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Normance

Normance (Féerie pour une autre fois II)

by Louis-Ferdinand Céline

Louis-Ferdinand Céline's 1954 novel — the second volume of the Féerie sequence, a single night of Allied bombing over Montmartre.

Published
1954
Setting
Paris
Shelf rating
4.1

About Louis-Ferdinand Céline

Illustrated portrait of Louis-Ferdinand Céline
Louis-Ferdinand Céline

12 books on our shelves

The story, briefly

Spoiler-free

The direct sequel to Féerie pour une autre fois I concentrates the action into a terrifying night of Allied bombing over Montmartre. Ferdinand, Lili and Bébert try to survive while the building and the narrator's mind seem to collapse together. Whether the threat is entirely real or enlarged by Ferdinand's paranoia becomes increasingly difficult to separate.

The story, in more detail

Ferdinand returns home sick from a visit to Jules, the painter he believes has betrayed him. Together with Lili and Bébert, he endures a night of violent bombing while the world around him seems to disintegrate.

He eventually takes refuge in the concierge's lodge, where the other residents — particularly Normance — turn on him. Whether the danger is real or enlarged by paranoia is impossible to fully separate.

The full plot

What happens, beginning to end — the ending included. Open when you're ready.

Ferdinand leaves Jules feeling sick, returns to his building on rue Girardon and falls into the elevator shaft. He is brought upstairs to Lili and Bébert.

Then the bombing begins.

Through the night, Montmartre seems to shake apart. Ferdinand imagines Jules stationed above the neighborhood like an orchestra conductor directing the destruction. He eventually takes refuge in the concierge's lodge, where the other residents — particularly Normance — turn on him. Whether the threat is entirely real or enlarged by Ferdinand's paranoia becomes increasingly difficult to separate.

At dawn, Ottavio helps Ferdinand back upstairs. He reunites with Lili and Bébert and encounters the actor Norbert in a state almost as delirious as his own. Ferdinand and Lili finally decide they must leave the apartment.

How it ends — spoilers aheadThe final movement, ending included. Open when you're ready.

The two-volume sequence does not deliver a conventional resolution.

At the end of Normance, Ferdinand and Lili leave their building and struggle through the devastated streets of Montmartre, trying to reach the northern side of the hill and the Lamarck–Caulaincourt Métro station.

Around them, hundreds of pages of Céline's own manuscript appear to be falling through the air, and the concierge Toiselle tries to gather them from the street.

It is a wonderfully appropriate final image for the two books: the city, the narrator, history and the book itself have all been blown apart, and the fragments are literally scattering through the sky.

Themes and analysis

References

  • Godard's Pléiade Romans IV is the scholarly text; the editorial material for Normance is at p. 1203.
    • Henri Godard (ed.), Louis-Ferdinand Céline, Romans IV: Féerie pour une autre fois I & II (Normance) — with editorial apparatus, esp. pp. 1115–1170 and 1202 (Féerie I) and p. 1203 (Normance) (1993)
  • Godard's 2011 biography (esp. p. 484 on Normance) supplies the compositional and biographical context.
    • Henri Godard, Céline (biography) — esp. p. 484 (Normance), p. 486 (Féerie), pp. 489–490 and 495 (2011)

Why we recommend it

  1. One long night

    The whole novel is one night of bombing over Montmartre — a compressed, hallucinatory piece with a single sustained event holding it together.

  2. The manuscript in the air

    The final image — hundreds of pages of Céline's own manuscript falling through the destroyed streets — is one of the great endings in twentieth-century French fiction.

What this book explores

Book editions

Paperback
Paperback
Dalkey Archive Press
Translated by
Marlon Jones
Paperback
Paperback
French
Gallimard

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