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Illustrated portrait of Paul Doring

A character in Keep the Aspidistra Flying

Paul Doring

A prosperous hack critic who reviews novels for a Sunday paper and gives literary tea-parties in Coleridge Grove. He is the occasion of the worst snub in the book, and he almost certainly did not mean it.

What they want

To keep a literary salon going. He fills his house every few weeks with bright young things and middle-aged women lately escaped from good Christian homes, and introduces every guest to every other by their most impressive credential.

The book

Cover of Keep the Aspidistra Flying by George Orwell
Keep the Aspidistra FlyingGeorge Orwell, 1936

George Orwell's third novel: a bookshop assistant and failed poet has declared war on money, and lives on two pounds a week to prove it.

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At a glance

In the book
Critic; host of the literary tea-parties Gordon goes to
Writes for
The Sunday Post
Home
Coleridge Grove, a damp blind alley of decaying houses
Household
A wife, who is certain she told Gordon the day
Where he appears
Chapters 4 and 5, and one letter

Who they are in the book

Spoiler-free

Paul Doring reviews novels for the Sunday Post and discovers the great English novel, George Orwell writes, with Walpolean regularity once a fortnight. He is an astonishingly bad critic and a prosperous one, and Gordon Comstock cannot work out why a man who could afford a flat on Hyde Park Corner chooses to live in Coleridge Grove instead. Perhaps a penance, he decides, propitiating the injured gods of literature by living in refined discomfort.

Nothing Doring does in the book is unkind. He is kind in a slapdash way, he invites Gordon to his parties and introduces him to everybody as the poet who wrote that dashed clever book called Mice, and when Gordon fails to turn up he writes a friendly letter explaining the mix-up and inviting him to the next one. The whole episode tests the theory Gordon lives by, that people insult you because you have no money, and Gordon refuses to let the evidence disturb it.

How the book draws them

Appearance, manner, and tone — as the book sketches them, in our words.

  • Coleridge GroveA damp, shadowy blind alley of antique decaying houses in dank gardens, where Coleridge was rumoured to have lived for six weeks in the summer of 1821. An electric doorbell would be considered low and unliterary there, so the bell is on a wire.
  • The partiesNo one really worth meeting ever comes. Half the guests are women trying to be literary; the star exhibits are troops of bright young things who form circles of their own and talk about other bright young things by nickname. Gordon spends the time hanging about on the edges of conversations, and looks forward to the next one just as much.
  • The introduction"Gordon Comstock — YOU know; the poet. He wrote that dashed clever book of poems called Mice. YOU know." Gordon has never yet encountered anybody who did know.
  • The empty houseGordon arrives on a Thursday for a party that was moved to the Saturday. No smoke from the chimneys, no lights, no footmarks on the steps. He wrenches the bell anyway, twice, and a servant girl next door comes out to see what the noise is and looks into the middle distance.
  • The letterDoring writes a few days later: what a pity you didn't turn up, there were some people I wanted you to meet, we did tell you it was Saturday, my wife says she's certain she told you, come to the next one on the twenty-third. Gordon tears it into small bits, writes one obscene line in reply, and goes straight out to post it before morning can change his mind.