Edgar Degas
Degas was a regular at the Cafe de la Nouvelle Athenes on the place Pigalle, minutes from his studio. The cafe is the setting of his 1876 painting usually known as L'Absinthe.
Café de la Nouvelle Athènes
Standing, much changed
Outside only
Someone else
The café on the place Pigalle that took over from the Guerbois as the meeting place of Manet, Degas and their circle in the 1870s — and the room behind the painting usually called L'Absinthe.
- place Pigalle, 75009 Paris
- Successor to the Guerbois as the painters' café, from the early 1870s
The place, briefly
By the early 1870s the centre of gravity had shifted from the Café Guerbois in the Batignolles up to the place Pigalle, and the Nouvelle Athènes had become the café where the painters gathered. Édouard Manet and Edgar Degas were both regulars, and for Degas it was a few minutes' walk from home.
The café gave its name to the whole quarter's reputation. Pigalle in this period was where models were hired, where colourmen and framers had their shops, and where a painter could live cheaply among other painters — the Nouvelle Athènes was its front room.
It is also the setting of one of Degas's most argued-over pictures, the 1876 canvas usually called L'Absinthe, which shows a woman and a man at a café table, side by side, not speaking. The models were the actress Ellen Andrée and the printmaker Marcellin Desboutin, both of them part of the circle, posed in the café they actually drank in. When the painting was shown in London in the 1890s it caused a small scandal — critics took it as a statement about drink and degradation rather than a picture of two friends sitting for a portrait.
The café has gone and the square has been renamed. The coordinate here approximates the historic address.
Key facts
- 9 place Pigalle
- Place Jean-Baptiste-Pigalle
- The 1870s, succeeding the Café Guerbois
- Manet, Degas and their circle
- Degas's L'Absinthe, 1876, posed here
- Nothing survives
Timeline
The Nouvelle Athènes replaces the Café Guerbois as the painters' meeting place.
Degas paints the café scene now generally known as L'Absinthe.
On the map
Questions before you go
Where was the Café de la Nouvelle Athènes?
At 9 place Pigalle in the 9th arrondissement. The square is now called place Jean-Baptiste-Pigalle, and the café no longer exists.
Was L'Absinthe painted here?
The café is the setting. Degas posed two people from his circle — the actress Ellen Andrée and the printmaker Marcellin Desboutin — at a table in the Nouvelle Athènes for the 1876 painting.
How does it relate to the Café Guerbois?
It succeeded it. The Manet circle met at the Guerbois in the Batignolles through the 1860s and moved up to the Nouvelle Athènes on the place Pigalle in the early 1870s.
People who knew this place
Édouard Manet
By the early 1870s the Nouvelle Athenes on the place Pigalle had become the meeting place for Manet, Degas and their circle, succeeding the Cafe Guerbois.
Paul Gauguin
Paul Gauguin met Camille Pissarro, Edgar Degas and Edouard Manet at the Cafe de la Nouvelle Athenes on the place Pigalle during the years he was exhibiting with the Impressionists.
Within walking distance
Pigalle
The strip along the boulevard de Clichy below Montmartre, where the studios and the cabarets shared a pavement until only the second kind was left.
Visit the place4 rue Frochot
The studio and apartment Edgar Degas settled into in 1877 — the year he was showing the ballet and café pictures that made his name, a few steps from the place Pigalle.
Visit the place37 rue Victor-Massé
The apartment and studio where Edgar Degas worked for the last quarter-century of his career, on a street then called the rue de Laval. Paul Valéry was brought here to meet him in 1896. Degas was evicted in 1912 and never really worked again.
Visit the place11 boulevard de Clichy
The building where Picasso took a studio and a comfortable apartment in 1909, looking over the avenue Frochot — the address that marks his move out of the squalor of the Bateau-Lavoir and into something like a bourgeois life.
Visit the placeThe Friday Letter
Paris, one address at a time.
The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.