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Illustrated portrait of June Miller

A character in The Diary of Anaïs Nin, 1934–1939

June Miller

Henry Miller's wife, and the subject he cannot leave alone. She is never physically present in these years — every appearance is a memory, a manuscript, or an argument about her.

June Miller in the atlas — books, places, and life

The book

Cover of The Diary of Anaïs Nin, 1934–1939 by Anaïs Nin
The Diary of Anaïs Nin, 1934–1939Anaïs Nin, 1967

The second volume: New York with Otto Rank, the return to Paris, the houseboat on the Seine, and Europe arming behind every entry.

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At a glance

In the book
“June” — Henry Miller's wife, present only in memory and manuscript
Where she is
The United States; she does not appear in Paris in these years
Who is writing about her
Miller, in the book that became Tropic of Capricorn, and Nin, who means to do it better
The real person
June Miller · 1902–1979

Who they are in the book

Spoiler-free

June Miller was Henry Miller's wife, and the person his books keep circling back to. In the first volume of the diary she is a live presence in Paris. In this one she is gone, and what remains is her effect: the pages Miller is writing about her, the flat where they lived, and Nin's running assessment of what the marriage did to them both.

The reason to read her card here is precisely that absence. This volume shows a woman being turned into literature by two writers at once while she is not in the room.

How the book draws them

Appearance, manner, and tone — as the book sketches them, in our words.

  • The Brooklyn flatIn New York, Nin goes to look at the cellar apartment in Brooklyn where Miller had lived with June and a woman called Jean. It is now a chop suey restaurant — barren and charmless, though Nin notes it is no worse than the unheated places her artist friends live in in Paris.
  • The book being written about herBack in Paris, Miller is writing about June: their first meeting, their first kiss, her first lie. Nin records the progress of it the way she records the weather.
  • The double standard Nin spotsComparing the men around her, she notes that Miller loves the idea of the prostitute, but that the moment anything of the kind shows in June, or in any woman he loves, he turns critical.
  • What June did to his writingOver dinner she tells Miller that the personal experience with June outweighed everything he had written about crowds and cities, and proved the rest of it worthless. She then asks the diary whether she has been putting the core back into his work.
  • The competition Nin sets herselfListing what she means to do as an artist, Nin puts June at the top of it, next to the best books she knows: “I want to do June better than Djuna Barnes did Nightwood.”