The Paris AtlasCharting the artists, works, and places worth returning to.

A character in The Three Musketeers

Porthos

The loud one, who shows off a gold baldric that is plain buff at the back and courts a procurator's wife for her husband's strongbox.

What they want

To be equipped, admired and fed, and to reach Monsieur Coquenard's strongbox by way of Madame Coquenard.

The book

The Three MusketeersAlexandre Dumas, 1844

Four swordsmen, a queen's twelve diamonds and a branded woman, told to Paris in daily newspaper parts in the spring of 1844.

View the book

At a glance

Lodging
The Rue du Vieux-Colombier, near Tréville's hôtel
Servant
Mousqueton, a Norman whose real name is Boniface
Mistress
Madame Coquenard, wife of a procurator in the Rue aux Ours
After the book
Leaves the service and marries the widow Coquenard the following year

Who they are in the book

Spoiler-free

Porthos talks for the pleasure of hearing himself talk, on every subject except the sciences, which he has hated since childhood. He dresses to eclipse Athos and never manages it. His servant Mousqueton, a Norman born Boniface, is clothed in his master's turned cast-offs by a clever tailor. His love affairs, as he tells them in Tréville's antechamber, have climbed from lawyers' wives to a foreign princess.

The truth is Madame Coquenard, the elderly wife of a procurator in the Rue aux Ours, whose husband's strongbox Porthos means to reach. The book is fond of him and never lets him be a fool for long: he fights, he holds the bastion, he sits as a judge on the Lys.

How Porthos Is Portrayed

Appearance, manner, and tone — as the book sketches them, in our words.

  • The baldric, Chapters II and IVIn Tréville's antechamber he wears a magnificent baldric worked in gold and a long crimson cloak. When d'Artagnan tangles himself in it the cloak flies open and the secret is out: the baldric is gold in front and plain buff behind.
  • The talker, Chapter VIIHe talks loudly whether anyone listens or not, on all subjects except the sciences. He fills the antechamber and the guardroom of the Louvre with accounts of his love scrapes, up to a foreign princess who is enormously fond of him.
  • Athos's sword, Chapter VIIHe would give ten years of his life for the Francis I sword on Athos's wall. When he tries to borrow it for an appointment with a duchess, Athos empties his pockets and offers him everything but the sword.
  • Left at Chantilly, Chapters XX and XXVOn the road to London he quarrels with a stranger at the inn and is left behind. When d'Artagnan finds him weeks later he is laid up with what he calls a strained knee and has lost his money to the same man at dice.
  • The procurator's dinner, Chapter XXXIIHe dines at the Coquenards' in the Rue aux Ours: thin soup, a scrawny hen, and the procurator watching every mouthful. He goes home hungry and in bad humour, but closer to the strongbox.
  • The wedding suit, Chapter LXVII and epilogueOffered the lieutenancy, he is found admiring himself in a splendid embroidered suit and refuses: his procurator has died during the expedition to Béthune and he is trying on his wedding clothes. The coffer holds eight hundred thousand livres.

Porthos quotes

Lines spoken by or about Porthos, each verified verbatim against the text and located in the book.

All for one, one for all.
d'Artagnan, then all four together (dialogue) · Alexandre Dumas, The Three Musketeers (1844), anonymous nineteenth-century translation
Their ending, and the commentary — spoilers aheadHow the book leaves them, what happened after, and what the record says. Open when you're ready.

He sits as a judge at Milady's trial and pronounces the sentence of death with Aramis. In the epilogue he leaves the Musketeers, marries Madame Coquenard, and Mousqueton gets the gilded carriage he has always wanted to stand behind.

If you like The Three Musketeers

Four books that share themes, tone, or setting with this one.

If you like Alexandre Dumas

Explore authors with a similar voice, perspective, and influence.

  • Illustrated portrait of Louis-Ferdinand Céline

    Louis-Ferdinand Céline

    The doctor of the Paris slums who wrote the century's blackest, funniest novel — and changed the sound of French prose.

    View author
  • Illustrated portrait of Charles Dickens

    Charles Dickens

    The most popular English novelist of the nineteenth century, who was never a Paris resident in the ordinary sense but kept coming back for twenty-five years: one winter in a rented mansion on the rue de Courcelles, a second winter on the Champs-Élysées writing Little Dorrit, repeated compulsive visits to the Paris Morgue — the riverside building where the city displayed its unidentified dead to the public — and a novel of the French Revolution, A Tale of Two Cities, that has shaped how English readers picture Paris ever since.

    View author
  • Illustrated portrait of Henry Miller

    Henry Miller

    The Brooklyn dropout who arrived in Paris broke at thirty-eight and wrote the exuberant, banned books that ended American censorship.

    View author