The Paris AtlasCharting the artists, works, and places worth returning to.

A character in The Three Musketeers

Athos

The eldest of the three, a nobleman under an assumed name who never speaks of women and drinks alone at night.

What they want

To be left alone with his wine and his silence, and, when that fails, to see justice done on the woman who ruined him.

The book

The Three MusketeersAlexandre Dumas, 1844

Four swordsmen, a queen's twelve diamonds and a branded woman, told to Paris in daily newspaper parts in the spring of 1844.

View the book

At a glance

Age
Scarcely thirty
Real name
The Comte de la Fère, a lord of Berry
Lodging
Two small rooms in the Rue Férou, near the Luxembourg
Servant
Grimaud, who obeys signs and is thrashed when he misreads them
After the book
Remains a musketeer under d'Artagnan until 1633, then leaves the service after a journey to Touraine

Who they are in the book

Spoiler-free

Athos is scarcely thirty, handsome, silent and grave, and the other musketeers treat him as their natural head. He lives in two small rooms in the Rue Férou. On the wall hang a jewelled sword from the time of Francis I, which he will not sell in his worst poverty, and a portrait of a nobleman of the reign of Henry III. His servant Grimaud has been trained to obey a gesture. He drinks steadily and speaks of women only in bitter words.

The name is borrowed. He is the Comte de la Fère, a great lord of Berry, and the book lets the reader learn why he left that name behind before it lets the other characters know. Once the secret is out he takes charge of everything that follows, from the paper he forces out of Milady to the trial he conducts on the Lys.

How Athos Is Portrayed

Appearance, manner, and tone — as the book sketches them, in our words.

  • The portrait, Chapter VIIScarcely thirty, of great personal beauty and intelligence, and no one knows whether he has ever had a mistress. His reserve, roughness and silence make almost an old man of him. He never speaks to Grimaud except on extraordinary occasions and thrashes him without anger when a gesture is misread.
  • The rooms in the Rue Férou, Chapter VIITwo small chambers a few steps from the Luxembourg, kept by a young hostess who looks at him in vain. On the wall hangs a richly embossed sword of the time of Francis I whose hilt alone is worth two hundred pistoles. Porthos would give ten years of his life for it; Athos offers him everything else in his pockets instead.
  • The story of the count, Chapter XXVIIDrunk at an inn, he tells d'Artagnan of a friend, a count of Berry, who at twenty-five married a girl of sixteen. Out hunting she fell from her horse; he cut open her dress and found a fleur-de-lis on her shoulder. The count tied her hands and hanged her on a tree. Athos forgets to keep up the fiction of the friend.
  • The paper, Chapter XLVAt the Red Dovecot he puts a pistol to Milady's forehead and gives her one second to hand over the paper Richelieu has signed. He reads it by the lamp, tells her he has drawn the viper's teeth, and rides off across the fields to be back before the cardinal.
  • The bastion wager, Chapter XLVITo talk in private he bets Monsieur de Busigny that he and his three friends will breakfast in the bastion Saint-Gervais and hold it for an hour by the watch, whatever the enemy does to dislodge them.
  • The judge, Chapters LXV and LXVIHe stops d'Artagnan's pistol with the words that this woman must be tried, not assassinated. He names her Charlotte Backson, Comtesse de la Fère, Milady de Winter, and asks each man in turn what penalty he demands. On the bank he pays the executioner so it may be plain they act as judges.
  • The commission, Chapter LXVIIOffered the lieutenancy, he answers that for Athos it is too much and for the Comte de la Fère too little, and writes d'Artagnan's name on the blank.

Athos quotes

Lines spoken by or about Athos, each verified verbatim against the text and located in the book.

All for one, one for all.
d'Artagnan, then all four together (dialogue) · Alexandre Dumas, The Three Musketeers (1844), anonymous nineteenth-century translation
Friend, be a man! Women weep for the dead; men avenge them!
Athos (dialogue) · Alexandre Dumas, The Three Musketeers (1844), anonymous nineteenth-century translation
this woman must be tried, not assassinated
Athos (dialogue) · Alexandre Dumas, The Three Musketeers (1844), anonymous nineteenth-century translation
All 4 Athos quotes
Their ending, and the commentary — spoilers aheadHow the book leaves them, what happened after, and what the record says. Open when you're ready.

Over Constance's body he tells Lord de Winter that Milady is his wife. He tracks her to the house on the Lys, presides over her trial and accuses her of the brand. At the execution he pardons her for his lost honour and his ruined future, then draws his sword on d'Artagnan when the younger man wavers. In the epilogue he stays in the Musketeers until 1633 and leaves under the pretext of an inheritance in Roussillon.

If you like The Three Musketeers

Four books that share themes, tone, or setting with this one.

If you like Alexandre Dumas

Explore authors with a similar voice, perspective, and influence.

  • Illustrated portrait of Louis-Ferdinand Céline

    Louis-Ferdinand Céline

    The doctor of the Paris slums who wrote the century's blackest, funniest novel — and changed the sound of French prose.

    View author
  • Illustrated portrait of Charles Dickens

    Charles Dickens

    The most popular English novelist of the nineteenth century, who was never a Paris resident in the ordinary sense but kept coming back for twenty-five years: one winter in a rented mansion on the rue de Courcelles, a second winter on the Champs-Élysées writing Little Dorrit, repeated compulsive visits to the Paris Morgue — the riverside building where the city displayed its unidentified dead to the public — and a novel of the French Revolution, A Tale of Two Cities, that has shaped how English readers picture Paris ever since.

    View author
  • Illustrated portrait of Henry Miller

    Henry Miller

    The Brooklyn dropout who arrived in Paris broke at thirty-eight and wrote the exuberant, banned books that ended American censorship.

    View author