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Illustrated portrait of Billy Bunter

A character in Critical Essays

Billy Bunter

A fictional schoolboy, the fat Owl of Greyfriars, invented for the Magnet. Orwell calls him a real creation and one of the best-known figures in English fiction, famous for his tight trousers, his astuteness in the search for food and a postal order that never turns up. Orwell adds that he is the one character in the paper that no reader wants to be.

What they want in Orwell's account

Food, and the postal order that never arrives. Both are running jokes in the paper rather than plot, and Orwell lists them among the things that made the character famous.

The book

Cover of Critical Essays by George Orwell
Critical EssaysGeorge Orwell, 1946

Ten wartime essays on Dickens, Kipling, boys' comics and seaside postcards, including the piece on Salvador Dalí that a publisher cut out of a printed book.

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At a glance

In the book
Discussed in "Boys' Weeklies", the second essay, dated 1939
Fictional
A character in the Magnet's Greyfriars stories, not a real boy
Full name
William George Bunter
Known as
The fat Owl of the Remove
Form
The Remove, aged fourteen or fifteen, and never any older

Who they are in the book

Spoiler-free

Billy Bunter is an invented schoolboy in the Greyfriars stories carried every week by the Magnet, one of the ten twopenny boys' papers George Orwell surveys in "Boys' Weeklies". William George Bunter in full, he is known in the paper as the fat Owl of the Remove, and Orwell says the Magnet has always been the better known of the two sister papers, probably because it possesses a really first-rate character in the fat boy.

Orwell's interest in him is technical. The Gem and the Magnet work, he argues, because their casts are graded so carefully that almost every reader can find someone to identify with: the athletic boy, the studious boy, the scholarship boy, the aristocrat, the dare-devil. Bunter is the exception that proves it. He is famous and nobody wants to be him.

How the book draws them

Appearance, manner, and tone — as the book sketches them, in our words.

  • The groaningOrwell quotes the passage in full. Shutting up was not really in Bunter's line; he groaned, and groaned, and went on groaning. It runs to a hundred and twenty-five words, Orwell notes, and could be compressed into about thirty.
  • What he is known byThe tight trousers against which boots and canes are constantly thudding, the astuteness in the search for food, and the postal order that never turns up. Famous, Orwell writes, wherever the Union Jack waves.
  • Where he comes fromHe probably owes something to the fat boy in Pickwick, but Orwell calls him a real creation all the same, and ranks him for sheer recognisability with Sexton Blake, Tarzan and Sherlock Holmes.
  • Nobody dreams of being himStudying the correspondence columns, Orwell finds a reader who identifies with almost every character in either paper except the out-and-out comics: Coker, Fisher T. Fish, the masters, and Bunter. He is not a subject for day-dreams.