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Illustrated portrait of Collins

A character in The Well of Loneliness

Collins

The housemaid at Morton, second of three, with whom Stephen Gordon falls in love at the age of seven.

What they want

Promotion, and the new footman. She keeps her place by lying when a superior servant challenges her, and she takes Stephen's chocolate drops because she likes them.

The book

Cover of The Well of Loneliness by Radclyffe Hall
The Well of LonelinessRadclyffe Hall, 1928

The 1928 novel about an Englishwoman who loves women and says so, which a London magistrate ordered destroyed four months after it was published and a New York court cleared five months after that.

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At a glance

In the book
Book One, chapters two and three
Age
Twenty, and rather ample for it
Position
Second of three housemaids at Morton
Afterwards
Stephen renames her fat hunting pony Collins, which is how the name survives in the book

Who they are in the book

Spoiler-free

Collins is a housemaid at Morton and the first person Stephen Gordon loves in The Well of Loneliness, the 1928 novel by the English writer Radclyffe Hall. She is fictional. She is twenty, florid, full-lipped and full-bosomed, with unusually blue and arresting eyes, and she is what the household calls second of three, which means she may one day hope for promotion.

Stephen has walked past her sweeping the stairs for two years without noticing her. One morning Collins looks up and smiles, and the novel gives the seven-year-old a staggering revelation. The affair, such as it is, lasts one spring and ends with a broken flower pot.

How Collins Is Portrayed

Appearance, manner, and tone — as the book sketches them, in our words.

  • The dirty nailsStephen reaches out to stroke her sleeve; Collins picks up the hand, exclaims at the state of the nails, and Stephen bolts upstairs to cut them. When the nurse comes down to upbraid her, Collins invents a story on the spot in which Stephen showed her the nails herself. Stephen hears the lie, is appalled by the injustice of it, and finds she loves her anyway.
  • The housemaid's kneeShe rolls down a coarse woollen stocking in the night-nursery to display a blotchy swollen knee, presses the dent to show the water, and says it may mean a horrible operation and that it all comes from polishing the floors. It is the most intimate conversation of Stephen's childhood.
  • What Stephen does about itPrays for three weeks to be given the knee instead, and when that fails, kneels on the nursery carpet in twenty-minute stretches until her own knees are raw. Shown the results, Collins is thoroughly shocked, says it is wicked, and then hugs the child.
  • The dressing-upShe plays along with Stephen in costume, particularly as Nelson, calling the cook in to admire. Afterwards she and the cook agree between themselves that the child is a queer fish, always dressing herself up and play-acting.
  • The end of itThe new footman tells her to stop the kid hanging around in case she blabs, so Collins turns cold. Stephen finds the two of them in the potting shed, watches him drag her towards him by the wrists and kiss her, and throws a broken flower pot into his face hard enough to open his cheek. Sir Philip sends them both away the next day.

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