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Illustrated portrait of Mike Campbell

A character in The Sun Also Rises

Mike Campbell

Brett's fiancé — Scottish, charming, bankrupt two ways: gradually and then suddenly.

What they want

To marry Lady Brett Ashley, and to have the money to do it. He is an undischarged bankrupt living on an allowance from his mother, and the divorce Brett needs first is something he is trying to get his mother to pay for as well.

Pat Guthrie in the atlas — books, places, and life

The book

Cover of The Sun Also Rises by Ernest Hemingway
The Sun Also RisesErnest Hemingway, 1926

Paris cafés, Pamplona bulls, and a crowd of the beautifully damaged — the novel that named a generation.

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At a glance

In the book
Scottish veteran awaiting his discharge from bankruptcy; engaged to Brett
Where he appears
Paris, Pamplona, and a quiet coda on the Basque coast
Lives on
Credit, and an allowance routed through his creditors
War record
The usual medals, never sent for
Best line
How he went bankrupt — gradually, and then suddenly
The real person
Pat Guthrie · Scotland

Who they are in the book

Spoiler-free

Mike is what's left of a certain kind of Englishman's war: a Scot with a courtesy title's manners and no money under them, waiting out his bankruptcy on credit and his mother's allowance, engaged to Brett and genuinely, hopelessly attached to her. Asked how he went bankrupt, he gives the book one of its most quoted lines: two ways — gradually and then suddenly. Drunk, which is usually, he is either the best company at the table or the worst.

The fiesta finds the worst. Cohn's presence — and what it advertises about San Sebastián — turns Mike's charm into open cruelty, and his baiting of Cohn supplies the ugliest scenes in the book. The novel extends him a strange half-sympathy: he is awful in direct proportion to how plainly he is losing her, and he is the only one who never pretends otherwise.

How the book draws them

Appearance, manner, and tone — as the book sketches them, in our words.

  • The charmFirst drink in, he's the most likable man in Paris — the borrowed-medals story told against himself is the book's best comic set piece about the war.
  • The turnPast a certain glass the wit stops being aimed at himself — and Cohn is always in range.
  • The ledgerRounds he can't stand, hotels he can't settle — the book keeps his accounts the way it keeps everyone's, and his never balance.
  • The medalsInvited to a dinner where medals were to be worn, he had none, so his tailor lent him a boxful. He left early, found them in his pocket, cut them off their backing and handed them out to girls in a nightclub. They had been left with the tailor for cleaning by some frightfully military cove.
  • The steerHis worst line, aimed at Cohn across a café table: why do you follow Brett around like a poor bloody steer? The fiesta's own imagery, turned on a man.
  • How it happenedAsked what brought the bankruptcy on, he answers: friends. He had a lot of friends, false friends, and then more creditors than anybody in England.
Their ending, and the commentary — spoilers aheadHow the book leaves them, what happened after, and what the record says. Open when you're ready.

The fiesta strips Mike of everything but manner: Brett leaves with Romero, the money is gone, and the book last sees him at a hotel bar in Saint-Jean-de-Luz, staying on credit and calling it comfortable — bankruptcy's method, gradually and then suddenly, applied to the engagement too. Pat Guthrie, the Scot who lived it, was Duff Twysden's companion at the real fiesta and came off no better there; the couple never married. Duff left him for the painter Clinton King, and Guthrie died in Paris in May 1932 at thirty-six, by suicide or a drug overdose depending on the account — the bleakest afterlife of anyone in the Pamplona party.