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Illustrated portrait of Barbara

A character in The Well of Loneliness

Barbara

Jamie's companion since childhood in a Highland village, dying slowly of a cough in an unheated Paris studio.

What they want

To be somewhere nobody knows them. Her plea to Jamie in Scotland is to be taken away, and that she will scrub floors if she has to.

The book

Cover of The Well of Loneliness by Radclyffe Hall
The Well of LonelinessRadclyffe Hall, 1928

The 1928 novel about an Englishwoman who loves women and says so, which a London magistrate ordered destroyed four months after it was published and a New York court cleared five months after that.

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At a glance

In the book
Book Five, in the Paris chapters
From
Beedles, in the Scottish Highlands
Age
Barely nineteen when she and Jamie became lovers
Raised by
Her grandmother, the village post-mistress
Lives
In Jamie's studio in Paris, in the room with the eye-shaped window

Who they are in the book

Spoiler-free

Barbara is Jamie's companion in The Well of Loneliness, the 1928 novel by the English writer Radclyffe Hall. She is fictional. The book calls her a wisp of a girl, very faithful and loving, and adds that she is all woman as far as anybody can detect, with a woman's clinging dependence on Jamie. She has tired, childish brown eyes.

The two of them grew up in the same Highland village and were lovers before either of them had any skill in words — Barbara barely nineteen, Jamie not quite twenty. They left because the village would not have it, and by the time Stephen Gordon meets them they are living in Paris on almost nothing while Jamie studies composition.

How Barbara Is Portrayed

Appearance, manner, and tone — as the book sketches them, in our words.

  • The two of them in the villageInseparable since childhood, the stronger child protecting the weaker at school and at play. Her grandmother, who raised her and was the village post-mistress, mistrusted the friendship and said so, and the neighbours agreed with her because she spoke with authority.
  • The coughIt runs through her whole part in the book. It starts when she laughs too much, it starts when she and Jamie quarrel, and she waves it away every time with the word nothing. Adolphe Blanc, the one man at Valérie Seymour's who looks at people properly, hears it once and looks at her gravely.
  • The losing fightFlakes of flue on the studio floor and thick dust filming the top of the piano. Hall's line is that it is strange so mean a thing as dust should in the end have been able to conquer her.
  • What she will not acceptHelp. Mary Llewellyn strokes her thin hand and pleads to be allowed to do something; Stephen tells her outright to see a specialist. Barbara shakes her head both times.
  • The word she uses at the endUnconscious by then, she opens her eyes once when Jamie comes close and says, "Is that you, my bairn?" Neither Stephen nor Mary has ever heard her call Jamie that before.
  • The deathDouble pneumonia, and barely a struggle — life, the novel says, had left her no strength to repel this last foe. Just before it she kisses Jamie's hand and tries to speak the words of forgiveness for their quarrel, and cannot get them out.

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