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Cover of Men Without Women by Ernest Hemingway

Men Without Women

by Ernest Hemingway

The second story collection — 'The Killers,' 'Hills Like White Elephants' — the iceberg method at its coldest and most perfect.

Published
1927
Shelf rating
4.4

About Ernest Hemingway

Illustrated portrait of Ernest Hemingway
Ernest Hemingway

31 books on our shelvesWhere to start

The story, briefly

Spoiler-free

Published in 1927, the year after The Sun Also Rises, this is the collection that fixed the Hemingway short story as a form: fourteen pieces about boxers, bullfighters, hit men, soldiers, and couples talking carefully past the one subject that matters. 'The Killers' and 'Hills Like White Elephants' alone would secure it — two of the most anthologized, imitated, and taught stories in the language. The title is the thesis: men stripped of women, and of everything else that softens. (A collection — nothing here to spoil.)

The story, in more detail

The collection gathers the stories written in the wake of the first novel's success — Paris, Madrid, and the ski towns, 1926 into 1927, the year his first marriage was breaking on the second. The famous pieces run on omission at full pressure: 'Hills Like White Elephants' never names the operation a couple argues about at a Spanish railway junction; 'The Killers' never explains why the Swede won't run from the men who've come to Summit to kill him. What is left out does the work, and a century of creative-writing classrooms has been unpacking the method since.

Around the two summits stand the professionals: 'Fifty Grand' and its aging welterweight betting on his own crooked fight; 'The Undefeated' and its over-the-hill matador granted one terrible integrity; 'In Another Country' opening on the most imitated first sentence in American prose ('In the fall the war was always there, but we did not go to it any more'); 'Now I Lay Me' with Nick Adams awake in the night, holding off his soul's departure. Critics at the time — Virginia Woolf among them, reviewing it skeptically — worried the manner was hardening into mannerism. The stories outlived the worry.

What's inside

Fourteen stories. The teaching canon: 'The Killers,' 'Hills Like White Elephants,' 'In Another Country,' 'Now I Lay Me.' The professionals under pressure: 'The Undefeated,' 'Fifty Grand,' 'My Old Man''s successors in the rings and rails. The margins of the war and the marriage: 'A Simple Enquiry,' 'A Canary for One' — the last written as his first marriage ended, with a sting in its final line. Plus the playlet 'Today Is Friday' — three Roman soldiers in a bar after a crucifixion — and 'Che Ti Dice La Patria,' Mussolini's Italy seen coldly from a passing car.

Read 'Hills' and 'The Killers' first if they're somehow still ahead of you; then 'In Another Country,' which Fitzgerald called one of the finest stories he'd ever read.

Why we recommend it

  1. Two perfect stories

    'The Killers' and 'Hills Like White Elephants' are the compressed method at its absolute peak — nothing in the language teaches more per page.

  2. The professionals

    Boxers and matadors past their primes, doing the job right anyway — the code, before the novels made it famous.

  3. The war, off-page

    The wound runs under every story without parading — the collection is the iceberg it preaches.

What this book explores

The people in its pages

Men Without Women is fourteen separate short stories, and almost every cast belongs to one story only. The bullfighters Manuel Garcia, Zurito and Retana are in 'The Undefeated'; the boxer Jack Brennan is in 'Fifty Grand'; the gunmen Al and Max, the counterman George and the boxer Ole Andreson are in 'The Killers'; Jig and the American man are in 'Hills Like White Elephants'. No name carries from one story into the next. The exception is Nick Adams, who appears in three of these stories and in Hemingway's other books. Each face opens a spoiler-free guide, with endings kept in a separate section at the foot of it.

  • Manuel Garcia

    An aging Spanish bullfighter, just out of hospital, who takes the cheapest job in Madrid because it is the only one on offer. From 'The Undefeated'.

  • Jack Brennan

    An Irish-American welterweight champion at the end of his career, who bets fifty thousand dollars against himself. From 'Fifty Grand'.

  • Nick Adams

    A young man from northern Michigan who turns up in three of the fourteen stories, and in Hemingway's other books as well.

  • Jig

    The woman waiting for the Madrid express in 'Hills Like White Elephants', arguing with the man she is travelling with about an operation.

  • The American

    The unnamed man at the Spanish railway station in 'Hills Like White Elephants', talking the woman with him towards an operation.

  • Zurito

    The retired picador Manuel Garcia asks for one last favour in 'The Undefeated' — a big man with enormous hands.

  • Ole Andreson

    A Swedish former heavyweight boxer whom two gunmen come to a small American town to kill in 'The Killers'. He will not run.

  • Al

    One of the two gunmen in 'The Killers' — the one who takes the kitchen, with the sawed-off shotgun.

  • Max

    The other gunman in 'The Killers' — he sits at the counter, watches the mirror, and explains what they have come to do.

  • George

    The counterman at Henry's lunch-room in 'The Killers', who keeps two gunmen in conversation for two hours.

  • Jerry Doyle

    The narrator of 'Fifty Grand' — Jack Brennan's trainer, and the only person the fighter calls a friend.

Also in the book

  • Retana

    The Madrid bullfight promoter in 'The Undefeated', who gives Manuel Garcia the cheapest job he has.

  • Walcott

    The younger, heavier-hitting fighter Jack Brennan defends his welterweight title against in 'Fifty Grand'.

  • Danny Hogan

    The owner of the New Jersey health farm where Jack Brennan trains in 'Fifty Grand'.

  • Fuentes

    A young banderillero in 'The Undefeated', whose work with the barbed sticks draws the loudest cheers of the night.

  • Sam

    The cook at Henry's lunch-room in 'The Killers', tied up in his own kitchen and wanting no part of what follows.

From the Journal

Stories from the atlas that shelve this book.

Stories in its pages

Work inside this book that also had a life of its own.

Today Is Friday — standalone printing

Today Is Friday

Three Roman soldiers drink in a bar on the evening of the crucifixion and go over the day's work in the flat shop-talk of men after a shift — Hemingway's only venture into scripture, conducted entirely in banter with the ground opening underneath it. The playlet was printed alone in 1926 as a small limited pamphlet, a year before this collection absorbed it.

Timeline

  1. 1926

    The crucifixion playlet "Today Is Friday" is printed on its own as a small limited-edition pamphlet.

  2. 1927

    Scribner publishes the collection, fourteen stories including "The Killers" and "Hills Like White Elephants," the year after The Sun Also Rises.

  3. 1927

    Virginia Woolf reviews it warily, praising the skill and questioning the swagger.

Book editions

Hardcover
Hardcover
Scribner
1927
First edition
Paperback edition cover
Paperback
Scribner
ISBN-13
9780684825861

Reader reviews

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Cover of In Our Time by Ernest Hemingway

In Our Time

Ernest Hemingway

The first collection — rawer, stranger, with the interchapters this one streamlines away.

Read our take

Recommended alongside The Fifth Column and the First Forty-Nine Stories, The Nick Adams Stories and All the Sad Young Men.

Men Without Women: frequently asked questions

Who wrote Men Without Women?

Ernest Hemingway. This story collection was published in 1927, the year after The Sun Also Rises.

What is Men Without Women?

A collection of fourteen short stories about boxers, bullfighters, hit men, soldiers, and couples talking carefully past the one subject that matters.

What are its most famous stories?

"The Killers" and "Hills Like White Elephants" — two of the most anthologized, imitated, and taught stories in the language.

What does the title mean?

It is the book's thesis: men stripped of women, and of everything else that softens them.

Why is the collection important?

It is the book that fixed the Hemingway short story as a form, running on his method of omission — what is left out doing the work.