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In their own words

James Baldwin quotes about disillusionment

42 quotations, each verified against its source and credited to the work it comes from — the wording as James Baldwin wrote or said it, not as the internet passes it around. Drawn from the 316 in the full collection. Page 2 of 2.

Illustrated portrait of James Baldwin
This was the story of innumerable shepherds who failed, in their arrogance, to feed the hungry sheep; of many a father and mother who gave their children not bread but a stone, who offered not the truth of God but the tinsel of this world.
Narration · James Baldwin, Go Tell It on the Mountain (1953), Part Two
For him there was the back door, and the dark stairs, and the kitchen or the basement. This world was not for him. If he refused to believe, and wanted to break his neck trying, then he could try until the sun refused to shine; they would never let him enter.
Narration · James Baldwin, Go Tell It on the Mountain (1953), Part One
But ain’t no use to try to take the whole world with you. You can’t change nothing, Gabriel.
Florence (dialogue) · James Baldwin, Go Tell It on the Mountain (1953), Part One
Ten years. Their battle never ended; they never bought a home. He died in France.
Narration · James Baldwin, Go Tell It on the Mountain (1953), Part Two
These, God’s ministers, had indeed grown fat, and their dress was rich and various. They had been in the field so long that they did not tremble before God any more.
Narration · James Baldwin, Go Tell It on the Mountain (1953), Part Two
People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
Our passion for categorization, life neatly fitted into pegs, has led to an unforeseen, paradoxical distress; confusion, a breakdown of meaning. Those categories which were meant to define and control the world for us have boomeranged us into chaos; in which limbo we whirl, clutching the straws of our definitions.
James Baldwin, “Everybody’s Protest Novel,” Notes of a Native Son (1955)
They emerge for what they are: a mirror of our confusion, dishonesty, panic, trapped and immobilized in the sunlit prison of the American dream.
James Baldwin, “Everybody’s Protest Novel,” Notes of a Native Son (1955)
Of all Americans, Negroes distrust politicians most, or, more accurately, they have been best trained to expect nothing from them; more than other Americans, they are always aware of the enormous gap between election promises and their daily lives.
James Baldwin, “Journey to Atlanta,” Notes of a Native Son (1955)
He is the key figure in his country, and the American future is precisely as bright or as dark as his. And the Negro recognizes this, in a negative way. Hence the question: Do I really want to be integrated into a burning house?
James Baldwin, “Down at the Cross,” The Fire Next Time (1963)
You were not expected to aspire to excellence: you were expected to make peace with mediocrity.
James Baldwin, “My Dungeon Shook,” The Fire Next Time (1963)
We human beings now have the power to exterminate ourselves; this seems to be the entire sum of our achievement.
James Baldwin, “Down at the Cross,” The Fire Next Time (1963)
I really mean that there was no love in the church. It was a mask for hatred and self-hatred and despair. The transfiguring power of the Holy Ghost ended when the service ended, and salvation stopped at the church door.
James Baldwin, “Down at the Cross,” The Fire Next Time (1963)
Furthermore, I have met only a very few people—and most of these were not Americans—who had any real desire to be free. Freedom is hard to bear.
James Baldwin, “Down at the Cross,” The Fire Next Time (1963)
But the Negro’s experience of the white world cannot possibly create in him any respect for the standards by which the white world claims to live.
James Baldwin, “Down at the Cross,” The Fire Next Time (1963)
For it would seem that a certain category of exceptions never failed to make the world worse—that category, precisely, for whom power is more real than love. And yet power is real, and many things, including, very often, love, cannot be achieved without it.
James Baldwin, “Down at the Cross,” The Fire Next Time (1963)
The Negroes of this country may never be able to rise to power, but they are very well placed indeed to precipitate chaos and ring down the curtain on the American dream.
James Baldwin, “Down at the Cross,” The Fire Next Time (1963)

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