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Cover of The Vagabond by Colette

The Vagabond

La Vagabonde

by Colette

A divorced music-hall performer is offered love and security, and has to decide what her independence is worth.

Published
1910
Setting
Paris
Shelf rating
4.4

About Colette

Illustrated portrait of Colette
Colette

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The story, briefly

Spoiler-free

Renée Néré is thirty-three, divorced from a painter who humiliated her, and supporting herself as a mime and dancer on the Paris music-hall stage. The work is hard and precarious, and it is entirely her own. When a wealthy admirer, Maxime Dufferein-Chautel, offers marriage and comfort, Renée has to weigh love against the self-possession she has built out of exhaustion and touring. Published in 1910, the year Colette divorced Willy, The Vagabond is her closest fictional transformation of her own years on the stage. (The full plot, including the ending, is below.)

The story, in more detail

Colette wrote The Vagabond out of the six years she spent earning her living in Paris music halls after leaving her first husband. Renée Néré is not Colette in any literal sense, but the trade is exact: the dressing rooms, the touring, the tired bodies, the mixture of degradation and freedom in performing for money. The novel took the material Colette knew from the inside and turned it into a first-person study of a woman deciding what she will and will not give up.

The book is written as Renée's own account, and its real subject is less the romance than the argument she conducts with herself. Maxime is decent and the offer is genuine; the question is whether love is worth surrendering an independence bought at a high price. Colette lets Renée state the case for security honestly, and then lets her refuse it.

The Vagabond has a sequel, The Shackle (L'Entrave, 1913), which follows Renée into the aftermath of that decision. Colette later adapted the novel for the stage, and it was filmed more than once, first in 1917 with her friend Musidora.

The full plot

What happens, beginning to end — the ending included. Open when you're ready.

Renée Néré performs mime and dance at a Paris music hall, partnered on stage with Brague, a seasoned professional who treats the work as a trade. She is thirty-three and divorced from Adolphe Taillandy, a successful painter whose serial infidelities and lies wore the marriage away; she now lives alone and keeps herself on the uncertain income of the stage. She used to write novels and has stopped; she calls herself a literary woman who has gone to the bad, and says plainly that she no longer allows herself the luxury of writing. The life is tiring and insecure, and she guards it because it is hers.

A wealthy admirer, Maxime Dufferein-Chautel, begins to court her seriously. He is kind, persistent, and offers what her first marriage counterfeited: love, money, an end to the grind. Renée is drawn to him and frightened of him in equal measure, because she can see that accepting means dissolving back into a man's life and losing the hard, plain autonomy she has assembled. She leaves on a long provincial tour with Brague, partly to decide at a distance.

How it ends — spoilers aheadThe final movement, ending included. Open when you're ready.

On tour, away from Maxime's presence, Renée makes her choice. In a series of letters and then a final one, she refuses him — not because she doubts his love, but because she will not trade the self she has earned for the comfort of being kept, even generously and in marriage. She stays on the road. The novel ends with Renée choosing solitude and work over security, the freedom of the vagabond over the safety of the wife. The sequel, The Shackle, tests how durable that choice proves.

Why we recommend it

  1. A woman's independence, argued honestly

    The novel makes the case for love and security fairly, then refuses it — a rare book that lets its heroine choose solitude and treats it as a win.

  2. Colette's own stage years, transformed

    The dressing rooms and touring are drawn from the life she was living, which gives the novel its unglamorous precision.

  3. First-person Colette at full strength

    Renée narrates her own deliberation, and the voice — wry, exact, self-aware — is one of Colette's finest.

What this book explores

The people in its pages

Renée Néré is widely read as Colette's fictional self-portrait from her stage years, though the novel is invention, not memoir.

  • Renée Néré

    Thirty-three, divorced, and earning her living as a music-hall mime — the narrator, weighing a second marriage against the independence she has paid for.

  • Maxime Dufferein-Chautel

    The wealthy, decent admirer who offers Renée love and security — and, without meaning to, the loss of everything she has built alone.

  • Brague

    Renée's stage partner and mime teacher — a professional who treats the music hall as a trade and keeps her honest about the work.

Bring it to book club

  • Renée refuses a good man and a comfortable life. Is her choice liberation, fear, or both at once?
  • How does writing the novel as Renée's own account change what we can trust about her self-assessment?
  • The stage is both drudgery and freedom for Renée. How does the novel keep those two things true at the same time?

A complete discussion guide is on our editorial calendar. Join the letter to hear when it ships.

Timeline

  1. 1910

    The Vagabond is published, the year Colette's divorce from Willy became final.

  2. 1913

    The sequel, The Shackle (L'Entrave), continues Renée Néré's story.

  3. 1917

    An early film adaptation is made with Colette's friend Musidora.

Book editions

Hardcover
Hardcover
French
Ollendorff
1910
First edition.
Paperback
Paperback
Translated by
Enid McLeod
The standard English translation, reprinted in modern classics editions.
Ebook
Ebook

Reader reviews

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Cover of Chéri by Colette

Chéri

Colette

The other side of the demi-monde — a kept woman rather than a working one, and the same reckoning with love and independence.

Read our take
Cover of Break of Day by Colette

Break of Day

Colette

The later self-portrait in which the same choice — desire relinquished for autonomy — returns from the far end of a life.

Read our take
Cover of Gigi by Colette

Gigi

Colette

A young woman refusing the arrangement made for her, where Renée is the grown woman who already walked away.

Read our take

Recommended alongside Mitsou, The Last of Chéri, The Innocent Libertine, The Shackle, My Apprenticeships, The Tendrils of the Vine and Music-Hall Sidelights.

The Vagabond: frequently asked questions

Who wrote The Vagabond?

The French novelist Colette. La Vagabonde was published in 1910.

What is The Vagabond about?

Renée Néré, a thirty-three-year-old divorced woman supporting herself as a music-hall performer, is courted by a wealthy man offering marriage. The novel follows her decision between love and security on one side and hard-won independence on the other.

Is The Vagabond autobiographical?

In atmosphere and profession, strongly. Colette wrote it out of her own years earning a living on the Paris stage after leaving her first husband. Renée is a fictional character, not a literal self-portrait.

Is there a sequel to The Vagabond?

Yes. The Shackle (L'Entrave, 1913) continues Renée Néré's story and is usually read after this novel.

What does the title mean?

'La vagabonde' — the woman vagabond or wanderer. Renée embraces the word for the touring, unsettled, self-supporting life she chooses over marriage.