The Paris AtlasCharting the artists, works, and places worth returning to.
Cover of A Woman Speaks by Anaïs Nin

A Woman Speaks

by Anaïs Nin

The lecture years on the page: creativity, women, and the examined life, gathered from the talks that made her a campus phenomenon.

Published
1975
Shelf rating
3.5

About Anaïs Nin

Illustrated portrait of Anaïs Nin
Anaïs Nin

55 books on our shelvesWhere to start

The story, briefly

Spoiler-free

After 1966, Nin's most public work was spoken: the lecture halls, seminars, and interviews where a generation — young women above all — came with the Diary in hand and questions about how to live. A Woman Speaks, edited from tapes and transcripts by the scholar Evelyn J. Hinz and published by Swallow Press in 1975, distills those years: talks on creativity, the diary practice, relationships, and the will to self-making, in the direct spoken voice her books kept literary. It became one of her most read titles. (Talks — nothing to spoil.)

The story, in more detail

The lecture circuit was Nin's real late-life genre. She was on the road for a decade — campuses, conferences, television — and the spoken Nin surprised people: warmer and funnier than the legend, patient with enormous audiences of the young, and expert at turning the questions of the moment (the women's movement most of all) back toward her lifelong subjects of inner growth and creative discipline. Her relationship to feminism was genuinely complicated — she was claimed and criticized by it in the same seasons — and the talks here show her negotiating that embrace in real time.

Evelyn J. Hinz, her chosen critic, assembled the book from recordings with Nin's cooperation, organizing by theme rather than chronology. Published in 1975, it caught the last years of her speaking life and outlived them; for many readers it remains the most approachable Nin — the doctrine of the diaries and essays, delivered conversationally, with the audience in the room.

What's inside

Edited talks and exchanges grouped by theme: the diary as a discipline of self-creation; creativity and the refusal of despair; women's development and the movement's questions, answered in her own key; relationships, dreams, and the psychology of growth; and the question-and-answer sessions where the era's audiences met her directly. Hinz's arrangement keeps the spoken cadence — the book reads as an evening with the late Nin.

Why we recommend it

  1. The voice

    Warmer and funnier than the books' legend — the spoken register her audiences fell for.

  2. The era in the room

    The women's movement's questions and her answers, recorded live rather than reconstructed.

  3. The doctrine, portable

    Diary practice, creativity, self-making — the whole program in an evening's reading.

What this book explores

Timeline

  1. 1966–1975

    The lecture decade: campuses, seminars, and interviews across America, taped as she went.

  2. 1975

    Swallow publishes Hinz's edited collection, two years before Nin's death.

Book editions

Paperback
Paperback
Swallow Press
1975
First edition — edited by Evelyn J. Hinz from tapes and transcripts
Paperback
Paperback
Swallow Press / Ohio University Press
The standard reprint

Reader reviews

Loading reviews…

Recommended alongside Conversations with Anaïs Nin, On Writing, Anaïs Nin Letters, Letters to a Friend in Australia and The Quotable Anaïs Nin.

A Woman Speaks: frequently asked questions

What is A Woman Speaks?

A collection of Anaïs Nin's lectures, seminars, and interviews from her post-Diary fame, edited from recordings by Evelyn J. Hinz and published by Swallow Press in 1975.

Did Nin write it?

She spoke it. Hinz edited the talks and exchanges from tapes and transcripts with Nin's cooperation, organizing them by theme.

What does she talk about?

The diary as a discipline, creativity and growth, women's development and the questions of the women's movement, relationships, and dreams — with live question-and-answer throughout.

Was Nin a feminist?

Complicatedly. The movement claimed her and criticized her in the same years; these talks show her welcoming the audience while insisting on her own vocabulary of inner growth over politics.

Is it a good introduction to Nin?

One of the best — the ideas of the diaries and essays in her most direct, conversational register.