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Fable for Another Time

Féerie pour une autre fois

by Louis-Ferdinand Céline

Louis-Ferdinand Céline's 1952 novel — the first volume of his postwar Féerie sequence, a feverish mixture of prison, memory and grievance.

Published
1952
Setting
Paris
Shelf rating
4.0

About Louis-Ferdinand Céline

Illustrated portrait of Louis-Ferdinand Céline
Louis-Ferdinand Céline

12 books on our shelves

The story, briefly

Spoiler-free

The first volume of Céline's postwar Féerie sequence turns his Danish imprisonment and threatened prosecution in France into a feverish mixture of memory, accusation, fantasy and catastrophe. The imprisoned narrator feels abandoned, prosecuted and betrayed. He addresses the reader directly, rages against his enemies, worries about his books and repeatedly returns in memory to his apartment on rue Girardon in Montmartre. One of his obsessions is Jules, a painter and former friend whom he believes has betrayed him.

The story, in more detail

Céline speaks from the psychological world created by his Danish imprisonment and the threat of prosecution in France. He insists on his isolation, attacks former associates and repeatedly tries to justify himself to the reader.

His recollections shift toward Montmartre before his flight from France. Jules becomes a central figure in his sense of betrayal. Everyday events expand into hallucination and nightmare. Ghosts, fantasies and imagined conspiracies appear beside recognizable memories, so the novel increasingly resembles an extended delirium rather than realistic autobiography.

The full plot

What happens, beginning to end — the ending included. Open when you're ready.

There is no stable border between present and past. Prison, wartime Paris, dreams, ghosts, imagined persecutions and literary grievances continually intrude upon one another.

Jules — a painter and former friend Céline believes has betrayed him — becomes an obsessive figure. Céline addresses the reader directly, complains about his books, worries about his enemies and returns again and again to his rue Girardon flat in Montmartre.

How it ends — spoilers aheadThe final movement, ending included. Open when you're ready.

There is no conventional conclusion to this first volume. Its memories and obsessions flow directly into the second, Normance, published two years later.

Themes and analysis

References

  • Henri Godard's Pléiade Romans IV is the standard scholarly text: it collects Féerie I, Féerie II (Normance) and their preparatory versions, with editorial apparatus especially at pp. 1115–1170 and p. 1202 for Féerie I.
    • Henri Godard (ed.), Louis-Ferdinand Céline, Romans IV: Féerie pour une autre fois I & II (Normance) — with editorial apparatus, esp. pp. 1115–1170 and 1202 (Féerie I) and p. 1203 (Normance) (1993)
  • Godard's 2011 biography (esp. p. 486, pp. 489–490 and p. 495) supplies the biographical and compositional context.
    • Henri Godard, Céline (biography) — esp. p. 484 (Normance), p. 486 (Féerie), pp. 489–490 and 495 (2011)
  • The Brooklyn Rail's selected correspondence of Céline documents the postwar and imprisonment context that Féerie transforms into fiction.
    • The Selected Correspondence of Louis-Ferdinand Céline

Why we recommend it

  1. The Danish prison, in his own voice

    The novel is the direct response to Céline's Copenhagen imprisonment and threatened French prosecution — grievance, memory and delirium in one uninterrupted torrent.

  2. Before the German trilogy

    Féerie and Normance are the postwar experiments that led Céline back to the coherence of the German trilogy. Reading them first shows the voice that Castle to Castle then disciplined.

What this book explores

Book editions

Paperback
Paperback
Dalkey Archive Press
Translated by
Mary Hudson
Paperback
Paperback
French
Gallimard

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