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A character in In Our Time

Peduzzi

An elderly odd-job man in an Italian mountain town who talks a visiting couple into an afternoon's illegal fishing, and drinks their marsala.

What they want

To be walking down the main street of Cortina in company, as somebody worth hiring. He calls the wife up from behind to walk abreast of them, greets everyone he passes by name, and afterwards insists on the same again tomorrow at seven, with bread, salami, cheese, minnows for bait, and perhaps some marsala.

The book

Cover of In Our Time by Ernest Hemingway
In Our TimeErnest Hemingway, 1925

The debut story collection where the modern American short story was invented — trout streams, war flashes, and Nick Adams.

View the book

At a glance

In the book
"Out of Season" only
Where
Cortina d'Ampezzo, in the Italian Dolomites, in the early spring
Trade
Hotel gardening, odd jobs, and selling frogs; a former soldier, in an old military coat
The clients
A young English-speaking man and his wife, whom he calls Signorina, Signora, and eventually caro
The problem
Fishing is out of season and forbidden — a fact he dismisses each time it is raised
Rate for the day
Ten lire for the wine, and four more borrowed against tomorrow

Who they are in the book

Spoiler-free

Peduzzi is an old man in Cortina d'Ampezzo, in the Italian Dolomites, who spades the hotel garden and breaks up frozen manure with a dung fork for a few lire a day. He carries "Out of Season," a story in which he offers to guide a young English-speaking couple to the trout and the afternoon comes apart in his hands.

He is drunk before the party sets off, having spent his four lire and got three more grappas on credit. Fishing is out of season and forbidden, which he waves away. Nothing that follows works: nobody in the town returns his greetings, the wine shop is shut, the wife walks back to the hotel, and the fishing cannot happen because nobody has brought any lead for the line. He treats every step of it as a triumph.

How the book draws them

Appearance, manner, and tone — as the book sketches them, in our words.

  • What he does for a livingOdd jobs at the hotel — a day's spading is worth four lire, and by the end of the story he is glad to think he is through with breaking up frozen manure with a dung fork. He also mentions that he sells frogs. He wears an old military coat and says he has been a soldier.
  • Drunk from the start"On the four lire Peduzzi had earned by spading the hotel garden he got quite drunk." At the cantina by the bridge they let him have three more grappas on credit, because he is so confident and mysterious about the job he has that afternoon.
  • The walk through townHe greets everyone elaborately and tips his hat. The bank clerk stares at him from the door of the Fascist café; groups outside the shops stare; the workmen on the new hotel's foundations look up. "Nobody spoke or gave any sign to them except the town beggar, lean and old, with a spittle-thickened beard, who lifted his hat as they passed."
  • The languagesHe talks fast, with a great deal of winking, part of the time in the d'Ampezzo dialect and part in Tyroler German. Unable to work out which the couple follows better, he tries being bilingual, then settles on Tyroler. Neither of them understands a word of it.
  • Money, asked for sidewaysHe takes hold of the young man's sleeve and says "Geld" and then "Lire," embarrassed but needing to get things moving. Handed a bottle of marsala on the riverbank, he passes it back twice, insists it is not his, and then drinks the whole thing, the grey hairs in the folds of his neck moving as he swallows. Afterwards he asks to borrow five lire for a favour and is given four.
  • Two things go wrong at the waterHe has said the good stretch is half an hour further down; standing at a brown, muddy river beside a dump heap he says it is good here too. Then it turns out nobody has any lead for the line, without which the bait will float. He searches the linings of his military pockets and finds none. The young man reels in and says they will fish tomorrow.
  • "My daughter"Passing a house on the way down the hill he points to a girl in the doorway and says she is his daughter. The wife, who cannot follow the Italian, hears something else entirely and asks whether he has to show them his doctor. The girl goes inside.
Their ending, and the commentary — spoilers aheadHow the book leaves them, what happened after, and what the record says. Open when you're ready.

The couple's own quarrel runs underneath the whole afternoon: he apologises for the way he talked at lunch, she says none of it makes any difference, and she walks back to the hotel alone. Hemingway never says what the quarrel was about. The title is doing more work than the fishing licence.