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Cover of Remember to Remember by Henry Miller

Remember to Remember

by Henry Miller

Volume two of the Nightmare: America surveyed again — but the heart of the book is the long, aching essay remembering France.

Published
1947
Shelf rating
3.9

About Henry Miller

Illustrated portrait of Henry Miller

The story, briefly

Spoiler-free

The 1947 sequel to The Air-Conditioned Nightmare keeps the American survey going — portraits of painters and holdouts, the notorious polemic against American bread — but its center is the great title essay: Miller, unable to return to a France just out of the war, remembering everything the decade there had given him. Exile literature written from the wrong direction: the American abroad, stranded at home. (A collection — nothing here to spoil.)

The story, in more detail

Billed as the second volume of The Air-Conditioned Nightmare, the 1947 collection actually runs on homesickness. The long title essay is Miller's love letter to France, written when the war had made return impossible and the Paris decade had begun to feel like a previous life: the streets, the poverty, the friendships, the whole education in living that America, in his accounting, could not have provided at any price. It stands with the best of his Paris writing precisely because Paris is out of reach in it.

Around the centerpiece, the American survey continues: loving portraits of artists Miller championed — the mosaic-boat builder Jean Varda, the painter Beauford Delaney — the essay 'The Staff of Life,' his half-comic, wholly serious demolition of American bread as the white-flour proof of a civilization's decline, and 'Obscenity and the Law of Reflection,' his most sustained answer to the censors who had kept his major books contraband for over a decade. The mix is the middle Miller entire: rage and reverence, bread and metaphysics, in the same shopping bag.

What's inside

The title essay leads: France remembered at book length, from the vantage of a postwar America that had never felt less like home. Then the gallery — Varda the scavenger-genius of the California coast, Beauford Delaney glowing in his Greene Street studio — and the polemics: 'The Staff of Life,' in which the state of American bread convicts the entire civilization, and 'Obscenity and the Law of Reflection,' Miller's considered case against censorship, written by its most famous target.

Read the title essay when you have a quiet evening; read 'The Staff of Life' when you need to laugh at a jeremiad that happens to be right.

Themes and analysis

These readings discuss events throughout the book, including its ending.

The painter Miller wanted others to see

Miller's portrait makes artistic independence inseparable from material hardship. In a passage quoted by the West Texas Times, Delaney regards his own predicament as a subject he might paint; when the room is too cold, he retreats beneath blankets instead. That movement from observation to interrupted work gives the praise a bodily limit. Artistic vision does not make the studio warmer. Miller's insistence on the Greene Street address gives his admiration a concrete setting, while the image of an artist contemplating his own distress turns everyday endurance into a form of imaginative work.

An imagined studio portrait of Beauford Delaney, one of the independent artists Miller celebrates in Remember to Remember. (Illustration — The Paris Atlas)

A civilization considered through bread

The Staff of Life begins by making a loaf stand for an entire civilization. The leap from poor bread to social catastrophe is deliberately excessive: disgust becomes a way of testing what industrial abundance actually offers. Miller reproduces a commercial loaf's crowded ingredient list, then measures its promises against the experience of eating it. His answer later shifts from denunciation to participation, urging the reader to knead dough. The argument thus contrasts advertised improvement with felt pleasure and practical making. Its medical and social generalizations are polemical exaggerations, not evidence that bread literally explains everything wrong with America.

A still-life response to The Staff of Life sets the texture of handmade bread beside the uniformity Miller turns into a target of cultural criticism. (Illustration — The Paris Atlas)

Why we recommend it

  1. The title essay

    What France gave him, counted out at the moment he couldn't return — among the finest things the expatriate decade ever produced, written after it ended.

  2. The Delaney and Varda portraits

    Miller's genius for other artists at full warmth — both men owed their wider fame in part to these pages.

  3. The bread jeremiad

    Sixty pages before anyone said 'processed food' — furious, funny, and annoyingly vindicated.

What this book explores

Timeline

  1. 1930s

    The Paris decade the title essay remembers — the hunger years Miller later counts, from exile at home, as the education America could not have given.

  2. 1945

    The Air-Conditioned Nightmare appears, establishing the American project continued by this second volume.

  3. 1947

    New Directions publishes the collection as volume two of The Air-Conditioned Nightmare, its center the long title essay on a France just out of the war and out of reach.

Book editions

Hardcover
Hardcover
New Directions
1947
First edition — 'Vol. 2 of The Air-Conditioned Nightmare'
Paperback edition cover
Paperback
New Directions
ISBN-13
9780811201155

Reader reviews

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Recommended alongside Quiet Days in Clichy, Stand Still Like the Hummingbird, Sunday After the War, The Nightmare Notebook, Henry Miller Miscellanea, Murder the Murderer, The Amazing and Invariable Beauford Delaney and Varda, the Master Builder.

Remember to Remember: frequently asked questions

Who wrote Remember to Remember?

Henry Miller. New Directions published it in 1947 as the second volume of The Air-Conditioned Nightmare.

What is Remember to Remember about?

It continues the American survey — portraits of painters and holdouts, the polemic against American bread — but its center is the long title essay: Miller, unable to return to a France just out of the war, remembering everything the decade there had given him.

What is "The Staff of Life"?

Miller's half-comic, wholly serious essay arguing that American white bread is the white-flour proof of a civilization's decline — the collection's most quoted piece.

Does it respond to the censors?

Yes. "Obscenity and the Law of Reflection" is Miller's fullest reply to the bans that had kept his major books contraband — obscenity, he argues, lives in the eye that finds it.

How does it relate to the first volume?

It is billed as volume two of The Air-Conditioned Nightmare, continuing and softening that road survey, but where the first raged this one runs on homesickness.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Remember to Remember, its publication, and its place in literary history.

  1. 1Remember to Remember

    Novel
    Henry Miller, 1947
    Used for

    The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.

  2. 2Black Masters Series Opens at Harlem's Studio Museum

    Periodical
    West Texas Times / Texas Tech University Southwest Collection, 1978
    Used for

    Used for the attributed 1945 Miller passage reproduced in the newspaper's retrospective report, not as a claim to have collated the complete original essay.

    View source
  3. 3The Staff of Life — text reproduced from The Intimate Henry Miller

    Website
    Henry Miller / The Happy Monk Baking Company
    Used for

    Close reading of a modern transcription identifying The Intimate Henry Miller as its source. PDF page locators refer to that transcription, not the 1947 collection.

    View source
  4. 4Remember to Remember

    Official record
    New Directions
    Used for

    Publisher's description used for collection context and the presence of the Delaney portrait, not as a substitute for reading the passages discussed.

    View source
  1. 5Henry Miller: A Life

    Biography
    W. W. Norton, 1991
    Used for

    Used to place Remember to Remember within Henry Miller's published work and verify its bibliographic context.

  2. 6Beatrice Wickens Miller Sandford and Barbara Miller Sandford Collection of Henry Miller: A Preliminary Inventory

    Archive
    Harry Ransom Center, University of Texas at Austin
    Used for

    Used for independent biographical, archival, or historical context surrounding Henry Miller's career and the period in which Remember to Remember appeared.

    View source
  3. 7Henry Miller: New Perspectives

    Nonfiction
    Bloomsbury Academic
    Used for

    Used to cross-check authorship, chronology, and the work's place in Henry Miller's wider catalogue.

    View source
  4. 8Henry Miller: The Paris Years

    Biography
    Brassaï, 1995
    Used for

    Used to verify Henry Miller's bibliography and place Remember to Remember within the broader chronology of Henry Miller's career.

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Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

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