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Cover of No Name in the Street by James Baldwin

No Name in the Street

by James Baldwin

The book Baldwin wrote after the funerals: Medgar Evers, Malcolm X, Martin Luther King, and a friend he could not get out of jail.

Published
1972
Pages
197
Shelf rating
4.2

About James Baldwin

Illustrated portrait of James Baldwin

The story, briefly

Spoiler-free

James Baldwin's fourth book of non-fiction, published by Dial Press in 1972. It is a single long memoir rather than a collection, written across the years in which three men he knew were killed and the movement he had reported on came apart. It moves between Harlem, Paris, the American South, Hollywood and a prison in Hamburg, and it is the angriest book he wrote. The title comes from the Book of Job.

The story, in more detail

The book is in two parts, "Take Me to the Water" and "To Be Baptized", both named after the language of the Harlem church Baldwin grew up in and left.[1]

It took most of a decade. Baldwin began it in the mid-1960s and finished it in 1971, and the delay is part of the subject: Medgar Evers was murdered in 1963, Malcolm X in 1965, and Martin Luther King in 1968, and Baldwin knew all three. He records where he was when he heard about each of them.[1]

A long strand of it concerns Tony Maynard, a friend of Baldwin's who was arrested for a murder in New York, held in Hamburg, and extradited. Baldwin travelled to see him and campaigned on his behalf for years. The case is the book's closest look at how the machinery worked on someone he knew personally rather than on a public figure.[1]

The last sections deal with the Black Panther Party — Huey Newton, Bobby Seale, Eldridge Cleaver — and with what Baldwin thought was left after King. There is also an account of the Hollywood period when he was trying to write a Malcolm X film, and a return to the Algerian War and to Albert Camus.[1]

Themes and analysis

These readings discuss events throughout the book, including its ending.

The suit he cannot wear again

An ordinary purchase becomes a hinge in the memoir's movement through time. Baldwin first needs the suit for a public appearance with King; after the funeral, wearing it again becomes impossible. News of that refusal travels through a gossip column and brings an old schoolfriend back into contact with him. The passage moves from public mourning to the uneasy obligations attached to literary success. The suit connects losses that cannot simply be separated: a murdered leader, the childhood community Baldwin has left, and the self he can no longer return to.

An imagined moment with the dark suit Baldwin recalls wearing to Martin Luther King's funeral, when an ordinary garment becomes inseparable from grief. (Illustration — The Paris Atlas)

Waiting for a friend

In the prison-visit passage quoted by Gianna Zocco, Baldwin turns from the prospect of seeing Maynard to the harder question of whether his friend will still seem himself. Imprisonment threatens more than physical freedom: it may damage the person whom affection expects to recognize. The movement of the sentence brings public violence inward, into a relationship whose continuity can no longer be assumed. Baldwin's remembered fear makes the visitor vulnerable too, while preserving the difference between anticipating another person's suffering and enduring it. The scene measures institutional power through that fragile possibility of recognition.

An imagined waiting scene accompanies Baldwin's account of visiting Tony Maynard in Hamburg and trying to help a friend held there. (Illustration — The Paris Atlas)

Guides to this book

Take it with you.

Why we recommend it

  1. It is the sequel to The Fire Next Time in everything but name

    The earlier book was written before the assassinations. This one was written after them, by the same man, and the difference between the two is the clearest record of what the decade did to him.

  2. The Tony Maynard chapters

    Baldwin writing about a friend in prison rather than about a movement. It is the most concrete reporting in the book and the least abstract thing in it.

  3. He stopped being careful

    Baldwin's earlier essays argue with a reader he hopes to persuade. This one largely does not, and readers tend to find it either his most honest book or his least controlled.

What this book explores

Real people in this book

The real people this book portrays, dedicates itself to, or draws from — every connection carries its source.

Illustrated portrait of Malcolm X

Malcolm X

  • Activist
  • Religious leader
  • Author

Depicts

One of the three murdered men the memoir is built around — Baldwin knew all three.

— James Baldwin, No Name in the Street (1972)

Illustrated portrait of Martin Luther King Jr.

Martin Luther King Jr.

  • Activist
  • Religious leader

Depicts

One of the three murdered men the memoir is built around; King's funeral is among the scenes Baldwin writes first-hand.

— James Baldwin, No Name in the Street (1972)

Illustrated portrait of Medgar Evers

Medgar Evers

  • Activist

Depicts

One of the three murdered men the memoir is built around. Baldwin had travelled with Evers in Mississippi before the assassination.

