Normance
Louis-Ferdinand Céline
Normance
The direct sequel — Normance's bombing night begins from the psychological world Féerie establishes.
Read our takeFable for Another Time
Louis-Ferdinand Céline
Louis-Ferdinand Céline's 1952 novel — the first volume of his postwar Féerie sequence, a feverish mixture of prison, memory and grievance.
The first volume of Céline's postwar Féerie sequence turns his Danish imprisonment and threatened prosecution in France into a feverish mixture of memory, accusation, fantasy and catastrophe. The imprisoned narrator feels abandoned, prosecuted and betrayed. He addresses the reader directly, rages against his enemies, worries about his books and repeatedly returns in memory to his apartment on rue Girardon in Montmartre. One of his obsessions is Jules, a painter and former friend whom he believes has betrayed him.
Céline speaks from the psychological world created by his Danish imprisonment and the threat of prosecution in France. He insists on his isolation, attacks former associates and repeatedly tries to justify himself to the reader.
His recollections shift toward Montmartre before his flight from France. Jules becomes a central figure in his sense of betrayal. Everyday events expand into hallucination and nightmare. Ghosts, fantasies and imagined conspiracies appear beside recognizable memories, so the novel increasingly resembles an extended delirium rather than realistic autobiography.
There is no stable border between present and past. Prison, wartime Paris, dreams, ghosts, imagined persecutions and literary grievances continually intrude upon one another.
Jules — a painter and former friend Céline believes has betrayed him — becomes an obsessive figure. Céline addresses the reader directly, complains about his books, worries about his enemies and returns again and again to his rue Girardon flat in Montmartre.
There is no conventional conclusion to this first volume. Its memories and obsessions flow directly into the second, Normance, published two years later.
The novel is the direct response to Céline's Copenhagen imprisonment and threatened French prosecution — grievance, memory and delirium in one uninterrupted torrent.
Féerie and Normance are the postwar experiments that led Céline back to the coherence of the German trilogy. Reading them first shows the voice that Castle to Castle then disciplined.
Normance
Louis-Ferdinand Céline
The direct sequel — Normance's bombing night begins from the psychological world Féerie establishes.
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The debut whose narrator is here again, twenty years and one war older.
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