complete discussion guide is on our editorial calendar. Join the letter to hear when it ships.

Inside the book

Selected works from this book, with notes on each.

The Prisoner of Chillon

Written at Ouchy in late June 1816. A prisoner in the dungeon of Chillon watches his two brothers die.

Darkness

Dated at the Villa Diodati, July 1816. A dream of the sun going out and the world dying in the dark.

Stanzas to Augusta

Dated 24 July 1816. A poem of thanks to Byron's half-sister, Augusta Leigh, who stood by him.

The Dream

Written at the Villa Diodati in July 1816. Byron's look back at his boyhood love for Mary Chaworth.

Timeline

  1. 1530

    François Bonivard, prior of St Victor near Geneva, is imprisoned at Chillon by the Duke of Savoy.

  2. 1536

    The Bernese take Chillon and free Bonivard on 29 March.

  3. 1816

    Byron and Percy Bysshe Shelley visit Chillon in late June. Byron writes The Prisoner of Chillon at Ouchy, then Darkness, The Dream and Prometheus at the Villa Diodati in July.

  4. 1816

    John Murray publishes The Prisoner of Chillon and Other Poems on 5 December. Walter Scott reviews it in the Quarterly Review.

  5. 1819

    Galignani prints The Prisoner of Chillon in English in Paris, in its edition of Byron's works.

  6. 1835

    Eugène Delacroix shows The Prisoner of Chillon, painted the year before for the Duke of Orléans, at the Paris Salon.

  7. 1906

    Étienne Moreau-Nélaton gives Delacroix's painting to the Louvre.

Book editions

Hardcover edition cover
Hardcover
Woodstock Books
1993
ISBN-13
9781854771339
The Prisoner of Chillon, 60 pages, in the series Revolution and Romanticism, 1789–1834. The Library of Congress record confirms the ISBN.
Paperback edition cover
Paperback
Oxford University Press
2008
ISBN-13
9780199537334
Lord Byron: The Major Works, edited by Jerome J. McGann, in Oxford World's Classics. A one-volume selection of Byron's poetry and prose.
Ebook
Ebook
Project Gutenberg
1901
Free. Ebook 20158, volume four of Ernest Hartley Coleridge's edition, has The Prisoner of Chillon and every poem of the 1816 volume, with his introductions and notes.
Hardcover
Hardcover
John Murray
1816
The first edition, published 5 December 1816. Pre-ISBN.

Reader reviews

Loading reviews…

Cover of Frankenstein by Mary Shelley

Frankenstein

Mary Shelley

Begun at the Villa Diodati in June 1816, the house where Byron wrote Darkness and The Dream a few weeks later.

Read our take

Recommended alongside The Giaour.

The Prisoner of Chillon and Other Poems: frequently asked questions

What is The Prisoner of Chillon about?

A man imprisoned for his family's religion in the dungeon of the Castle of Chillon on Lake Geneva. He is chained to a pillar near two of his brothers and watches both die. After years alone, with a bird and the spiders for company, he is released and finds he is almost sorry to go.

Was the Prisoner of Chillon a real person?

Yes, in part. François Bonivard, prior of St Victor near Geneva, was held at Chillon by the Duke of Savoy from 1530 until 1536. Byron admitted he knew little of Bonivard's history when he wrote the poem, and the brothers are invented.

Where and when did Byron write it?

At a small inn at Ouchy, near Lausanne, where bad weather held him and Percy Bysshe Shelley in late June 1816, just after they had visited the castle. Ernest Hartley Coleridge dates it between 27 and 29 June.

What other poems are in the 1816 volume?

The Sonnet on Chillon, The Dream, Darkness, Churchill's Grave, Prometheus, the Sonnet to Lake Leman and Stanzas to Augusta. Byron's poem Darkness is the best known of them after the title poem.

Is Byron's Darkness about the year without a summer?

The poem is dated at the Villa Diodati in July 1816, during the summer the British Library calls the year without a summer, when the party there lit candles against the gloom. Byron did not say the weather prompted it, but the dates match.

What is the connection to Paris?

Byron never visited Paris. Galignani printed the poem in English there in 1819, and Eugène Delacroix's painting The Prisoner of Chillon, shown at the Paris Salon of 1835, is in the Louvre.

If you like Lord Byron

Explore authors with a similar voice, perspective, and influence.

  • Illustrated portrait of Louis-Ferdinand Céline

    Louis-Ferdinand Céline

    The doctor of the Paris slums who wrote the century's blackest, funniest novel — and changed the sound of French prose.

    View author
  • Illustrated portrait of Henry Miller

    Henry Miller

    The Brooklyn dropout who arrived in Paris broke at thirty-eight and wrote the exuberant, banned books that ended American censorship.

    View author
  • Illustrated portrait of Charles Bukowski

    Charles Bukowski

    American poet and novelist of Los Angeles rooming houses, racetracks and the post office, who quit his job to write when a publisher offered him a hundred dollars a month. He came to Paris once, in September 1978, drank his way through a live television book programme and walked off the set — and French television has been replaying it ever since.

    View author
References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document The Prisoner of Chillon and Other Poems, its publication, and its place in literary history.

  1. 1abcdefgThe Works of Lord Byron, Poetry, Vol. IV: The Prisoner of Chillon, the poems of 1816, Manfred, Beppo and Mazeppa, edited by Ernest Hartley Coleridge (John Murray, 1901; Project Gutenberg #20158)

    Poetry
    Project Gutenberg, 1901
    Used for

    Every poem of the 1816 volume with Ernest Hartley Coleridge's introductions and notes: the writing at Ouchy and Diodati, the publication date, the history of François Bonivard and Scott's review of Darkness. The quotations were checked against it.

    View source
  2. 2abFrankenstein

    Website
    British Library
    Used for

    The British Library on the summer of 1816 at the Villa Diodati: the year without a summer and the ghost-story competition.

    View source
  3. 3Chillon Castle: History of the Castle

    Website
    Chillon Castle Foundation
    Used for

    Chillon Castle's history dates the Bernese capture of the castle to 29 March 1536, correcting the 1 February date in Coleridge's older introduction.

    View source
  4. 4Delacroix — Le Prisonnier de Chillon (1834), inventory RF 1660

    Website
    Musée du Louvre
    Used for

    The Louvre's record for Delacroix's Prisoner of Chillon (1834, RF 1660), painted for the Duke of Orléans and shown at the Salon of 1835.

    View source
  1. 5The Works of Lord Byron, Poetry, Vol. VII, with Ernest Hartley Coleridge's bibliography of the editions and translations (John Murray, 1904; Project Gutenberg #27577)

    Poetry
    Project Gutenberg, 1904
    Used for

    Coleridge's bibliography, used for the Paris editions of 1819 and 1821 that printed the poem in English.

    View source
  2. 6The Prisoner of Chillon (Lord Byron) — Open Library edition records (work OL1092567W)

    Website
    Open Library, Internet Archive
    Used for

    Catalogue records for the modern editions, used with the Library of Congress record to confirm the Woodstock Books ISBN.

    View source
  3. 7The Prisoner of Chillon and Other Poems

    Poetry
    Lord Byron, 1816
    Used for

    The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.

i
Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

Explore more resources