— James Baldwin, No Name in the Street (1972)

Illustrated portrait of Tony Maynard

Tony Maynard

  • Actor

Depicts

A long strand of the memoir follows Maynard's arrest, detention in Hamburg, and extradition — the book's closest look at the courts working on someone Baldwin knew personally.

— James Baldwin, No Name in the Street (1972)

Timeline

  1. 1963

    Medgar Evers is murdered in Jackson, Mississippi, in June. Baldwin had reported in the South with him.

  2. 1965

    Malcolm X is assassinated in February. Baldwin goes to Hollywood to work on a film about his life.

  3. 1968

    Martin Luther King is assassinated in Memphis in April. Baldwin attends the funeral.

  4. 1971

    He finishes the manuscript, having worked on it for most of the preceding decade.

  5. 1972

    Dial Press publishes No Name in the Street; Michael Joseph publishes it in Britain the same year.

Book editions

Hardcover
Hardcover
Dial Press
1972
First edition.
Hardcover
Hardcover
Michael Joseph
1972
First British edition.
Paperback edition cover
Paperback
Vintage International
2007
ISBN-13
9780307275929
The standard edition.

Reader reviews

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Recommended alongside A Dialogue, Nothing Personal, One Day When I Was Lost, The Autobiography of Malcolm X, The Devil Finds Work and The Evidence of Things Not Seen.

No Name in the Street: frequently asked questions

What is No Name in the Street about?

It is James Baldwin's memoir of the 1960s, published in 1972. It covers the murders of Medgar Evers, Malcolm X and Martin Luther King, all three of whom Baldwin knew; the 1963 March on Washington; the Watts riot; the Black Panther Party; and the imprisonment of his friend Tony Maynard, whom Baldwin campaigned for over several years.

Where does the title come from?

From the Book of Job, chapter 18, verse 17: "His remembrance shall perish from the earth, and he shall have no name in the street." Baldwin uses the passage as the book's epigraph.

Is No Name in the Street a collection of essays?

No. Unlike Notes of a Native Son and Nobody Knows My Name, it is one continuous book-length piece, divided into two parts called "Take Me to the Water" and "To Be Baptized". Both titles come from the language of the Harlem church Baldwin grew up in.

Who was Tony Maynard?

A friend of Baldwin's who was arrested on a murder charge in New York, detained in Hamburg and extradited. Baldwin visited him in custody and worked on his behalf for years, and the case takes up a substantial part of the book. It is the closest Baldwin comes here to writing about the courts through someone he knew rather than through an argument.

Should I read The Fire Next Time first?

Yes. The two books are nine years apart and this one reads as a reply to the earlier one — same author, same subjects, written after the assassinations rather than before them. The contrast is most of what makes this book land.

How long is No Name in the Street?

About 197 pages, which puts it between The Fire Next Time and the longer essay collections. It is a single sustained piece rather than a book to dip into.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document No Name in the Street, its publication, and its place in literary history.

  1. 1abcdNo Name in the Street

    Memoir
    Dial Press, 1972
    Used for

    First-person evidence and historical context used in preparing the No Name in the Street page.

  2. 2James Baldwin papers, 1936–1992 (Sc MG 936), finding aid

    Archive
    Schomburg Center for Research in Black Culture, The New York Public Library
    Used for

    Used for archival and bibliographic context surrounding No Name in the Street within Baldwin's papers and career.

    View source
  3. 3Chicago Public Library — James Baldwin Biography

    Website
    Used for

    Used for independent biographical and publication context for No Name in the Street.

    View source
  4. 4Baldwin in France

    Website
    National Museum of African American History and Culture
    Used for

    Used to connect No Name in the Street to Baldwin's transatlantic life and intellectual development.

    View source
  1. 5Baldwin, James Arthur

    Website
    The Martin Luther King, Jr. Research and Education Institute, Stanford University
    Used for

    Used to verify James Baldwin's bibliography and place No Name in the Street within the broader chronology of James Baldwin's career.

    View source
  2. 6No Name in the Street — publisher opening excerpt

    Website
    Penguin Random House Common Reads / Vintage
    Used for

    Publisher excerpt read through publicly indexed text; direct retrieval failed. The analysis is limited to the displayed suit and returning-memory sequence, not a full memoir or original-edition collation.

    View source
  3. 7Disturbing the Peace of Two Not So Very Different Countries: James Baldwin and Fritz Raddatz

    Website
    James Baldwin Review 3, pp. 89–109 / ResearchGate, 2017
    Used for

    Context and primary quotation around the prison visit, read in public HTML. The new paragraph explicitly identifies the quoted passage; it does not claim full-scene collation or an independent verdict on the case.

    View source
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Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

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