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A character in In Our Time

Hubert Elliot

A twenty-five-year-old American poet with a private income who marries the woman who ran a Boston tea shop, and takes her to France.

What they want

A baby, and to have kept himself clean until the point of getting one. He had never gone to bed with a woman before marrying, wanting to bring his wife the same purity of mind and body he expected of her; the story says he called it to himself living straight.

The book

Cover of In Our Time by Ernest Hemingway
In Our TimeErnest Hemingway, 1925

The debut story collection where the modern American short story was invented — trout streams, war flashes, and Nick Adams.

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At a glance

In the book
"Mr. and Mrs. Elliot" only
Age and income
Twenty-five; a private income of nearly ten thousand dollars a year
Studying
Postgraduate law at Harvard, until he leaves for Europe
Called
Hubert by his wife, Hubie by his friends, Elliot by the narration
Route
Boston, Cherbourg, Paris, Dijon, Paris again, then a rented château in Touraine

Who they are in the book

Spoiler-free

Hubert Elliot is the husband in "Mr. and Mrs. Elliot," a short satirical story about an American couple abroad in the early 1920s. He is twenty-five, doing postgraduate work in law at Harvard when he marries, and a poet with an income of nearly ten thousand dollars a year. He writes very long poems very rapidly.

Hemingway wrote him as a comic figure and is merciless about it. The joke is that Elliot has organised his whole life around a chastity nobody asked him for, and the story reports the results in the same flat voice it uses for everything else.

How the book draws them

Appearance, manner, and tone — as the book sketches them, in our words.

  • The line that put girls offHe had been in love with various girls before, and always told them sooner or later that he had led a clean life. "Nearly all the girls lost interest in him." He was genuinely shocked at girls marrying men who must have dragged themselves through the gutter, and once tried to warn one off a man he had almost proof was a rotter at college, with unpleasant results.
  • The kissingHe explains to his wife that he learned his way of kissing from hearing a fellow tell a story once. He is delighted with the experiment, and the two of them develop it as far as possible. Afterwards she likes him to tell her again that he kept himself really straight for her.
  • The wedding nightThey spend it in a Boston hotel and are both disappointed. She goes to sleep; he cannot, and walks up and down the corridor in the new Jaeger bathrobe he bought for the wedding trip, looking at the pairs of shoes, small and big, outside the doors. It sets his heart pounding, and he hurries back to a room where she is already asleep.
  • The typingIn Dijon he writes a great number of very long poems and she types them. He is very severe about mistakes and makes her redo an entire page for one. She cries a good deal.
  • The bookBy the time they take a château in Touraine he has nearly enough poems for a volume, which he is going to bring out in Boston — having already sent his cheque to a publisher and made a contract. His friends in Paris admire his poetry and call him Hubie.
  • How he ends upAlone in his own room at the château, drinking white wine, writing a great deal of poetry through the night and looking very exhausted in the morning, while his wife and her friend take the big medieval bed. At dinner in the garden under a plane tree, the story says, they were all quite happy.